Marvel Studios used to make a good film FIRST and have the bigger story arc of the MCU be a nice-add-on. That's why their movies have always been stellar. But lately they seem to be chasing another big Avengers Infinity War/End Game arc first, putting characters and story second, and it's ruining everything. Make the movie you're making now the best it can be. Then drop a few things that aren't distracting, but pushing what you're building up to. It's formula, but it works.

Today the teaser trailer was released for their second big movie of 2025 (after Captain America: New World Order), and it looks very promising...

And the movie poster is glorious...

Now, readers of Marvel comic books have a lot to take in here. The concept of the MCU version of Thunderbolts is very different from what we've seen in the source material. But... there's things in the trailer which are familiar too. The biggest of which is the debut of Sentry, likely the most powerful character in the entire Marvel Universe. How they decided to put such a character in Thunderbolts I have no idea. But it's very cool. They could have saved it for an Avengers film (heaven only knows the guy is powerful enough to take on the entire team!), but they must have had a good idea for Thunderbolts and decided to put the movie first and go that route.

Bravo.

I really, really hope that Marvel Studios is back to their former ideals and not coasting with movies that have no purpose for the characters, but exist solely to push a bigger narrative (Like Ant Man: Quantumania which, ironically, is now completely irrelevant since Kang has exited the MCU and may never be mentioned again despite the cliffhanger post-credits ending).

One can hope.

Continuing on with my recent trip to Walt Disney World... I'm going to go out on a limb and say that Guardians of the Galaxy: Cosmic Rewind is my favorite of all the new attractions I rode. It's an immediate classic because it's so well done and so entertaining. If Disney is going to fart IP over absolutely everything, I hope it's as thoughtfully done as this. I went in expecting it to be another Rock 'n' Roller Coaster Starring Aerosmith being an indoor coaster with music... but walked out feeling like I had been slapped across the face. In a good way.

Which is not easy for me to say for two reasons...

1. It replaced Ellen's Energy Adventure, which I really liked (hey, at least the dinosaurs were actual physical animatronics instead of being crappy screens like Na'vi River Journey).
2. The attraction goes against the concept of Epcot's "Future World" which was to explain how the planet is moving into the future in a realistic way, focusing on the land, the seas, the body, energy, transportation, and the like. About the furthest it strayed was Journey Into Imagination, but even that was designed to show how dreams and imagination can be harnessed to build our future. This ride attempts to explain it away, but it really doesn't. Everything about it is fiction with no basis in reality.

But anyway...

You enter the "Wonders of Xandar" pavilion to learn about the planet (featured in the first Guardians of the Galaxy film) and the queue actually reflects that. There's exhibits and recordings and stuff all about Xandar to entertain you while you stand in line. Then you get transported through a jumphole to actually visit Xandar when, oops, a Celestial shows up and steals the Cosmic Generator to travel back in time and erase humans from existence. Just as the Celestial hops through the jumphole to the past, The Guardians show up and tell you that you will have to chase after him and retrieve the Cosmic Generator if you ever want to make it back to earth and, you know, keep existing. You board an evacuation shuttle to follow the Celestial and chaos ensues.

Not a lot for me to be critical about, but let's recap, shall we?

The Bad...

• The Location! In the queue you learn that Epcot was chosen as the location for the Xandarian outreach pavilion because it was Star-Lord Peter Quill's favorite park as a kid (especially the "Universe of Energy" pavilion, which is hilarious given that this ride replaced it). But it's completely against the whole idea of what Future World is supposed to be about, and seems so badly out of place. Unless they're going to shoehorn in IP stuff everywhere else as well. In which case Epcot is out of place in Epcot. In all honesty, I think the intellectual property mandate is going to really hurt the parks (some IP is good, but they need to remember that the attractions can also create IP... like Pirates of the Caribbean and Haunted Mansion did).
• No Bradley Cooper and Vin Diesel? I don't get this at all. Even if they were unavailable when filming was done, they could have easily recorded their dialogue any time after because they play CGI characters. I don't know why they wouldn't want to contribute to a Disney attraction, but I guess that's possible? More likely Disney didn't want to pay them. Regardless, Cooper is sorely missed because Rocket isn't Rocket without him. I really do hope that eventually he gets to re-record the voice so the character feels authentic.

The Good...

• The Track & Cars! The track is laid out very well and is buttery smooth. Almost unbelievably smooth. This is something that people who don't generally like rollercoasters might be able to handle because it's Just. That. Smooth. It's got two launches and they're integrated beautifully. Launching coasters are my favorite, and while this isn't the most thrilling... it is tied with my all-time favorite (the Incredible Hulk Coaster, which was the first launching coaster I rode). Plus the cars you ride in can rotate so the ride can maximize available space by having you look in the direction they want you to look.
• The Story! The fact that rollercoasters are being given stories now makes them so much more interesting. And when the story is good, it adds an entirely new level to the usual dips, loops, and spins. The whole ramp-up pre-show is great, but it's the way it's faithfully continued during the actual ride that makes the attraction so amazing. If I have a criticism, it's that it resolves too quickly but, hey, you're on a rollercoaster, so that's not something that can really be helped!
• The Music! Paying homage to the films, you get some incredible 80's tracks to listen to as you're zipping around the cosmos. And which track you get determines the feel of the ride. The first time I rode it we got I Ran by Flock of Seagulls, and it was by far my favorite. It fit the story they're telling so well, and the beat really hit as you run through the story. Everybody Wants to Rule the World was a bit more chill and gave an entirely different vibe to the ride, which is why the re-ridability is off the charts. Blondie's One Way or Another also worked really well, and there were parts of the ride that it fit so beautifully. There are six different songs total (and I'm sure they'll get swapped out at some point), and you can't help but want to hear them all.
• The Characters! With the exception of Rocket, who could have really benefitted from Bradley Cooper's voice, it was very cool to see the entire team represented. Not just on the ride, but the queue. Drax steals the entire show every time he appears, but everybody has a good part to the story to play. Which leads us to...
• The Pre-Show! Not only did they somehow get Glenn Close to reprise her role as Nova Prime (in a huge pre-show part to the story), they also managed to get Terry Crews as a new character to inject some humor into the attraction. As if that wasn't enough, the pre-show has two parts with a very cool transition which sells the illusion of having been teleported to a ship in Xandar orbit very well. The queues and pre-shows for rides are incredibly important, and this is my favorite since Back to the Future: The Ride.
• The Length! In an age when Disney coasters are clocking in under two minutes, Cosmic Rewind is a blissful three minutes twenty. Any attraction under three minutes needs to be seriously re-evaluated, and I'd argue 3-1/2 should be the bare minimum. If you include the queue and pre-show, the ride feels even longer than it is, which is how it should be.

UPDATE: I didn't understand how the entirety of a high-speed coaster could fit in the old "Universe of Energy" pavilion, and guessed that they must have expanded it out the back somehow. So I ended up Google Mapping it. Turns out that the old building (in green) it merely the queue, pre-show, and loading area. The actual launch for the ride shoots you into another massive building entirely (in blue)...

Interesting to note that the launch takes you over a service road! Also interesting is that the building looks at least five stories tall. Maybe six. That, folks, is how you get an indoor coaster to last over three minutes! And be incredibly entertaining!

It's early Sunday morning and I'm watching one of the many videos leaked out of Hall H from Comic Con International that featured the official Marvel Studios announcements. I was going to post this for Bullet Sunday, but wanted to see if more videos would get officially released before posting my thoughts.

The announcements were huge, but also surprisingly reserved. Of course spoilers abound, so if you want to go in blind to the upcoming Marvel films... or want to watch the Hall H video for yourself, might want to turn back now.

• Peter! Wait... where did he go? Rob Delaney, come back!
• Wolverine & Deadpool becoming the biggest opening for an R-rated movie of all time is nice. Hopefully it shows Marvel Studios that they don't have to be 100% family-fare to be successful, because there's a lot of characters which would benefit from an R rating.
• Captain America: Brave New World should be interesting. Sam has the adamantium shield but not Cap's super-serum super-strength, and has to rely on his wings to give him an advantage. Now, whether or not Marvel too advantage of what makes the New Cap special remains to be seen. On February 15th, 2025, alas. But what I'm most excited to see is Joaquin Torres becoming the new Falcon.
• A "return to Winter Soldier" is not the worst thing to happen to the franchise. It's one of the best MCU movies of all time.
• Oh... looks like Marvel does plan on making Sam different without the super-serum! NICE!
• The Leader could be a fantastic villain. But I've seen him used so stupidly in the comics that I am reserving judgement until I see it.
• Danny Ramirez being able to give as good as he gets from Anthony Mackie is something else!
• Giancarlo Esposito is an exceptional actor. And he's playing SIDEWINDER?!? Guess that means Cap is facing off against The Serpent Society. From the trailer, it looks like they have him dressed in black, which is great, because a comic-accurate costume would be hysterical.
• Harrison Ford... AT COMIC CON?!? Well then. I was absolutely not expecting that. Good on him for jumping in despite the fact that he's probably very tired of conventions after his Star Wars fame. His shoutout to William Hurt (who originated his character) was nice.
• Thunderbolts* is a tough concept to bring to a movie, and I can't help but wonder if they've radically changed it. In the comics a new team of heroes debuted at a time when the world needed them, but then the shocking twist happened... these were not new heroes. They were old villains playing heroes. Honestly I don't care so long as they keep it fun. And here's David Harbour to make the presentation fun, so fingers crossed.
• What's the asterisk for on that? Changing the name?
• Oh... here it comes...
• ...or not.
• I keep forgetting that Hannah John-Kamen is returning as Ava in Thunderbolts. Which seems weird given how much I loved her performance in Killjoys.
• Wyatt Russell got a lot of shit for U.S. Agent in The Falcon and The Winter Soldier series and it was entirely unjustified. If anything, he was too good in the role to get people to hate him so much. I seriously hope that he has a good role in the film so people will stop pitching shit at him for a job well done.
• Black Widow was kinda a sad film. They waited until the character fucking died before she got a movie (despite her dropping in everybody else's movies)... then really put the spotlight on Florence Pugh since she was taking over the character. Plus the movie was mid. I am still livid that Scarlett Johansson was shitted on so badly by Marvel Studios. Black Widow deserved more.
• The Fantastic Four has gotten some truly shitty movies before coming to the MCU. Which is such a shame because if people would just follow the fucking comic book and pick up on what makes it so frickin' great... THEY ARE A FAMILY OF ADVENTURERS WHO JUST HAPPEN TO BE SUPER-HEROES... AKA The Imaginauts era, everything would be fine. Dang I hope that Marvel Studios nails this.
• Matt Shakman keeps getting lauded for WandaVision, a show I hated. I was not thrilled when he was brought on to Fantastic Four, but it sounds as though his work on WandaVision along with his studying 1960's New York could be an asset? I dunno. I really, really hope they knock this movie out of the park.
• The free fan looks VERY much like the movie is taking inspiration from The Incredibles which is the best news possible. That is one of the most stylistic retro-futuristic movies ever made.
• Surprise! The cast! Ebon Moss-Bachrach is a very good actor. But in his most famous role for The Bear all he does is fucking scream most of the time. I know he's capable of more, and I really hope we get too see something softer because The Thing is more about being Ben Grimm than the raw power of his super-hero persona.
• As much as I love Pedro Pascal (and boy do I), I really wanted John Krasinski and Emily Blunt to head The Fantastic Four: First Steps. Oh well. I'm sure he will be amazing in this. I'll just try to forget how he was absolute shit (though no fault of his own) in the shitty fucking Patty Jenkins Wonder Woman 1984 disaster, and I'm sure everything will be fine. I will never forgive Jenkins for following her first Wonder Woman masterpiece with one of the greatest super-hero movies of all time with that shitty, SHITTY fucking sequel. And now it looks like she's going to take a dump on Star Wars too. After WW1984 she should never work again. NOBODY who was responsible for that should ever be given money for movies again.
• For the love of God I hope they let Ebon Moss-Bachrach bring this kind of humble aesthetic to The Thing. If they go the HULK SMASH route I'll be very disappointed. Very.
• I don't know much about Jpseph Quinn except his masterful performance as Eddie in Stranger Things. That's a very good start for Johnny Storm. His character is played as a hot-head, but no so over the top that he's beyond reason and a bad caricature of a bratty asshole with super-powers. Even though the first slate of FF movies were shit, Michael B. Jordan and Chris Evans knew the assignment. Even when they were supposed to go too far with Johnny, you got the feeling that wheels were still turning. And that's critical.
• Vanessa Kirby gives off complex vibes when it comes to her roles. I think I most remember her from the Mission Impossible movies, and that's not a bad thing. Sue Storm should be of a similar mindset, which is to say she's complex, capable, and whip-smart instead of just eye candy. Scarlett Johansson was exploited as Black Widow in many respects, but at least they always came back to the fact that she was a valuable and impressive member of the team despite not having super-powers. Hopefully they don't forget that when it comes to The Invisible Woman.
• Bringing back The Russo Brothers to direct the Avengers flicks is like... MENSA-level smart. They know what to do with an ensemble film, and their takes on Avengers: Infinity War and Avengers: Endgame is literally all you could want. I hope that the reason Destin Daniel Cretton is no longer involved is because he's making a Shang-Chi sequel. Which is probably a better use of his talents anyway.
• Avengers: Secret Wars is something to look forward to. The concept is vast in a way that even the comic books strive to match. Absolutely anything is possible in this movie. Anything. How Marvel Sudios chooses to take advantage of that will either make or break the film.
• The primary antagonist in Secret Wars is the all-powerful godlike Beyonder. I have said multiple times that the ideal person for the part is Alan Tudyk. But who will be Marvel's choice?
• Doctor Doom! Yeah, Hall H had no choice but to explode at that news.
• Avengers: The Kang Dynasty is now Avengers: Doomsday which is pretty much all they could do given how badly Ant-Man: Quantumania was received, how utterly mid Loki: Season 2 turned out, AND then the whole Johnathan Majors mess which made it impossible for him to return as Kang the Conquerer. Kang, one of the best, most powerful villains in the MCU was utterly trashed, so replacing him with Dr. Doom (yet another phenomenal Marvel villain) was a no-brainer.
• Welp.
• Robert Downey Jr. as Victor Von Doom is a bold choice. And while it would be very easy for this to just be a Multiverse variant of Tony Stark's Iron Man, I seriously hope they are smarter than that. The possibilities are endless, really. Maybe a villain who was defeated by Iron Man goes back in time to clone a baby Tony Stark, then raises the clone to become the ultimate villain: Doom. Or maybe it’s a shapeshifter using Stark’s face to disorient their foes. Or maybe it’s a robot looking like Tony built by the real Dr. Doom. Literally hundreds of ways This could go.
• There was nobody who could have played arrogant Tony Stark better than Robert Downey Jr, and Doom is at least 10× more arrogant. He's perfect for the part, however it comes to pass.

And now the surprising omissions which were not mentioned. Anything to do with the Disney+ series... Agatha All Along, Daredevil: Born Again, Eyes of Wakanda, and Ironheart. On the movie side, nothing to do with the long-promised Armor Wars and Blade flicks, no announcement of an expected new Spider-Man film, nothing about Shang-Chi, and... weirdly... nothing to do with X-Men either. I guess they want to save something for next year? But that's realy disappointing given the hot news we got from past Comic Cons.

And so... pretty much good news over what we actually got. Maybe the drastically-reduced slate of movies and shows happening will give us better-quality releases?

One would hope.

"Madame Web is spectacular. A triumph of the human spirit and a film which redeems super-hero movies for all eternity. No greater achievement in artistic expression will ever come to pass, and I’m rendered awestruck that such a cinematic masterpiece exists within my lifetime. Oscar glory awaits. Now streaming, only on Netflix!" —David Simmer II, Blogography

Look, I'm not here to pile on the absolute fucking disaster that is Madame Web because plenty of professional movie reviewers have taken care of that.

Except I am, because when you release utter shit in the comic book genre, then you oversaturate the market and fuck up people's confidence in comic book movies which might actually be worth a shit (see: every shitty Zack Snyder DC Comics movie ever).

But anyway... Madame Web...

From what I can tell, this is loosely based on the Spider-Man comic book saga The Grim Hunt where Kraven the Hunter's family starts hunting the various spider-characters of the Marvel Universe because their blood will resurrect Kraven (who had died earlier in the series. Or something like that. It's been over a decade since I read them.

Except instead of Kraven's family it's a different Marvel character, Ezekiel, who's hunting spider-people. And instead of wanting to resurrect Kraven, he wants to kill the spider-people because he's convinced they will kill him. The changes make sense because the Kraven movie hasn't come out yet and the film doesn't have Spider-Man in it. The comic book story is also where Madame Web dies (spoiler alert), but whatever.

But anyway... Madame Web...

In the comic books she's an old lady who's blind and paralyzed from a disease, but can see the future. She's kept alive by a network of tubes that resembles a spider's web...

Arguably one of the stupidest fucking heroes ever, she was shoe-horned into the Spider-Man Universe with a sledgehammer. Which is apt because Sony Pictures intended to shoe-horn this stupid fucking movie into the Marvel Cinematic Universe for no other reason that they own the motion picture rights to the Spider-Man characters. And they want to cash in on the fact that their deal with Marvel to put Spider-Man in the MCU has been incredibly lucrative. How they thought they would make money with a character that absolutely nobody gives a shit about is beyond me. And this film comes after the hilarious flop that was Morbius, which makes Sony look even more idiotic. And just you wait... Kraven is coming on December 13th!

But anyway... Madame Web...

The film is about a woman named Cassie Webb whose mother was shot by the evil Ezekiel in Costa Rica as she looked for a magical spider. He wanted the magic spider she found, and killed her for it. In an attempt to save her life, a mysterious group of spider-people let one of these magical spiders bite her to give her super-powers. But it's too late. She dies, Cassie is born, and she grows up to find out the magical spider that bit her mom gives her the ability to see the future. Meanwhile, Ezekiel and his precognitive abilities foresees that three girls will eventually get spider-powers and be responsible for his death. So he sets out to kill them first. Cassie sets out to same them. Totally unoriginal and boring super-hero antics ensue.

This movie is horrendous. Nothing makes sense. Major plot points could have easily been circumnavigated with even ten seconds of thought. And you could tell that they were jerking the story around from start to finish because there's a lot of inserted dialogue which is painfully fucking obvious. Whether this is studio interference or incompetence is anybody's guess. All I do know is that, with the exception of a few action sequences that aren't half bad, the movie is an ungodly mess that should have never been made.

It's just more garbage being inserted into the comic book movie genre that nobody wants or asks for.

I don't have time to be blogging because now that I'm past my (second) kidney stone recovery I should be cleaning the disaster area that's my house... but I just can't shake the bullets for some reason... because an all new Bullet Sunday starts... now...

   
• Not Todd! Kidney stones wasn't the only pain that I got hit with this week. To the surprise of absolutely nobody, the idiotic fucks at CBS canceled one of the best shows on television, So Help Me Todd. The reason that this is not surprising is that CBS routinely preempts the show, dropping it from the schedule for weeks at a time. How the fuck can even a great show build momentum when it's not available? How can people run across it when it's not consistently occupying a time slot? CBS purposely sabotaged the show, then canceled it. Period. And it's a real shame, because it's on-track to be even better than the first season...

It's like the network is being run by dipshit assholes using 1980's tactics instead of living in the 2020's where streaming exists. Networks who know what the fuck they're doing either dump all episodes at once for binging... or release them consistently because they know that people will expect a new episode every week (even if they are not tuning in on the actual premiere date). Did Apple preempt Ted Lasso? Fuck no. The people in charge of AppleTV+ actually understand how consistency and momentum are critical to a show's success. Fuck CBS. It pisses me off that Star Trek: Strange New Worlds is on Paramount+ (CBS's overseers) so I have to give these stupid fucks money to watch it. Good thing that's about the only show on this fucking network that I find worth watching. Especially since Star Trek: Lower Decks has also been canceled.

   
• STORYTIME: The Cloud Under the Sea. It's a bit of a long read. But it's a really good one. It's about the people who repair the massive number of cables under our oceans and waters which make the internet happen. Seriously worth your time. Exceptional reporting by The Verge. It must be, because I don't recommend articles like this very often.

   
• Bunnies! Instagram has really sucked me in these past couple days. How, you might ask? Bunnies. In particular, bunnies eating stuff. Just look at this. LOOK AT THIS...

View this post on Instagram

A post shared by Daily Rabbit Content (@rabbittorque)

And, dude. Dude!

View this post on Instagram

A post shared by Jungle Journals (@junglejournalss)

I can't. I CANNOT!

View this post on Instagram

A post shared by Śh Iv à (@natureferver)

The algorithm is getting scary good at capturing people's attention. Yikes.

   
• FEMALES?! Marvel Studios announced that Julia Garner will be playing The Silver Surfer in the new Fantastic Four film. Of course there were people who lost their damn minds. BUT SHE'S A FEMALE!!! AND SILVER SURFER IS A MALE!!! And it's like... mostly, yeah. But it's not like there isn't a precedent for a Silver Surfer who's a woman. But the outrage farm over it is by people who likely don't follow the comics in the first place. They just hear "GENDER-SWAP!" being batted around, and that's all that matters...

The only thing I care about... ALL I care about... is that it's a good film. And honors the source material in a way that doesn't have to be literal, but should be respectful to what made the franchise such a success after 60+ years. Live-action is a completely different media than the printed page. There will have to be changes to make it work. The Silver Surfer not being a man isn't going to radically ruin anything. Maybe it made for a more compelling character with the story they want to tell? Or maybe Julia Garner was just the best actor for the role? I dunno. I won't know until the film is released. Nobody will.

   
• There You Go! It's like... I am already dying to see Deadpool & Wolverine so much that it seems impossible that I could be any more excited about it. But then...

Genius. It's like... whomever is in marketing at Marvel Studios managed to capture everything we've been waiting for. And it's so simple in execution.

   
• NEWSFLASH: Cable lobby vows “years of litigation” to avoid bans on blocking and throttling. My raw, seething loathing of former FCC chair Ajit Pai for his total fucking betrayal of The American People really knows no limits. This week the FCC is going to vote on whether to restore the vital net neutrality rules that Pai repealed (despite them having massive public support BECAUSE THEY'RE THE RIGHT THING TO DO!). And I'm here to tell you... they better fucking reinstate them. Because I am sick and tired of Big Telco and Big Cable and their fucking need to fuck over the internet with their fucking bullshit for a fucking buck. And I literally could not give less of a shit about their threats. Fuck them. Let them "vow" all they want. Here's a one-minute video from six years ago just to show that we are still fighting the same shit because corporations fucking own our fucking government...

Fuck Ajit fucking Pai forever. When I think of people who should be fucking shot for fucking treason, his name is near the fucking top of my fucking list. To this day I wonder what he got in exchange for selling us out.

   
And now back to everything in my house I've been needing to clean for the past two weeks.

The snow has all melted, and ... because an all new Bullet Sunday starts... now...

   
• Mean It! It’s a beautiful song to begin with. But when LANY's lead singer comes in with that hook at 2:47... how do collaborations like this happen? It’s perfect...

Can't believe this track is off Lauv's debut album.

   
• Winner! (here's a link in case TikTok is being a dick)...

@jamieandblake Keep them guessing 😅 #funny #viral #fyp ♬ original sound - Jamie and Blake

I hope he at least didn't have to pay.

   
• Patagonia! I don't have very many regrets in life. But the few I do usually revolve around missed opportunities when it comes to travel. Not having been to India yet is something that I very much regret, for example. But bigger regrets are having gone places but not having enough time to see and experience more of the area. My photo expedition to Antarctica was incredible. A true bucket-list-worthy item that I will remember forever. And yet... I sure wish I would have had more time so I could visit Patagonia. But I had new kittens back home that I worried about. A mom in a memory care facility that I worried about even more. And two weeks away was already more than I could take (or afford).

   
• Streaming Services Are Shit! Cutting cable/satellite was one of the happiest things I ever did. I fucking HATED having to buy bundles that included channels I would never watch and commercials I was forced to suffer through on top of the huge monthly bill. Streaming allowed me to pay for exactly what I wanted to watch and was ad-free. Then, fast-forward to today, and we're back to bundles and fucking ads (unless you pay an absurd amount of money to get rid of them. Not only that, but the amount of content you get is shit too. Which brings us to this...

God. It's so bad that I'm to the point where I subscribe to one service ad-free each month, cancel it, then move on to the next ad-free service. And I know I'm not alone. It used to be that I cared about supporting services that produced content I wanted to watch by subscribing every month. Now I don't give a shit. Fuck 'em. I will pay when there's something they have that I want to watch. For the rest, I pay for YouTube Premium, which is ad-free and has endless content. That's enough.

   
• Marvel! Today I watched Assembled: The Making of The Marvels and am sad all over again that the movie underperformed. I love Brie Larson as Captain Marvel. Her first movie was SO good. Her part in Avengers: Endgame was flawless. And while there were some serious problems with The Marvels, it was still very entertaining. I loved the power-switching concept that drove it. — I want to see Captain Marvel again. I need more Carol Danvers. I hope that Marvel Studios brings her back somehow. And Photon. Teyonah Parris is a frickin' gift. How awesome would it be to get a limited series which explores her light powers in a cool and interesting way. And of course Ms. Marvel. I didn't particularly care for her limited series, but she was absolute gold in The Marvels. That Iman Vellani could capture the wonder of what her character was experiencing so perfectly is the heart of the entire film...

But my favorite part of the documentary was Laura "LOOK AT ME, I'M WACKY" Karpman on sound design. Makes me want to re-watch the movie just to have a better appreciation for her work on it. And of course I thought the special effects were glorious. =sigh= I am so bummed that super-hero movies are imploding. I love love loved having so much content and watched it all. I would love to have a new Marvel movie every month. Like the comics. But now it's all being scaled back, and there's really nothing out there to replace it for me. I waited so long for something like the MCU to happen. I don't want it to end.

   
• Housed! It is so weird having spent a month watching every episode of House and now it’s over. I cannot wrap my head around the fact that there are no more episodes to watch. But anyway… the final season was a bit of a mess, but I loved the show. Ten thoughts… 1) I think it’s probably a good thing that the show didn’t have a ninth season. They did everything, and it was time. There’s only so many times you can say “sarcoidosis.” 2) That being said, I want a spin-off with Chi Park. I love her character and want more. Even though they didn’t know what to do with her, and came up with the idiotic Chase love scenario. 3) I missed Cameron after she left. But Cuddy was the one that I cannot believe wasn’t there for the last season… and the way they got rid of her was insulting and stupid. 4) Robert Sean Leonard better have gotten an award for playing Wilson, because damn. 5) I think that Omar Epps probably didn’t get enough credit for his role. He was memorable despite his character being buried most of the time. 6) While I loved Taub when he was in doctor mode, they spent WAY too much time on his stupid personal life. 7) Thirteen was my favorite character. Partly because they made her so interesting, but mostly because Olivia Wilde played her so beautifully. 8] The saddest moment to me was Kutner, not Wilson, because Kutner was all reactions by the characters, and we will never know what he was feeling. 9) I would have liked to get more of the detective guy, Lucas. He was just so… together… and I love that they didn’t feel the need to make him a mess like everybody else. 10) I really do think that the writers backed themselves into a corner with Greg House. It’s like they felt him being a mess was his only quality, and he never really gave him the opportunity to be anything else (even when he was with Cuddy). Fortunately, Hugh Laurie was just so GOOD in the role that it didn’t matter. He made the character fascinating to watch no matter how much the writers were intent on sabotaging him. — BUT ANYWAY... A really good show that I’m kinda sad I didn’t watch as it was airing, because that way it probably wouldn’t have seemed as repetitive with the medical diagnosis jargon. GRADE: A- (though the final season was probably more of a C+).

   
Until next Sunday then.

The Marvels (which finally arrived on home video) is fun. Sure there were massive plot holes and moments of sheer stupidity... but overall it was a lot of fun and highly entertaining. Remember fun comic book films? And the ending(s) were a treat for long-time Marvel Studios and Marvel Comics fans. I liked it a HECK of a lot more than Ant Man & The Wasp: Quantumania. And I liked it better than Thor: Love & Thunder as well. And it wipes the floor with all the trash that DC has been unleashing on us, so there's that.

Worth a look if you're starved for something new to watch...

Several sections almost demand watching in slow motion because the swapping of powers and places creates some crazy-fast action.

And it so happened that the sequel to Captain Marvel, titled The Marvels, is not doing well at the box office. It likely cost $250 million to make. Another $200 million to market. And is slowly approaching $120 million at the box office after five days in theaters. That's a lot of money, but when compared to previous Marvel Studios movies... it's a massive disappointment. It might very well break even after streaming/video revenue arrives... but there's likely not a third Captain Marvel movie happening because movies have to earn a billion at the box office to make studios happy. Which is a shame, because actual people who have seen the movie say it's a fun ride and terrific entertainment...

The fanboys are cackling over it all, of course, saying that "This is what happens when you're a woke company making woke films with an all-female cast!" Which is 100% bullshit, of course. But facts don't matter any more, so this is what we have to keep listening to.

What's happening here is not a big mystery. This is a trend that has nothing to do with Disney being "woke" or that the film features a "female cast" (remember that the original Captain Marvel made over a billion dollars). There's a lot of factors at play...

• People just aren't going to the theaters as much. It takes a truly breakout film to draw people to theaters and achieve massive box office success. That could be something entirely new (such as Barbie), or a no-brainer beloved IP (such as Super Mario Brothers), or a masterpiece with a compelling story (such as Oppenheimer). I would love to see The Marvels right now. But not enough to go to the theater to do it. I absolutely fucking hate going to movies where people are talking, lighting up their phone screens, and (ugh) chewing loudly. I have a far, far better experience at home. And that's where I will be watching The Marvels. If Disney wanted to make money off of non-theater goers like me, they might consider offering a $50 dollar, 24 hour at-home rental a week after the movie hits theaters. Which includes a free copy of the movie once it is released to home video months later. Not a great thing to do to theaters who are supporting your project, but this film ain't going to be in theaters for long if nobody is going to see it.
• Super-hero fatigue is a real thing. There's just so much damn super-hero content inundating people, and rarely is it something new and fresh. Comic book films have degenerated to Hallmark movies... the same stories over and over with different actors. Now, don't get me wrong, I watch every Hallmark movie that gets released... and am thrilled to consume as much of the Marvel Cinematic Universe as they want to feed me... but I am abnormal that way. Most people aren't like that. They're bored. They've moved on. And buzz isn't building over these genre films as it used to be. Especially when you have DC muddying the waters with shit like Wonder Woman 1984 and The Batman and Black Adam and Shazam!: Fury of the Gods and The Flash and Blue Beetle... and really everything after he brilliant Christopher Nolan Batman Trilogy (excepting the first Wonder Woman and Suicide Squad). The average movie-goer cannot distinguish between DC and Marvel, so everything is lumped together in their head... and there's a lot of not-great films happening there. Next up is... Madame Web?... crapped out by Sony? WTF? Didn't they learn their lesson with Mobius?
• Quality is declining, badly. The lead up to Avengers: Infinity War and Avengers: Endgame was filled with incredible movies that were all carefully planned to be both stand-alone stories and build to something incredible. But Marvel Studios has made several missteps to sow disinterest in even the most diehard MCU fans. The "Multiverse Saga" has been a complete bust... forcing movies into a plot thread that's not fun or entertaining. With the exception of Hawkeye and Werewolf By Night, which I loved (and had nothing to do with the "multiverse"), all the Disney+ shows have been painfully average or outright bad. The movies have shown flashes of what I love (Black Panther: Wakanda Forever and Spider-Man: No Way Home) and movie I enjoyed quite a lot (Shang-Chi and the Legend of the Ten Rings) and even a movie that was good but could have been so much better (Eternals). But everything else in Phases Four and Five that I've seen... five out of nine movies... haven't lived up to expectations (the idea of seeing Clea in a Doctor Strange movie is thrilling... but that happened only in a two-minute post-credits scene... that should have been the entire movie, but they were forced into this "multiverse" crap, so that's what we got).
• The MCU momentum is slowing to a crawl. Everything keeps getting delayed. People are forgetting what's getting us to where we're going. Marvel Studios has one movie in 2024. When you aren't keeping the Marvel Cinematic Universe in people's heads, it's silly to expect these random movies are getting any benefit from what's come before. Three awesome movies a year with blockbuster characters that people want to see is what needs to happen, and they're not doing that. Yes, I understand that the actors are wanting to retire from these characters, but they're the characters that people know and love, so recasting them should be the priority over dragging out D-list characters that people don't know or care about. This has been a serious, serious misstep by Disney management. I don't get it at all. They're supposedly building a team of "Young Avengers" which could be awesome because the comics are awesome... but is anybody outside of comic book nerds like me going to give a shit? How are these films going to make any money? Introducing new characters is good, but saying "We've got Ms. Maravel, Patriot, Stature, Wiccan, Speed, and America Chavez... plus kid versions of Hawkeye and Falcon!" is a far cry from saying "We've got Iron Man, Captain America, Thor, Spider-Man, Black Widow, The Hulk, Hawkeye, Falcon, Vision, and Scarlet Witch!" or whatever. I'm sure the hope is that the Young Avengers will be the next Guardians of the Galaxy... but the fact that you don't have box office names like Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, and Karen Gillan... means that the odds of achieving the same success are practically zero.
• The future is anything but bright. The lead-up to a confrontation with Kang should have been phenomenal. The lead-up to an adaptation of Secret Wars should have been incredible. But there are no anchor films to get us there. Deadpool 3 will be great because Deadpool is great, but it's very much it's own thing. Which means the films we get before the next two Avengers movies are Captain America: Brave New World, Fantastic Four, Thunderbolts, and Blade?!?? WHAT THE FUCK? I mean, it's not that these films can't be great entertainment and a lot of fun... I love these characters... but this is the lead-up to two of the biggest events in comic book history? I dunno. Maybe Matt Shakman has an idea of how to make his Fantastic Four film catapult us int something that makes sense... but this is so weak. Compare the films leading up to Infinity War to this and it just seems absurd.
• I hate to say "reboot"... but, yeah, reboot this shit. The one thing I have loved about the Marvel Cinematic Universe is that everything is interconnected like the comics. I love it when characters pop up in each other's movies. But when it's a bunch of D-listers, the current trend is not sustainable because you're going to have a rough time making a profit. A fresh reboot may be the only way out. And by "fresh" I mean not recycling the same stories we've already seen.

And there you have it. I don't think that anything I've said is going to be news to anybody paying attention. But since Marvel doesn't seem to be paying attention, I guess it needed to be said.

Here's hoping that the streaming release for The Marvels won't keep me waiting too long.

Don't worry about there being only one month of Summer left because there's bullets 52 times a year and... because an all new Bullet Sunday starts... now...

   
• Opponent! The only way this could more accurately describe American politics would be if they asked "WHAT DO YOU HATE?" and the politician answered "MY OPPONENT!" or even "WHATEVER YOU WANT ME TO TELL YOU TO HATE!"...

Oh how I love Berkeley Mews. Though not all of the posts there are negative. Take this one, for example...

For more wackiness, see Ben's Berkeley Mews site.

   
• Stargirl! It took a total pass on Stargirl because the whole "Arrowverse" of DC Comics shows turned into a suckfest of boredom. Earlier this week I had the first episode pop up and watched it because there was nothing more interesting going on. Turns out it is fantastic. This isn't just "Stargirl"... it's the entire Justice Society of America being reborn from the ashes of the old one...

I am only half-way through the first season, but watching everything come together is one of the better super-hero comic book shows I've seen. A pity that the rest of the awful Arrowverse shows were tied to Stargirl like a boat anchor and sunk the show.

   
• Cat Walk! I've watched this entirely too many times and cannot fathom how this is not CGI (here's a link in case Instagram is being a dick)...

View this post on Instagram

A post shared by why you should have a cat 🐈 (@shouldhaveacat)

The fact that the first two fell off when the third one jumped on is some kind of talent.

   
• Just Ken! To think there was a time that I actively avoided Ryan Gosling projects. I remember him mainly being in sports movies and such before he appeared in his breakout role in The Notebook (a movie I still haven't seen). Then in 2016 I saw his incredible performance in The Nice Guys and was an immediate fan. I went back through his movies and found out just how talented he is. Then he was in Blade Runner 2049 and I was a fan for life. Now he's Ken in the Barbie movie, which seems an odd choice, but seeing videos like this makes me think that he probably killed it...

Gosling's next film is The Fall Guy with Emily Blunt. Cannot wait to see what that's about.

   
• Sharing is Caring! They've come a long time since Love is sharing a password...
Netflix: DON'T SHARE YOUR PASSWORD! EVERYBODY HAS TO PAY FOR A SEPARATE ACCOUNT! LOVE ISN'T SHARING A PASSWORD, IT'S YOU GIVING US MORE MONEY!
Also Netflix: We are going to force you to select a user profile every FUCKING time you use our service... even if you only have one profile!
God. Just fuck off and make up your damn minds. Or at least stop forcing me to choose my only profile every time I start up your shitty streaming service. I regret never sharing my password.

   
• SHAT! William Shatner is NINETY-TWO YEARS OLD! And don't mistake the satellite delay of him hearing the question as him not understanding the question in this video. The guy is sharp as a tack!

The only comment I have is that maybe the visiting aliens have a "Prime Directive" which, like in Star Trek, means that they can't interfere with the natural development of earthlings. And that's why they are hiding?

   
• Invasion Secret! I had such high hopes for Marvel Studio's Secret Invasion, but it ended up being a total dud. Whereas the original comic book story was an epic event where a ridiculous number of heroes had been replaced by Skrulls... the Disney+ adaptation had... one? And it was kinda a nerfed one, because they never had the hero even use their super-powers at all. Add to that some totally unnecessary and non-eventful deaths of beloved characters... and a resolution so sloppy that had me wondering why they even bothered with this waste of Samuel L. Jackson's talents... and I wondered what in hell Kevin Feige was smoking to greenlit it. Maybe it's for the best that Disney+ is reducing their output of Marvel stuff. Because with the exception of Hawkeye, which I loved, none of it has been worthy.

   
And now I'm off to comfort my cats, who are cowering under .

The official trailer just dropped for The Marvels at Comic Con... which looks much like the initial "teaser trailer" we've already seen.

But before we get to that...

The rumors circulating around this movie are pretty crazy. It had already had a round of reshoots before the first test screening, which is normal. But apparently the test audience reaction was so horrifically bad that they decided to do more reshoots because people felt the tone of the film was way too over-the-top goofy. And, if that's the case, then thank heavens. I can't stand it when bad writing ends up being "goofy" because the writers don't understand "humor." Suffering through films that are so groan-inducing awful like that is what hell must be like (see: both cuts of Justice League).

But anyway, here's the trailer...

Now, to me, that just looks like a fun super-hero action flick. And while there are goofy moments (LOVE YOU, GOOSE!) it's not over-the-top. Hopefully this is what the tone of the final movie will be, because I think I'll really like it.

When I wade into the toxic cesspool that is the internet, there's a lot of hot takes on the film.

Mostly centered around people's "hatred" of Brie Larson.

Which takes me back to the first Captain Marvel film, where fanboys were unloading on Brie and review-bombing the film... apparently because they hate the idea of a female-led Marvel movie. In the comics the first Captain Marvel was a Kree male named Mar-Vell. Eventually his mantel was passed to Carol Danvers, which makes the MCU version comic-book faithful in every way except her origin (which I thought was better in the movie than the comics). The fact that Mar-Vell ended up being a Kree scientist played by Annette Benning (a character I loved) along with Brie Larson hate made it seem like the movie would be a financial disaster.

Captain Marvel went on to make 1.3 billion dollars despite it all.

Anyway. I don't really follow Hollywood, but apparently Brie Larson has said a lot of controversial shit. Like advocating for a more diverse population of film critics because there's an awful lot of 40-year-old white men trashing films that were not made for them. Now, personally I think this is bullshit. A professional critic is able to keep in mind the audience while reviewing a film... that's the job. But realistically? Yeah, Brie Larson is 100% on-point. There will alway be material in a film that a 40-year-old white man can't relate to and this will taint their feelings on the film. In that respect, I would absolutely love to see more diversity in the film critic profession. I love looking at the world (and movies!) from other perspectives. Makes me appreciate people more because diversity is good. So, sure, points to Brie. But come on. She could have phrased that without attacking people. A simple "I would sure like to see more diversity in movie critics so that more viewpoints are out there" would have been a far better way to make your point.

And it goes on and on. The most common critique is that "Brie Larson is unlikeable." And that's fine. If the things she says bothers you so much that you find her unlikeable... you be you and own your feelings. But I have to wonder how much of her "unlikeability" comes from being an outspoken woman. Personally, I think she's perfectly nice in all the interviews I've seen. Abrasive at times, sure, but that's a huge part of my personality, so who am I to judge? Who is anybody? A lot of the drama around Brie seems to be taking small moments (like Don Cheadle grimacing when Brie Larson gave him a friendly ribbing) and exploding them. And even when people shoot that down (Don Cheadle tweeted they were all good), the drama lives on.

Plus... she's friends with Samuel L. Jackson and has the guy on speed-dial, which carries a lot of weight on my opinion because I don't think that Samuel L. Jackson is the type of man who would put up with bullshit from assholes.

Anyway, I guess this is just my long, drawn-out way of saying "I like the MCU Captain Marvel, love Brie Larson's take on her, loved her first movie, LOVE LOVE LOVED her in Avengers: Endgame, like the look of the new trailer, and am looking forward to The Marvels." I hope it doesn't disappoint. The first one sure didn't.

And yes, I fully believe that The Scarlet Witch and Captain Marvel are the two most powerful characters in the MCU, so I guess our toxic, misogynistic society can spend their time hating me as well.