Since I'm back from my Thanksgiving adventure, I might as well bullet up the internet... because an all new Bullet Sunday starts... now...

   
• Past Midnight! Fly By Midnight is my favorite band of 2021... and they never disappoint. This live broadcast is wonderful...

I cannot believe that I didn't even know they even existed until a couple months ago. The music industry is weird.

   
• Mata WHAT?! Okay. I know it will get better. I understand this. But right now? No thanks. The "metaverse" looks awful...

Maybe for an occasional chat, but I don't want to live here.

   
• InstaGreat! Oh nothing... just InstaCart making my Thanksgiving be great by doing God's work...

Alas, Instacart isn't quite so accessible when I'm at home... but across the mountains I absolutely love that a few clicks is all it takes to get whatever you need brought right to your door!

   
• DavidLL! Six calls. SIX FUCKING CALLS to U.S. Bank to try and get my name correct on my account. Surely I am not the only "II" to ever have an account at US Bank?? But despite SIX CALLS, my account is still fucked up. My name is David Simmer II. Not David II Simmer. Not David Simmer LL. Not DavidL Simmer. Not DavidSimmer LL. AND NOT DAVID L LL!! Jesus Christ... what the fuck does it take? How hard is this? Apparently it's equivalent to fucking brain surgery that it's STILL NOT RIGHT after SIX FUCKING CALLS!!! Forget having nice, kind customer service agents. I want a total asshole who will ACTUALLY. GET. THE. JOB. DONE!

The fifth time I literally walked them through it... "The first name box should be DAVID, the last name box should be SIMMER, the suffix box should be TWO CAPITAL I's to get II. I don't use my middle name and would prefer not to have it left blank, but if you insist, the middle name box should say LEWIS. Didn't make any difference. Still got it wrong.

   
• Dope Soap! I see Ice-T in the new Tide Pod commercials and try very hard to remember that he had a music career before he went into acting... and pushing soap. Which is a far cry from when he was pushing dope, which was definitely not cleaned by soap...

I don't play when it comes to my dope
I check my lyrics close, like with a microscope
I don't clean'em up with no ivory soap
I leave'em hard and pure, hope that you can cope
Because you might O.D. if you overdrive

Tide Pods... the soap that's dope!

   
• Spidey 4, 5, 6! Rumor has it that Sony has backed up a dump truck full of cash to Tom Holland's house for another trilogy of Spider-Man movies. This makes me very, very happy. While ultimately I'm looking forward to Miles Morales taking over the role, I think that Peter Parker has some stories left to tell. Besides, they can always do a Miles Morales movie, then have worlds merge in Spider-Man 6 as a nice hand-off kind of thing.

   
• A Mother's Love! And, lastly, I had no idea that this happened... The Open Christmas Letter.

   
Enjoy those fleeting shopping days until Christmas!

I am not terribly thrilled that Marvel is going the "Multiverse" route with their films. The need to make sure that the earlier Spider-Man movies are a part of the Marvel Cinematic Universe is dragging us backwards rather than taking us forward by cutting them loose. Will it be nice to see Alfred Molina as Doc Ock again? Sure. But at the expense of miring the MCU with the silly idea that Peter Parker looks completely different in the different universes? It makes no sense.

But here we go anyway...

In addition to Alfred Molina, we're definitely getting Willen DaFoe as Green Goblin and Jamie Foxx as Electro. And it looks like we're getting Rhys Ifans as The Lizard and Thomas Haden Church as Sandman... though those could just be CGI additions with no connection to the actual actors.

But it's like... why?

Why not create new versions of these characters that are closely tied to what Marvel Studios is doing now? Does this mean that these characters will never appear in the MCU proper because they are from a different universe? That doesn't seem too smart.

It seems likely all of this is to keep Sony happy, since they have the Spider-Man movie rights tied up and, technically, the character is on-loan to Marvel. The Multiverse allows them to have Spider-Man back for their Venom movies and such while still allowing Spider-Man to move forward with Marvel Studio films. It's a profitable double-dip. Assuming Tom Holland wants to continue on. Though this could also all be a set-up to give us Miles Morales Spider-Man.

They really should have let DC Comics hang on to this bad idea in their The Flash movie and kept moving forward with the success they had been having.

Oh well. Dr. Strange looks to be having a great time in the movie, so perhaps that will be compensation for what feels like a big blunder. But who knows? Maybe Marvel has figured it all out so that it's actually a good thing.

Sunday is travel day but I'm not depressed at all, because an all new Bullet Sunday LIVE FROM NEW ORLEANS starts... now...

   
• Spider-Fan. It was being reported that Tom Holland himself was responsible for getting Disney and Sony back to the bargaining table and keeping Spider-Man in the MCU. This was then confirmed by Bob Iger on Jimmy Kimmel Live! To say I'm thrilled is a gross understatement...

All you have to do is watch the post-credits sequence of Spider-Man: Far From Home to know what a huge, huge, massively huge benefit it is to have even the smallest ties to what Marvel has built... it's not just the big players like Nick Fury and Maria Hill. So bless you, Tom Holland.

   
• FalCap! And speaking of the Marvel Cinematic Universe, this fantastic piece of art appeared this week...

If Marvel Studios puts as much effort and money into their Disney+ series as their movies, we are in for a real treat.

It looks like Falcon Cap still has his wing pack on? I would hope so. Since he doesn’t have Cap’s Super Soldier serum, he’s going to need something to give him an edge. Could make for a very interesting fighting style.

   
• The Horror. This GEICO insurance commercial slays me every time it appears on my television...

If all commercials were as clever as this, I wouldn’t have to fast-forward through them. But most commercials are stupid and so annoying that I really HAVE to fast forward through them.

   
• Predator. Speaking of horror... holy crap! Maybe it’s because I buy cheap cars that I actually pay off that I was so oblivious to just how horrific and predatory the auto industry is when it comes to selling their crack cocaine! I mean cars. I had no idea.

   
• Real Fake. This video explaining the cinematography of Disney Pixar’s Toy Story 4 is absolutely fascinating...

While a part of me bemoans the impending death of hand-drawn animation, it’s nice to know that 3D computer animators are not resting on their laurels, and continue to push for ever more amazing work in their films.

   
• A9. Hey, if anybody has $4,500 laying around, you could totally buy me the gorgeous new Sony A9 Mark II camera that’s being released later this year. Just sayin’.

   
• Enjoy Your Inequity. In what should come as a shock to absolutely nobody, the IRS admits that they audit poor people because it’s easier and cheaper than auditing rich people. And make absolutely no mistake... the wealthy people who own this country designed it to be this way. They get all the loopholes... they get all the breaks... they get everything. And meanwhile, you get to take the shit sandwich they’re feeding you.

   
See you next Sunday... but probably not from my favorite American city.

Well this sucks.

In what can only be described as a shit-storm of awfulness, Hollywood has dropped two pieces of horrifically bad news on movie lovers today.

First of all, Sony and Marvel Studios can't come to an agreement over Spider-Man, so the character will no longer be appearing in Marvel Studios movies. This is unbelievably shitty, because he's become such a big part of them. Can you imagine Infinity War without Spider-Man? I sure can't. And then there's the beautiful and effortless integration of Tony Stark into the Spider-Man cinematic mythos. The new Spider-Man is heavily rooted in the MCU, and all that is going to have to be ripped away once he goes solo at Sony again. Poor, stupid Sony, who doesn't want to share future movie grosses after the BILLION DOLLARS that Marvel Studios is responsible for them making (their highest gross for a film ever). And if you thought that Sony wouldn't shit all over its fans like Marvel Studios did with their theatrical re-release of Avengers: Endgame, think again. They're bringing back Spider-Man: Far From Home with four whole minutes of extra footage!

   
Next up? Keanu Reeves and Carrie-Anne Moss are coming back for yet another The Matrix sequel. Now, don't get me wrong, the original film was genius in every way and remains one of my favorite movies of all time... but the sequels were complete and total shit. They were lazy, effects-driven idiocy masking as high-concept art. "GAH! ORACLE, WHAT DO I DO?!?" — "You know what you must do." — "GAH! MORPHEUS, WE'RE ALL GOING TO DIE, WHAT'S NEO GOING TO DO TO SAVE US?" — "Neo will do that which he must do." — "GAH! MEROVINGIAN, GIVE US THE KEYMAKER TO SAVE US ALL!" — "You see there is only one constant. One universal. It is the only real truth... causality, action, reaction. Cause and effect." — "WHAT THE FUCK DOES THAT EVEN MEAN?!?"

No idea how Neo and Trinity are coming back since they are dead and all... but I'm sure something will be rebooted or turned off and turned back on to make it all possible. Ugh.

   
In good movie news?

The 25th James Bond film will be titled No Time To Die, still starring Daniel Craig as God intended. And while it won't be helmed by Danny Boyle as originally planned, it will be directed by Cary Joji Fukunaga, which is an interesting choice. He is the guy responsible for the most excellent Sin Nombre and Beasts of No Nation... and also the writer of the highly successful It movie adaptation. Since he's both co-writing and directing the new Bond, I am hopeful we're going to get something interesting and entertaining... more along the lines of the excellent Skyfall as opposed to the mediocre Spectre.

   
And in still more good movie news?

It's already been confirmed that Eddie Murphy, Arsenio Hall, James Earl Jones, Paul Bates, John Amos, Shari Headly, and Louie Anderson will all be reprising their roles in Coming 2 America (sadly Madge Sinclair has passed so we won't have our Queen)... and we know that Wesley Snipes, Leslie Jones, and Jermaine Fowler will be added. But now we know that Tracy Morgan and Rotimi Boards are also onboard for the Coming to America sequel! Sounds like the cast is on-point, so now we just have to hold our breath for December 18, 2020 to see if the story pans out.

   
And lastly in good movie news?

A new holiday movie, Last Christmas by Emma Thompson and Paul Feig starring Emilia Clarke, Henry Golding, Michele Yeoh, and Emma Thompson, is hitting theaters this November!

I had no idea this was even in development... let alone ready for release this year! Looks like yet another cheesy Christmas movies I can't live without.

   
Untill next time, true believers...

I saw Spider-Man: Far From Home quite a while ago.

But then I got busy and there never seemed to be time to sit down and write up my thoughts on it. So I just kept jotting down notes until I managed to get enough to put them in an entry. Overall I liked the movie quite a lot. Though it hasn't displaced Homecoming as my favorite MCU Spider-Man film, there was still a lot to love...

Needless to say, spoilers will follow...

   
Spiderman: Far From Home is a pretty great flick. I don't know that I like it better than Spider-Man: Homecoming, because that film was about as flawless as it gets, but Far From Home is a close second. Jon Watts keeps knocking Spider-Man out of the park, and I couldn't be happier about it.

Let's just bullet-point the major talking points here...

• Tom Holland remains a flawless choice for Peter Parker / Spider-Man. First of all, he's convincing as a high school kid, which is what was missing from the previous Spider-Man films where he was an adult. Starting out as a kid is what makes Spider-Man different, and is what should be embraced. Finally we're getting that.
• Zendaya may be underused (again), but she's got the talent and drive to make the most of every second she's on screen. I absolutely love her character, and having her discover Spider-Man's identity the way she did was pretty great.
• I actually liked Ned better in this film even though he had a better part in the previous film. In Homecoming Ned was the "Man In The Chair" helping Spider-Man out, but that felt kinda intrusive to me. Now that Ned is just Peter's friend again (albeit one who knows his secret identity) I think he works better.
• Happy Hogan is as critical to the MCU Spider-Man as Aunt May is, and working him in to the story they way they did was sublime. I sure hope they find ways to keep him around the MCU like this now that Iron Man is out of the picture.
• Reimagining Mysterio the way they did was both disappointing and the smartest thing about the film. In the comics, Quentin Beck is a Hollywood stuntman and special effects artist. When he was rejected as an actor, he decided to use his ability to create movie illusions to become a super-criminal. That would take a lot to explain in a 2-hour movie, so the rumor was that they were going to reinvent him as a failed stage magician who uses magical illusions to commit crimes. While this would be a more plausible idea in a day-and-age where the vast majority of movie special effects are computer-generated, I don't know that what they ultimately came up with was better. Turns out Mysterio is actually an entire team of former Stark employees who feel wronged by Tony Stark. They combined their various talents to create a new hero so they could con the world into doing whatever they wanted to do. A part of me was like... um... you're creating some of the most advance tech on earth and can make people see whatever you want to see. Why not just covertly do whatever you want to do? Why create Mysterio at all, if this is your goal? Doesn't that just draw attention to you? It's kinda silly.
• It used to be that I would thrill to how Marvel Studios keeps integrating all their films so tightly. I'd be all "HOW COOL IS IT THAT THE REASON THIS HAPPENED IN THIS MOVIE IS BECAUSE THAT HAPPENED IN THAT MOVIE?!?" But now that they're pulling random background people from older movies to create Team Mysterio, it's getting kinda lame. Oh look! It's the science guy that Obadiah Stane yelled at in the first Iron Man movie! Yay? Keep integrating all the Marvel films into a coherent universe for these MCU characters? Yes please! Start pulling out random background extras so you can build these connections? Nah. We're good.
• That being said, Jake Gyllenhaal was pretty great as Quentin Beck though, right? His entire character arc hinged on him being a Tony Stark mentor replacement for Peter Parker. He had to get that just right, or the movie's premise would fail. Once he put on the EDITH glasses, Quentin's greatest illusion was complete, and you totally buy why Peter handed over EDITH to him. Brilliant casting.
• When it comes to the EDITH glasses, however, I don't really get it. Assumably Tony built this massive drone defense system in case there's a dire threat to all humanity. Good idea. But the fact that it's useless without EDITH to control it is insane. What then... if Peter Parker dies then the system which could have helped thwart an alien invasion just sits there because the only guy who could control it is six feet under? Isn't that a bit crazy? How does that make sense? I dunno. Maybe upon Peter's death EDITH goes to Rhodey or something but, so far as plot points go, this still feels kinda nuts.
• Another thing that seemed nuts? The crazy-ass coincidences that plague this movie. Ned and Betty just HAPPEN to be in the Ferris wheel which just HAPPENS to be where the merged elemental appears? And it just HAPPENS to be made out of the metal the elemental needs to grow more powerful so it gravitates towards it? MJ just HAPPENS to be standing where the ONLY hologram projector falls off? I mean, I get it. I read Edgar Rice Burroughs, so I know that a never-ending string of coincidences can make good fiction. But with a little more thought put into these things, it seems as though we'd have a much tighter narrative where blatant coincidences aren't required to move the story forward.
• Nick Fury is always a welcome addition to any MCU film. How they manage to always find such smart ways to integrate him into the movies is a mystery, but I'm thankful they don't feel at all gratuitous. Not yet anyway.
• Spider-Man's "spider sense" (branded "The Peter Tingle" in the movies) which alerts him to impending danger has always felt like a stretch in the comics. The idea is that spiders seem to be able to predict when you're about to smash them, because they always seem to be able to get out of the way first. And that's clever. In real-life it doesn't work like that (I think spiders are just sensitive to air movement and pressure changes which gives them the illusion of having a spider sense), so I was happy when the concept was seemingly abandoned in the MCU. But here it is, and it's just as inexplicable and sloppy as it's always been. Abandoned most of the time Peter should be sensing danger... but suddenly making an appearance when the writers need a way for Spider-Man to see through Mysterio's illusions. That's just a lazy crutch, and I think the movies are poorer for it.
• I think we're at a point where the idea of amping up the action for each new Marvel film has finally reached a breaking point. Some of the action sequences in Far From Home were almost incomprehensible because there's so much going on so quickly that you can't wrap your head around it. When Spider-Man is whipping around at break-neck speeds and still able to dodge drones and handle three problems at the same time, that's his enhanced speed and reflexes doing their thing. But the audience doesn't have enhanced speed and reflexes.

If there were no huge surprises to be found in the film proper, there was one heck of a bombshell that dropped in the mid-credits sequence. First they had Mysterio reaching up from the grave to paint Spider-Man as the bad guy. This is straight out of the comics I read in the 1980's. Because in the Spider-Man comics back then (maybe even today), even when Peter wins, he ultimately loses. There's always bad to go along with the good.

Then, of course, Spider-Man's secret identity was revealed. Whoa. I like that Marvel is ditching all these stupid secret identities which feel so antiquated now... but Spider-Man is an actual kid, and this seems like a pretty Big Deal. I am very much curious to know where they go from here.

And now for some random bullets...

• Whitney Houston's cover of Dolly Parton's I Will Always Love You (at the opening) and The Go-Go's Vacation (at the end) were note-perfect choices. We also got more of The Ramones with I Wanna Be Your Boyfriend (using their Blitzkrieg Bop in Homecoming remains my second favorite Marvel music cue... second only to Immigrant Song in Thor: Ragnarok). I don't know how the 80's songs keep making their way into these movies, but I'm pretty happy about it.
• A shout-out to Martin Starr, who plays Mr. Harrington. Starr manages to play the semi-clueless teacher in a way that's charming more than stupid, and I don't think many actors could pull that off as well. Casting him out of Silicon Valley is right up there with Tom Holland and Zendaya to me, because the wrong choice would have ripped you out of the movie every time he shows up.
• Turning the Netherlands into the European Canada seemed distracting and unnecessary, and any humor that they think came from it fell pretty flat.
• Thank heavens Peter's Iron Spider costume was left at home. He's got enough powers... more than enough powers... without having Iron-Man-like enhancements on top of it all. I was really, really hopeful that once we watched it all fall apart in Avengers: Endgame, we'd never be seeing it again.

And that's a wrap.

Time to update my "Y2K Super-Hero Comic Book Renaissance" scorecard...

Ant-Man... A
Ant-Man and The Wasp... A-
Aquaman... B-
The Avengers... A+
Avengers: Age of Ultron... A
Avengers: Infinity War... A
Avengers: Endgame... A+
Batman Begins... A
Batman Dark Knight... A+
Batman Dark Knight Rises... A
Batman vs. Superman: Dawn of Justice... D
Big Hero Six... A+
Black Panther... A+
Blade... B
Blade 2... B
Blade Trinity... B-
Captain America... A+
Captain America: The Winter Soldier... A+
Captain America: Civil War... A+
Captain Marvel... B+
Catwoman... F
Daredevil... B-
Daredevil (Director's Cut)... B+
Deadpool... A
Deadpool 2... A
Doctor Strange... A
Electra Woman and Dyna Girl... B-
Elektra... D
Fantastic Four (2005)... C
Fantastic Four: Rise of the Silver Surfer... D
Fantastic Four (2015)... D+
Guardians of the Galaxy... A+
Guardians of the Galaxy: Vol. 2... A
Ghost Rider... C
Ghost Rider: Spirit of Vengeance... D
Green Hornet... D
Green Lantern... C+
Hellboy... A
Hellboy 2: Golden Army... A
Hulk... C-
Incredible Hulk... B
The Incredibles... A+
Iron Man... A+
Iron Man 2... A-
Iron Man 3... A+
Jonah Hex... F
Justice League... F
Kick-Ass... B+
Kick-Ass 2... B-
Man of Steel... F-
Punisher... C+
Punisher War Zone... C
Scott Pilgrim vs. The World... C
Spider-Man... B+
Spider-Man 2... A
Spider-Man 3... D-
Amazing Spider-Man... D
Amazing Spider-Man 2... D-
Spider-Man: Homecoming... A+
Spider-Man: Far From Home... A
Spider-Man: Into the Spider-Verse... A
Suicide Squad... D
Superman Returns... C+
Thor... B+
Thor: The Dark World... B
Thor: Ragnarok... A+
Watchmen... B
The Wolverine... B
Wonder Woman... A
X-Men... C
X-Men 2: United... D
X-Men 3: Last Stand... F-
X-Men Origins: Wolverine... D
X-Men: First Class... B
X-Men: Days of Future Past... B-
X-Men: Apocalypse... D+