I may not be at home, but I'm still tossing bullets aplenty... because an all new Bullet Sunday starts... now...
• Cinematic Apathy! Simon Stålenhag is a brilliant, brilliant writer/artist who has crafted some of the most amazing books you'll ever see. The Electric State is a beautifully dark and haunting tale where every illustration looks like it belongs in a museum. The Russo Brothers, whose Avengers movies are genius, made a boring, safe adaptation that completely misses the point (on Netflix). It's awful, even though the source material is phenomenal still...
Even if it were a completely new movie that was an original work it would be awful.
• Qualls! This is easily one of the best Hollywood interviews I’ve ever seen...
What a fascinating guy.
• Port of Seattle! I’ve been saying for decades that SeaTac Airport (AKA Seattle-Tacoma Airport) is one of the shittiest airports in the world, even on the Federal level at Border Control. As you can see here. The airport is busted, nonsensical, inconvenient, and prioritizes space for businesses over space and comfort for passengers. I am filled with dread every time I fly out of the shithole. And I’m filled with embarrassment whenever visitors have to use it.
• Found On The Internet Part 7,365,411! I could use this award almost daily...
And so could you if you read this blog daily!
• Reagan?! I'll just put these videos here for no particular reason...
No reason at all.
• Lumon Terminal Pro! BWAH HA HA HAAAA! If you're watching Severance on AppleTV+, then Apple's latest computer may interest you...
• Vaccinate! I feel bad that anybody suffers the consequences of science-denial... it's all programming and ignorance... but I feel even more terrible that their children have to suffer with them. Because Jesus Christ...
Your God gave us vaccines, but here you are... wanting your child to die instead of accepting a literal miracle that was handed to you.
See you on the other side of the mountains. One of these days.
I love map books and books on foreign cultures.
McAtlas has both.
It's a beautiful book (JUST LOOK AT HOW THE PAGE EDGES MAKE A HAMBURGER... COMPLETE WITH POPPY SEED BUN!)...
©2024 by Gary He and McAtlas
...which takes a fascinating look at some interesting McDonald's from around the world. In addition to gorgeous photos of some of the restaurants, there's also pages dedicated to unique food items that are available in other countries.
©2024 by Gary He and McAtlas
©2024 by Gary He and McAtlas
©2024 by Gary He and McAtlas
©2024 by Gary He and McAtlas
This will be a candidate for my favorite book purchase of 2025. I just got it yesterday and am already half-way through! I got it direct from the website, and they're currently offering free domestic shipping.
Why does life have to be so incredibly messy?
Neil Gaiman is one of my favorite authors. I love his works. So when I heard that the amazing Colleen Doran was illustrating a graphic novel based on Neil and Terry Pratchett's Good Omens back in the Spring of 2023, I never backed a Kickstarter so fast.
Since then Doran has been diligently trying to complete the project... even working through cancer treatment to finish. Because of her health issues, the book is way overdue, but I didn't care because I love her art so much. Definitely worth the wait. BUT THEN there's all the horrific allegations of grooming and abuse by Neil Gaiman that came to light.
As a result, the Kickstarter has extended the refund window and stated that Neil will not receive any of the proceeds from the project... so now I'm stuck. Do I cancel because supporting Gaiman in any capacity is impossible for me given how awful he turned out to be? Usually I'd say yes. But Colleen has poured years of her life into this book... and had nothing to do with what Gaiman's done. The idea of not supporting her is really impossible for me.
Ultimately my desire to not punish Colleen Doran won out and I've decided to keep my Kickstarter pledge. But holy shit is this an awful place to be. How many people have to get their lives upended by this one asshole? Because on top of the people making the Good Omens graphic novel, there's the people working on adapting his other works for stage, screen (most notably the amazing Netflix adaptation of The Sandman), and other graphic novels.
This really blows. Sometimes I can manage to separate the artist from their art. This time around it's been really, really tough.
The fact that I've been working every day of my vacation would be tragic if not for the fact that I am thrilled come Monday I won't be completely drowning in all the work I missed. That makes it all worthwhile.
Today I did get to hang out at a friend's pool after going to the office in the morning. Then go out to dinner. Then finish a book I've been reading (I'm trying to catch up with the Jack Reacher series, and this was #27, No Plan B, which is excellent... even though the books aren't the same since Lee Child started collaborating with his brother on them so Reacher keeps going after he retires). So, plenty of vacation to be had.
In other news... why are book covers for major authors so frickin' boring?
I get that you want a popular bestselling author like Lee Child to dominate so his fans will notice it on the shelf (or, more to the point, notice it in an Amazon thumbnail), but surely they can come up with something more interesting than this?
My favorite novel of all time is Nobel House by James Clavell.
It is a masterpiece of storytelling that brilliantly weaves multiple complex storylines and fictionalized historical events into a highly entertaining story. I've read it at least ten times. But Nobel House, a story of modern Hong Kong circa 1963, is but one piece of Clavell's sprawling "Asian Saga" which includes his far more popular and well-known work, Shōgun...
Most people familiar with Shōgun know it from the 1980 five-episode mini-series event starring Dr. Kildare himself, Richard Chamberlain. So far as mini-series of the day go, it was pretty good. A fair amount of money was injected into the project, so it had good production values and a skilled cast. Here in the USA, it was a cultural phenomenon that was well-received. In Japan, however... well... it was a fictional accounting of their very real history, so it was not well-received at all. And understandably so. I mean, just look at this nonsense...
At the time I was mesmerized by the series. I think it was my second "event" mini-series after Roots, and I anxiously awaited each installment. And then I started reading the Clavell books (of which only King Rat, Tai-Pan, and Shōgun had been written). Then the following year in 1981 Nobel House was released and my literary world was turned upside-down.
But anyway...
FX Networks (via Hulu) has now begun a new 10-part adaptation of the novel. Gone is the over-the-top acting style of the 1980's, replaced by more reserved and powerful performances. Japanese is subtitled Japanese (thank heavens) and Portuguese is depicted with English so that the entire series doesn't have to be subtitled. In some ways the production feels a bit more intimate than the excessive 1980 series but not in a bad way. You still get the glorious money shots to establish scale (visual FX makes possible was could never have been realized 24 years ago), and the sets have authenticity which makes it a pleasure to watch. It's just that the focus is more on the performances than the spectacle. The first two episodes aired last night, and now we're getting a new one each week...
Taking place as the Edo period of Japan's history was being born, the world of Shōgun is truly bizarre by Western standards. An English guy ending up shipwrecked there at the time would very likely have gone mad. Violence and death was commonplace and intricately linked to a social caste system and honor code which is incredibly difficult for foreigners to even begin to grasp. Layer upon that the complex politics of pre-Edo, feudal Japan and it's amazing that Clavell managed to figure out a way of setting a story there that could be understood by Westerners to begin with. But set it there he does, and it's made even more complex because you have to understand the geo-politics in Europe as well. The English Protestants against the Portuguese Catholics who controlled trade in Asia.
The new FX series does a pretty good job of hand-holding the viewer through all of it, carefully dropping bits of exposition in a way that's not offensively obvious nor mind-numbingly boring. By the end of the second episode, you're pretty much set (which is probably why they were released at the same time) which means that the remaining eight episodes will be a ramp up to the heart of the story.
Now, when it was announced years ago that an adaptation was being made, I was really, really hoping for Michiel Huisman to play Pilot Major John Blackthorne. The character is English and Huisman is Dutch, but of all the actors working at the time of the announcement, he was the one I felt could best embody the character (driven mainly by his work on Game of Thrones). Ultimately the role would go to Cosmo Jarvis, who I was unfamiliar with. The guy does a phenomenal job with the part, which is great given that the entire show hinges on his performance. He has a very fine line to walk in the earlier episodes as he adjusts to the world around him but handles it with ease. Another standout is Tommy Bastow playing the Portuguese priest Father Albito. Despite him being an "enemy," you want to like him, which is critical to his role. Of course all of the Japanese parts are very well cast.
Especially Mariko.
Anna Sawai I actually recognize from, of all places, Fast and Furious 9 (more recently she was in Monarch: Legacy of Monsters). Near the end of the second episode her character has to hear some incredibly shocking news and then deliver it to her Lord Toranaga. But she has to be very Japanese about it, showing neither shock nor surprise... all while being totally shocked and surprised. And you read it all on her face. It's thrilling to watch.
So... yeah... so far so good, and I'm giving the show my highest possible recommendation. Knowing where the story is headed has me excited about future episodes, and I am almost certain to sit down and binge the whole thing over a weekend after finishing the final piece.
Can't give you more of an endorsement than that!
My favorite comic strip of all time, hands-down, is Calvin and Hobbes. It's a joyous, imaginative, beautiful look at life through the eyes of a child and his imaginary tiger buddy. It hits in a way that's far different from the other strips I love... like Peanuts and The Far Side. Thanks to The Complete Calvin and Hobbes book set, I've re-read these strips dozens upon dozens of times. They never get old. And the minute I reach the final strip I have to resist the urge to go back and re-read all of them again.
I mean... just look at this genius...
Anyway...
The massive volumes of The Complete Calvin and Hobbes are really tough to lug around. So now the strips are being collected into small paperback sets that are easy to toss in your backpack or read on a train or whatever. Set 1, Volume 1 of The Calvin and Hobbes Portable Compendium was released back in August (Set 2 releases next March). They're fantastic...
It was while looking to see when Set 2 was being released that I waded through the massive number of illegal Calvin and Hobbes merchandise that Amazon allows on their site. And when I found this video...
My opinion of Calvin and Hobbes is always stratospheric. There's really no way it could be any higher. But I do enjoy hearing other people's take on why they love it.
Maybe one day a strip will come along that I end up liking better, but it seems to doubtful because it would have to be better than perfection.
I don't understand people who don't find space exploration utterly fascinating.
The United Arab Emirates has a Mars probe (named Hope) that sent back one of the most amazing shots I've ever seen. It's of the moon Deimos above The Red Planet, and the image composition is so amazing that you'd think it was Photoshopped. Or CGI. Or a painting. Or anything except a photograph...
Photo from Emirates Mars Mission
The mission was originally set to end by now, but the UAE just extended it another year. The probe's wide orbit of the planet allows study of the planet and its moons in a way we haven't had before.
My fascination with Mars is directly attributed to the Edgar Rice Burroughs Barsoom novels...
Incredible painting by Michael Whelan shown the Martian moons of Barsoom for Thuvia, Maid of Mars
Burroughs had a fascinating take on the moons Phoebus and Deimos, which Barsoomians (AKA "Martians") call Thuria and Cluros. Because the moons are very small... just 17 miles and 9 miles across, respectively)... people shrink when they approach them. John Carter visits Thuria in the book Swords of Mars only to find the surface area was similar to that of Mars, relative to his tiny size.
Phoebus and Deimos are notable not just because they are so small, but also because their orbits are really close to Mars. Phoebus is just 5,800 miles away... Deimos 14,500. Earth's moon, for comparison is 238,900 miles! But it gets worse. Phoebos's orbit is decaying 6 feet every hundred years. Which means it's likely to break apart (Mars gets a ring!) or crash into the planet in another 50 million years.
Thanks to NASA's Perseverance rover, we actually know what a solar eclipse looks like on Mars...
I could go on for pages writing about Mars and its moons. The exploration of our neighboring planet is a fascinating subject on which there are volumes of research, photos, speculation, and fiction available. It's a bottomless pit from which I'm happy to keep falling.
I save a lot of stuff throughout the week, then choose the top six or seven items for that week's Bullet Sunday post. But with this one I just can't wait.
I saw this video which shows how the book Dune compares to the movie Dune: Part One and was so frickin' impressed that I re-watched it on my television. I've read the book at least a dozen times... watched the movie a half-dozen... and this video flawlessly shows how smart choices have to be made when filming an "unfilmable" novel.
Dune: Part One leaves a lot of stuff out, because you pretty much have to, but the stuff they jettisoned built a movie that honored the spirit of the original in a way that you could only dream of...
So many movies fail... badly... by either keeping too much or keeping the wrong stuff... or making changes that ruin the story. Dune: Part One is an example of how you do it right, even though the video points out that some things get lost that changes how you perceive the story.
But hopefully if people enjoyed the movie they'll read the book to get all that stuff back. The movie adaptation really doesn't change anything in a way that no longer makes sense when you experience the source material, which is exactly how you should do it.
In my work I've had the opportunity to be around vast wealth. I'm not talking mere millions (though that is certainly "vast" to me!)... we're talking obscene levels of wealth. People who never have to consider the price of anything. Dropping a million dollars at Crystal Shops on a Vegas weekend is like a drop in the bucket to them. They don't look at price tags because $5 or $50,000 is all the same to them. They have more money than they could spend in several lifetimes, so the idea of being concerned over such a pittance doesn't even hit their radar.
Now, I've never had ambition to be so wealthy. It's not something my value system can accomodate. So long as I can afford to pay rent, buy the things I need, and be able to afford cat food, I'm good.
However...
Every once in a while something comes along where I really, really wish that I had such vast wealth that I could just buy something cool without having to worry about paying for it. Or selling a kidney. Not like a Lamborghini or a beach house or anything like that (though I certainly wouldn't turn them down if you're offering). I'm talking about random stuff that should be accessible to everybody, but has been priced so that only the über-wealthy can afford it.
Like this book set called The Sistine Chapel. It's a massive tome filled with actual 1:1-sized images from some of the most remarkable art ever created (with Michelangelo's ceiling being the most well-known). The size you're looking at the art in the book is the size that it is in real life. It's sublimely cool...
It's limited to 1,999 copies and costs $22,000.
Of course I can't spend this kind of money. And if I had the option of being able to pay off a chunk of my mortgage or have this book, obviously I'd put that money on my mortgage.
That's not the point.
The point is that it's insane how something like this is so far out of reach out of the people who might most appreciate it. People who could never afford to fly to Italy, make their way to Vatican City, then take the time off to stand in line and see it in person (not that you'd be able to study the images at the level of detail offered in this book, but still). Some struggling artist who can barely afford to afford groceries, but loves looking at such incredible works like this, is completely out of the loop. And that just seems... wrong. Because these books will end up in the homes at people who buy it to have it as a status symbol, barely look through the pages, then put it on a shelf with all the other expensive things that they buy just because they can.
Not that this is different than anything else now-a-days.
It's quickly getting to the point that only the über-wealthy can afford to own a home, let alone a $22,000 book.
And so I guess I will be waiting for the paperback release or whatever. Perhaps His Holiness the Pope will deem us pleebs worthy and consider such a thing one day.
I was deeply saddened to learn that Zen Master Thích Nhất Hạnh has died. He was a welcome voice and teacher for me since I became interested in Buddhism way back in 1998 (his book The Heart of Buddha's Teaching was one of the first I read). A consistent advocate for peace, the last book I read of his, The Art of Living: Peace and Freedom in the Here and Now was in 2017... and his last book from 2021 (Zen and the Art of Saving the Planet) is on my list...
In a world that's besieged by darkness, his teachings were a light that guided me. And will likely continue to do so for the rest of my days.
In the darkest time of my life Master Thích Nhất Hạnh was there. His words about his own mother's death got me through mine...
The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me.
I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil.
From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time.
I cannot fathom how many lives this gentle man's teaching have touched. Because it's not just those who listened to his words, read his books, and learned from his teachings... it's all the people that those people touched.
Kindness can be more contagious than Omicron.
You will be sorely missed Master Thích Nhất Hạnh, but your love and light will never die so long as somebody somewhere offers a kindness to another. Because it's not irrational to think that a kindness you initiated was patient zero for a kindness today.
And tomorrow.
I don't see why we have to say "I will die," because
I can already see myself in you, in other people, and in future generations.
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