It's early Sunday morning and I'm watching one of the many videos leaked out of Hall H from Comic Con International that featured the official Marvel Studios announcements. I was going to post this for Bullet Sunday, but wanted to see if more videos would get officially released before posting my thoughts.
The announcements were huge, but also surprisingly reserved. Of course spoilers abound, so if you want to go in blind to the upcoming Marvel films... or want to watch the Hall H video for yourself, might want to turn back now.
And now the surprising omissions which were not mentioned. Anything to do with the Disney+ series... Agatha All Along, Daredevil: Born Again, Eyes of Wakanda, and Ironheart. On the movie side, nothing to do with the long-promised Armor Wars and Blade flicks, no announcement of an expected new Spider-Man film, nothing about Shang-Chi, and... weirdly... nothing to do with X-Men either. I guess they want to save something for next year? But that's realy disappointing given the hot news we got from past Comic Cons.
And so... pretty much good news over what we actually got. Maybe the drastically-reduced slate of movies and shows happening will give us better-quality releases?
One would hope.
I wrote about Avengers: Endgame after watching it at the theater.
But when it was released on digital earlier this week, I decided to give it another look... then another look... so I could comment on it in a bit more linear fashion.
I still feel it's an amazing movie.... and even more amazing accomplishment...
Obviously there's going to be an abumndance of spoilers, so you've been warned...
The opening of the movie acts as a good recap of where we left off in Infinity War but, thankfully, isn't repetitive. Then Captain Marvel shows up, you realize that the Avengers she met in the Captain Marvel mid-credits scene ("Where's Fury?") must have sent her to find any off-planet Avengers survivors, and we're off to the races. The idea that the Earth Avengers and Space Avengers have no idea which of their teammates survived "The Snap" is pretty gutting. Especially when you get to Rocket comforting Nebula. And watching Rocket in these opening scenes just boggles my mind. You simply do not question that he's an actual character on-par with everybody else in the film. And he's a raccoon! Talk about movie magic.
Right from the start of Endgame you can tell that the entire purpose of the film is to wrap up everything which came before it. There's never-ending echos to past movies, and true fans are constantly being rewarded. This is pretty wild when you consider that Captain Marvel, easily the most powerful character in the entire film and the lynchpin for dealing with Thanos, hadn't even shot her solo movie when Endgame was being made. How everybody collaborated to make her appearance here sync up power-wise, visual-wise, and tone-wise with the Captain Marvel movie is the true marvel of Marvel Studios. There are single films which lack this kind of consistency. But here's Marvel making it look (relatively) effortless across 22 films (23 if you count Spider-Man: Far From Home).
Nowhere is Marvel's cohesiveness more visible than when Nebula is on-screen. She is a bit-part villain from a D-List comic book which has now become a central figure in the biggest super-hero team-up in cinematic history. It's so jaw-dropping amazing that I have a hard time wrapping my head around it. Yes, Marvel had a master plan to use Infinity Gems as MacGuffins in all their films from very early on with the intent of somehow tying them all together in the end, but the fact that they managed to pull it all of this well? Thank you Kevin Feige.
Back to Captain Marvel... it's fairly easy to see how her off-the-charts power level is going to be challenging going forward. The current solution seems to be to have her be "off-planet and unavailable" but that's going to get really tired really fast. I mean, come on... just look at her when they're off to attack Thanos! How many problems couldn't she solve in five minutes? Sure it's cool how totally confident she is, how kick-ass she is, how powerful she is... and her glowing aura is giddy-inducing wonderful... but I'm more than a little curious to see how she's going to play out in the future of the MCU.
Killing Thanos in the first twenty minutes is pretty ballsy, but it definitely leaves you wondering where they're going to go from here if the main villain of the movie is gone. And little did we suspect...
And lo did a rat activate the Quantum Tunnel which freed Ant-Man from being trapped in The Quantum Realm! It's funny to think about how Ant-Man ends up being the key to absolutely everything, but that's how Marvel rolls. They find surprising ways to make small characters have big impact in the grand scheme of things. Fortunately, they've got the ample acting chops of Paul Rudd behind the character or these scenes of "life after The Snap" would have rang hollow (ditto for Scarlett Johansson, who has a handle on somebody being haunted like nobody's business).
At the 30-minute-mark, Scott Lang shows up at Avengers Compound and the movie starts for real.
It also shows its hand.
Because the minute that I saw how much time they were devoting to Tony Stark's happy post-Snap life, I knew... knew... he was a goner. Luckily, Robert Downey Jr. gives the performance of a lifetime and totally sells it. Watching him interact with his daughter... with Pepper... with his former teammates... it's all so... beautiful?... I guess is the word I'm looking for? Tony's character arc over the past decade has totally come full-circle, and it's everything you could hope for. And speaking of story arcs...
Here we are introduced to Smart Hulk... the merging of The Hulk and Bruce Banner. It's a wonderful coda to Bruce Banner's arc through all the Marvel Studios films. Finally, at long last, Banner and Hulk are at peace and living in harmony. It's also a terrific starting point for new Hulk stories (should we be lucky enough to get them). What's even more remarkable than Smart Hulk is the absolutely mind-blowing computer graphics which brought him to life. Flawless. His every facial expression is realized to such a degree that the whole "Uncanny Valley Effect" is minimized. At no point did he take me out of the story. It's just... all Mark Ruffalo all the time.
If there's a scene which illustrates just how deftly Marvel manages to work humor into their stories, it's the time travel experiments with Scott. It's funny, but it's not just being injected at random for the sake of being funny (like the horrific Joss Whedon "humor" that was shoe-horned into DC's Justice League after the fact). Marvel's humor feels like it has purpose and is there to advance and serve the story. And that's why it succeeds. Plus we get Smart Hulk handing out tacos!
If you didn't think that Tony Stark was going to die after watching his family scenes, you definitely knew it when he handed Cap his shield back.
The reunion between Hulk and Valkyrie, completely cementing Thor: Ragnarok even further into the MCU grand narrative, is one of the rare moments in the film that had me scrambling for an explanation. In Ragnarok, Bruce didn't remember anything about his 5 years as The Grandmaster's "beloved champion." But here he does. Which means that when Banner and Hulk merged, the result has memory experience of both? That's gotta be the stuff of nightmares.
I read more than a few comments about how Thor's weight gain was just a way to make fun of heavier people. I didn't see this at all. The result of Thor's PTSD actually seemed like it was handled with great thought and care... even if there were some comments made by other characters which were pretty mean and played for laughs. What did bother me was the whole "shake it off and move on" attitude that was leveled at poor Thor. That seems deliberately cruel and unjust. After what he's been through, you'd expect a bit more empathy from his friends. On the bright side, this is yet another remarkable performance by Chris Hemsworth which has me dying to see more Thor.
Clint Barton's descent into a murdering vengeance-seeking bastard seems a bit forced but, seeing as how the guy lost his entire family, perhaps it's not such a stretch. This "Ronin" persona is kinda-sorta from the comics, but it makes even less sense in this film. Why in the hell would Hawkeye give up the bow and arrow with which he reigns supreme? Obviously the ramifications of Endgame will be explored in the Hawkeye series on Disney+, so I guess they can afford to short-change his character here... but it still seems wild how his character could change so much with so little explanation.
And here's where we get to how time travel works in the Marvel Cinematic Universe.
I'm saving my thoughts on how it works for further down the page, but suffice to say I really like what they've done here. It makes perfect sense. Regardless, we get current Avengers going back into earlier Marvel Studios movies, and how cool is that?
And here's where the fun begins...
ANT MAN, IRON MAN, & CAPTAIN AMERICA: The "behind the scenes" of what happened after the Battle of New York was kinda cool... but hands-down the best moment was how Cap managed to secure the scepter from Hydra. Right before Robert Redford makes a guest appearance! I was even more surprised by this than I was at seeing The Ancient One! And of course this is where Loki from the past becomes the new Loki, allowing him to appear in his Disney+ series while not negating his death in Avengers: Infinity War. Clever that. Almost as clever as "America's Ass."
SMART HULK: The amount I died when Smart Hulk was "smashing" to impersonate his more rage-fueled earlier self was pretty huge. Then he goes to retrieve the Time Stone and the first of many guest-appearance bombshells is dropped... The Ancient One is back! Mainly as a way to explain how time works in the Marvel Cinematic Universe. Again. Which, again, I will comment on further down the page.
THOR & ROCKET: Frigga coming back to help Thor in the way only a mother can was exceedingly sweet. Finally, here's somebody not making fun of Thor for being traumatized by what he's experienced and genuinely trying to help. At least until she told him to eat a salad. We also get the tiniest of appearances by Natalie Portman's Jane Foster, which was nice. And was probably due to her coming back for Thor: Love and Thunder.
NEBULA & RHODEY: They could have easily come up with a way to remove the Power Stone without stripping the shell off of Nebula's robotic arm, but it's actually a genius move because it will be an easy visual cue for distinguishing "good" Nebula from her "bad" past-self. Out of all the teams, this is the one that gets a lot complex in a little amount of time thanks to Thanos of the time finding out what The Avengers are up to.
IRON MAN, & CAPTAIN AMERICA: Well this was an added bonus. We get guest appearances not only by 1970's hippie Stan Lee and Farrah-hair Hank Pym... but Howard Stark and Peggy Carter as well! Seeing as how Tony dies and Steve ends up retired, I suppose it's only fitting that they get to reconcile the relationships which most haunt them.
BLACK WIDOW & HAWKEYE: I realize that the only way to make victory ring true would be for some sacrifices to be made along the way... but Black Widow? Like Samuel L. Jackson's Nick Fury, she's the glue that holds all the movies together. Unlike Nick Fury, Natasha has been pretty much shafted over the years. She exists only to forward other characters' stories without getting much of story of her own. Sure they are remedying that by finally giving her her own film, but she's forever stuck in the past now, and that's lame. She deserved a future in the MCU after how she's been there for literally everybody else, and now she ain't got one. Still, given how The Soul Stone works, I guess somebody had to die. I don't know that Hawkeye would be a better choice, so maybe this was the right choice. I certainly feel it more than if it had been Clint. But I'm still bitter about it.
I'll try to ignore the question of how The Milano (ship to The Guardians of the Galaxy) has evaporated only to appear again at the end of the film... let's just assume that Clint shrunk it again before he went forward in time. And it seems weird it is that The Infinity Gauntlet conveniently courses with gamma radiation just like The Hulk, giving him the ability to wield it... whatever. What I'd like to focus on is how Ant-Man has the ability to shrink... then grow into Giant-Man... when it was made abundantly clear that he was out of Pym particles? This gaping plot hole is ridiculously easy to see, and yet it was totally ignored. And Janet VanDyne was absolutely not wearing The Wasp suit when she was dusted (I checked) so where did she get her Pym Particles?
The final battle was pretty phenomenal, all things considered.
Even when you give a pass to Captain America being able to lift Thor's hammer. There's plenty of comic book history precedent for Steve being able to wield Mjölnir. Heck, the MCU hinted that it was possible back in Avengers: Age of Ultron. It was a smart way to give Captain America the ability to take on Thanos which was believable. What I don't understand is how he got to control lightning with it. As explained by Odin in Thor: Ragnarok, Thor himself is where the lightning comes from, and Mjölnir merely allows him to focus it more easily. Perhaps Mjölnir has some kind of residual lightning charge which makes this possible, but it still seems an odd thing to have happen. How does Cap even know how to make the lightning work? How does he know how to summon Mjölnir in the first place?
No other point in the movie hit more of an emotional note with me than when Cap is facing horrific odds all alone against Thanos and his entire army... than when he hears Sam say "On your left" through his earpiece. That's yet another nod to a past MCU film (Winter Soldier). It's the turning point of the entire movie, and any fan of the past decade will be cheering.
Back in Civil War when Hawkeye is facing off against Black Panther, an opponent for which he's badly outmatched, he buys time by saying "We haven't been introduced. My name is Clint." Black Panter says "I don't care." and proceeds to start pummeling his ass. During the Endgame final battle, Black Panther wants the Infinity Gauntlet and says "Clint, give it to me," at which point I got the warm fuzzies. Awwwwwww. T'Challa remembered his name! He must care a little bit after all!
Poor Wanda. She has to deliver the same line to Thanos that she gave to Ultron. Lucky for her, she's definitely got the power to back up any threat she makes, and having her battle Thanos was pretty sweet.
Spider-Man bringing back "instant-kill" from Homecoming was an LOL moment for me.
Captain Marvel gets the entrance to beat all entrances, and watching her decimate Thanos's ship all by her lonesome was pretty epic. Though not quite as epic as it would have been had we not already seen her so that in Captain Marvel. Still, having her be the only one who can truly go toe-to-toe with Thanos via brute force was more than enough.
The "Ladies of the MCU" moment may have been artificial and manufactured, but I just don't care. We've come a long way from when Black Widow was the sole female super-hero in the MCU.
And then we reach the end of the battle when Doctor Strange tells Tony that this is the moment.
I really, really, wish somebody had laughed at Thanos as his shit faded away.
Rumor has it that Tony originally had dialogue as he lay dying. Robert Downey Jr. felt it would be more powerful if there was nothing left for him to say... his actions and sacrifice speaking more than words ever could... and he's absolutely right. Watching as the beginning of the entire Marvel Cinematic Universe from the very first film has his life fade away was about as powerful way to close out The first decade as we could have hoped for.
The reactions from the characters at Tony's service are interesting... as is the order which they appear. His family is first, of course. Followed by his closest friends. Followed by Captain America, who has seen many, many soldiers die in battle, and you kind of get that perspective on his face... stoic, but showing loss. Since Peter Parker is just a kid, I'm glad they had Aunt May there for him. Thor has experienced loss that nobody else here could possibly fathom, so Hemsworth gave him an unease that is perfectly fitting. Smart Hulk's more emotional response was exactly what was needed to drive home that this Hulk is very different from the early days of the character. Doctor Strange is in the unique position of knowing that he essentially sent Tony to his death, but also knows there was literally no other possible way to win this. The Ant-Man "family" had little to do with Tony Stark, so they appear a bit more detached, as they should be. The Guardians of the Galaxy have the most interesting response. All but Quill are aliens, and their perspectives on death are undoubtedly far removed from ours, which is smartly reflected. Note that Gamora is gone, her character having reverted back to a more raw state (something confirmed in the deleted scenes). Also note that Nebula gets a longer shot than most, which is apt considering how she is closest to the entire Infinity Saga and crucial to how it played out. Black Panther, Okoye, and Shuri's presence representing Wakanda is appropriately stately and reserved. Clint and his family here are a bit more affected than you'd expect... until you realize that this goodbye is more about Natasha to them than Tony Stark. Sam and Bucky, who have done nothing but fight since they met, have common ground here, leading directly into their upcoming Disney+ series, I'm sure. Wanda, likewise, is probably thinking more about losing Vision than Tony, but that too is leading into a Disney+ series. The young guy standing alone confused some people, but I recognized him immediately as Harley, the kid from Iron Man 3, and I'm glad they thought to add him here. I completely missed Maria Hill and General Ross when I saw the film in theaters, but it makes sense they're here. Captain Marvel is the one character who feels a bit out of place, yet it would be strange if she weren't here given her impact on the final battle. And then there's Nick Fury, the glue that holds the entire Marvel Cinematic Universe together saved for last. Perfect.
It was nice at the end to acknowledge that Tony wasn't the only one who sacrificed his life. Black Widow and Vision are gone as well. Though Black Widow has a movie coming up, and Vision is assumably a part of the WandaVision Disney+ series.
Valkyrie becoming queen of New Asgard is absolutely fitting, and sure to be explored in the upcoming Thor: Love and Thunder. Having Thor rejoin the "Asguardians of the Galaxy" should have interesting consequences going forward for both these franchises.
And... here's the end-end-end of the movie. Cap heads back with the Infinity Stones to prevent new realities from ever forming, Hulk acknowledges that he misses Natasha, and Falcon is given Old Cap's shield (from an alternate reality, see below) so he can become the new Captain America. Of course Bucky is there, which is a jumping off point for the new Falcon and Winter Soldier Disney+ series. Neat!
The End!
After the movie debuted, fanboys immediately got their panties in a bunch because of Steve Rogers' decision to go back in time and lives a life with Peggy Carter that he would have had if he hadn't been frozen in ice for decades. "THIS CONFLICTS WITH PEGGY SAYING THAT SHE MARRYING SOMEBODY STEVE RESCUED IN THE FIRST MOVIE!" and "STEVE ERASED PEGGY'S LIFE WITH HER HUSBAND AND KIDS! WHAT AN ASSHOLE!" Except... he didn't. As the movie went into meticulous detail explaining, that's not what happens with time travel disruptions in the Marvel Cinematic Universe. As explained by Hulk and Nebula to Ant-Man and Rhodey before they experiment on Clint... any change to the past creates an alternate reality...
This was such an important point for the story that they had The Ancient One re-explain it to The Hulk. The writers literally provided visuals to make it crystal clear...
Which is why I go crazy every time I hear a new diatribe on Captain America's time travel being a plot-hole. Let's break this down one more time, shall we? If you go to the past, the future becomes your past, so the future can't be changed. So when you change something in the past (like take an Infinity Stone), a new reality is created where that Infinity Stone has disappeared from existence. In order to fix this, Captain America went back in time and returned the stones to a point before any changes would create a new reality. Namely, he returned them to immediately after they were taken in the first place. This closed the loop and the new reality which was created then fades away because it never existed...
It's an incredibly simple concept.
And it applies to Steve Rogers' journey back in time as well.
At the end of Endgame, Steve returns the Infinity Stones and all the new realities created by their removal no longer exist. He then goes back in time to the late 40's or early 50's... before Peggy Carter got married and had kids... to live out his life with her. As clearly stated, this change creates a new reality where Steve is the one who marries Peggy. His original reality... the reality of all the Marvel Studios movies... where Peggy got married to some other guy, had kids, got dementia, then died... still exists because, to Steve, it's the past. And after Peggy died and Steve was ready to return to his original reality, he traveled back into the past BEFORE the new reality was created... then traveled into the future of the original reality as an old man (which is what we see at the end of the movie)...
So does this mean that other reality where he married Peggy was erased? NO! because now that is in Steve's past! That reality is still there too. An alternate reality which may or may not be revisited in future Marvel films.
It all makes perfect sense, and everything works exactly as it was spelled out in the movie. If there's a plot-hole here, it's that the objects which the stones were encased were forgotten...
I love that YouTube Channel. And, no, I have no clue as to what happened in the new reality which was created when Loki escaped with the Space Stone. Perhaps that will be addressed in his Disney+ series? Because unless he crosses back over into the primary reality, that's where he is now. Our Loki is still dead. I guess I'll just ignore it all until we actually get the series.
And yet...
WHERE DID OLD CAP'S SHIELD COME FROM?!? If he brought it from the new reality he created when he went back to be with Peggy... if he found his other-dimensional-self in the ice there, then dug up the shield, but left himself frozen... does that Captain America not get a shield when he is rescued from the ice in the future? Or maybe Old Cap waits until New Reality Cap wakes up, then asks himself for the shield so he can take it back to his original reality, leaving New Reality Cap with nothing? Or did he go to New Reality Wakanda and convince them to make him a second shield so he had one to take back with him? That would have been interesting to see. Or... best theory... New Reality Captain America dies, and Old Cap retrieves the shield? Who the heck know? Regardless, it's incredibly lame that this gaping plot hole was left dangling. One can only hope that the New Reality Steve created will be revisited in future MCU films so we can have an answer... or ten.
Given the nature of comic books, there's nothing to say that Tony Stark, Steve Rogers, and Natasha Romanoff can't return in future movies, even though somebody new will undoubtedly be taking up their super-hero mantles (ala Sam becoming Captain America). They could come back in dream sequences... flashbacks... resurrections... alternate reality versions... whatever. Black Widow's movie takes place entirely in the past, so that's yet another way to have them come back. Though, to be honest, it's probably more powerful if their characters aren't brought back. That kinda cheapens their sacrifice and will diminish their legacies.
So... good flick. Impossible flick given the complexities of juggling so many Marvel Studios franchises, a decade of history, and dealing with the astronomically high expectations of Marvel fans. For the most part, it feels like they succeeded. I certainly had no complaints walking out of the movie theater... or turning off my AppleTV.
As for the future of the Marvel Cinematic Universe? Well, if Spider-Man: Far From Home is any indication, it's going to be just fine. Hopefully Kevin Feige will find a way to pull another rabbit out of the battered old hat with weak series like The Eternals and Shang-Chi in the pipeline. Hey, he sure managed it with Guardians of the Galaxy!
Here's hoping the next decade is even half as exciting as the first.
Welp.
Avengers: Endgame was a movie alright!
My expectations were phenomenally high for this film. Lucky for me, it was a pretty phenomenal movie and definitely lived up to all the pre-hype that Marvel has been shoveling out over the past several months. I absolutely loved it...
Needless to say I can't really talk about the film without spoiling some of the stuff that happens.
Trust me. If there's one film you do not want spoiled, it's this one. So absolutely do not proceed any further until you have seen Avengers: Endgame!
You've been warned.
Spoilers await in an extended entry...
→ Click here to continue reading this entry...
I may have been to Maine and back this week, but that just means I'm locked and loaded... because an all new Bullet Sunday starts now...
• Endings! Obviously the news of the week is that the Avengers 4 trailer finally dropped. It's everything it needed to be, with plenty to unpack. If you don't want to hear about it, best skip to the next bullet...
Okay, first of all, the name... Endgame is lame as shit. For months we've been told that the name was being kept secret because it revealed the plot and gave too much away. But does it really? No. Not even a little bit. LAME!
It's not much of a leap to figure that Ant-Man is going to be the key here. The Quantum Realm and its time-bending properties is an obvious way to undo what was done and bring back all those dusted characters so they can continue to print money for Marvel Studios (and Disney). I also wouldn't be surprised to find that Hawkeye (who looks like he's in his Ronin persona in the trailer) will have a major arc. Odds are his entire family was dusted and that's going to be the push to answer the question: "Why in the hell is he an Avenger?" No sign of Captain Marvel, but we know she's going to be kicking around...
April seems a long, long ways away...
• Pet Shop Christmas! This week I received an email from The Pet Shop Boys wishing a Merry Christmas to their fans. Which is nice, I guess, but it's the way they did it that was so cool...
Now, if you're a fan, you'll immediately "get it." But if you're not... does this help?
Seriously, how cool is that?
• MIB4! This week we finally learned the title of the fourth Men in Black movie... Men in Black International. It stars Chris Hemsworth as Agent H and Tessa Thompson as Agent M...
The spinoff film will not have Tommy Lee Jones (Agent K) or Will Smith (Agent J) in it, but it will have Emma Thompson reprising her role as Agent O.
• Outlook! As I prepare my home for winter, I ran across something interesting...
Apparently my region of the country will be "much above average" when it comes to temperature this winter. I'm not quite sure what to think about that, because the nighttime temperatures seem as though they're the same as they've been for years now (which is not as cold as it was a decade ago, I can tell you that). I took a look at weather averages for the past couple years and it reads similar to what's been recorded lately. And while we haven't had any snow yet, I'm guessing it will be on its way any day now? While I'm happy at the idea of saving on heating costs, we really need good snow pack in the mountains or else we'll end up in drought conditions in the Summer. That's something we absolutely do not want.
• NHL! Good news, everybody! Something I've been waiting for... for a very long time, actually... is Major League Hockey coming to Seattle! I became a hockey fan when I got into The Milwaukee Admirals while working in the Mid-West. From there it was a short hop to the Chicago Blackhawks, which has been my team ever since...
I've been to a couple local games here at home, but love the idea of escaping to an NHL game from time to time. Earlier this week they finally gave Seattle an expansion team, which will debut in 2021. But what will they be called? It's a big mystery. I was greatly amused to find that Bovada is running Vegas odds on it...
Oh dear Lord. The odds favorite is the Totems?!? Now, I get it... that's the historic name for the team. It's a name which has emotional appeal to those who have been fighting to get a team here for a very long time. BUT COME ON! Are we really going to go down the cultural appropriation route again? My team, the Blackhawks, was named in honor of Black Hawk, a real-life Illinois historical figure. The team has kinda gotten a pass on this because it's not an offensive stereotype (like "Redskins") but it is still mired in controversy...
In 2010, for instance, Joe Podlasek stated that, "The stance is very clear. We want the Chicago Blackhawks logo to change. For us, that's one of our grandfathers. Would you do that with your grandfather's picture? Take it and throw it on a rug? Walk on it and dance on it?" John Blackhawk, Chairman of the Winnebago Tribe of Nebraska, has suggested that the change in position for the American Indian Center may be connected to contributions the Blackhawks organization has recently begun making to the center: "We all do contributions, but we don't do it for the sake of wanting to be forgiven for something we've done that's offensive."
— Wikipedia
So can we please just not this time? Personally I'm really liking the Sockeyes. There's a lot of logo potential there, and it's a fish that has cultural significance to Seattle both past and presence. The Emeralds isn't bad, but what do you do with it for a logo? And tying the name to The Wizard of Oz is kinda silly. Rainiers is already tied to a crappy beer. Kraken might be fine, but it's too abstract since it's mythological and all. Renegades, Cougars, and Eagles are boring and done to death. Sea Lions, Seals, and Whales just sound silly. Evergreens would give us a frickin' TREE as a logo? I dunno. Might work in the right hands? Firebirds isn't bad, but it's within spitting distance of Totems for me.
So... can we just be the Sockeyes and be done with it? Please?
• So Long, Fuckers! I finally managed to transfer everything away from my previous web hosting company, Media Temple. After being a loyal customer for over a decade and putting up with their broken promises and bullshit, the last straw was the horrific way I was treated when I tried to get an issue resolved. No help, shitty service, and a bill for $38 that they wouldn't reverse. Seriously, what a bunch of assholes. If you're looking for a place to host your stuff, keep looking.
And that's the end of that. See you next week.
Since this is the last day of my re-reviewing all the Marvel Cinematic Universe movies until Ant-Man and The Wasp is released on home video, I thought I'd do something related to that.
Here's a list of Marvel Studios movies I'd like to see that are not sequels...
Not included in my list, but obvious contenders, are The X-Men... which has been hopelessly fucked up in past films and deserves an official Marvel Studios treatment at last. From there it's just a short hop to Avengers vs. X-Men. Also? Ms. Marvel (Kamala Khan) needs to shake out of all this somehow... though I'm not exactly sure how. Despite being an amazing character, her powers are kinda goofy, and I'm not sure how they're going to A) depict them in a realistic way on the big screen and B) make sure there's no confusion between her and Captain Marvel.
Needless to say, I am hugely interested in where Marvel Studios will be going after Captain Marvel, Avengers 4, Spider-Man: Far from Home, and Guardians of the Galaxy: Volume 3 are in the can. My guess it we'll start hearing about some of it early next year.
Continuing on with my revisiting of every Marvel Studios movie...
MARVEL STUDIOS MOVIE OF THE DAY, No. 19: Avengers: Infinity War
Original Grade: A • Today's Grade: A+
The more times I watch this film, the more I love it... hence it jumping to a perfect A+ score. It seems impossible that a movie so epic in scope holds together this well. Still, it's a dense story, which is why I think it needs repeat viewings to be appreciated. I first reviewed this film just four months ago... all the things I love about it have grown stronger while the things I didn't seem to fall away. That's the mark of a great movie.
SCENE TO BEAT: Any moment where Doctor Strange's Cloak of Levitation is treated as a character. Making it sentient was total genius, and I absolutely love the way it interacted with Iron Man and Spider-Man on Ebony Maw's ship.
COULD HAVE BEEN BETTER: I still think that Peter Quill getting all emotional and being responsible for Thanos winning on Titan was stupid. I don't care how much he thinks he loves Gamora, it was just ridiculously out of character to have him check out and be an idiot. They could have fixed this by just having Thanos overpower the heroes and leave. End scene.
SIDENOTE: As of this film, the only one of The Nine Relms we haven't seen is Alfheim, home of the Light Elves. Maybe eventually?
Today I headed over to Seattle to see Erasure with my long-time internet friends Matt and Scott. It was my third time seeing the band, and Andy and Vince were amazing as ever.
If I had a complaint, it was The Moore Theater Seattle has no air conditioning. I was in the front row and had (relatively) few people next to me and I was dying. Poor Andy Bell was dancing and singing his guts out and I thought he was literally going to die. But he was a total trooper...
The set list was as follows...
They skipped tracks from Erasure (their seventh album), Cowboy (their eighth, and probably my favorite, album), Loveboat (their ninth album), Other People's Songs (their tenth album), Union Street (their twelfth album), Light at the End of the World (their thirteenth album), Tomorrow's World (their fourteenth album), Snow Globe (their fifteenth... a Christmas album), and The Violet Flame (their sixteenth album).
Songs I would have liked to have heard? Heavenly Action, Weight of the World, just about anything from Cowboy plus Don't Say You Love Me, and I Broke It All in Two.
Not that I can really complain though... nineteen awesome songs was above and beyond!
If you ever have a chance to see them live, Erasure is worth the ticket of admission.
MARVEL STUDIOS MOVIE OF THE DAY, No. 13: Captain America: Civil War
Original Grade: A+ • Today's Grade: A+
Holy crap... what if Robert Downey Jr. had said no? What would this movie have been then? Chris Evans has made no secret of the fact that he never really wanted to sign on for Captain America because he had his fill of super-hero movies with the two awful Fantastic Four flicks. But he was talked into it, and signed a contract for a set number of appearances as Cap. And that was smart. Get the big money while he could, then move on to the directing career he wanted which would pay a lot less. He later extended his contract to include Avengers 4 when Avengers: Infinity War was split, but it's assumed that's the end of it. What's so cool is that Evans is such a stand-up guy that he agreed to cameo appearances in Thor: The Dark World and Spider-Man: Homecoming outside of his contract. Marvel Studios, in its infinite wisdom, decided to make the most of the original Captain America while they had him, and essentially created another Avengers movie instead of a Cap solo film. Taking the general idea from the comic book event of the same name, Civil War was a way to tear everything apart before bringing it back together again. And they pulled out all the stops doing it. In addition to getting the first appearances of Spider-Man and Black Panther, we also get Iron Man, Winter Soldier, Black Widow, The Falcon, Agent 13, Ant-Man, War Machine, Hawkeye, The Vision, and Scarlet Witch. When you consider that this could have easily been a movie with Cap as its only hero battling some random villain, that's beyond incredible. It was, of course, just a warm-up. I don't know that this was a better film than Winter Soldier, but it was a comic book fan's ultimate dream movie at the time. It was certainly mine. Kinda still is.
SCENE TO BEAT: Wow does Marvel Studios have the whole de-aging thing down! Seeing young Robert Downey Jr. at the front-end of the film was so cool. And it wasn't just for kicks... it actually had real relevance to the story being told. But, of course, the scene to beat would have to be the airport battle. Finally. Finally! After spending most my life waiting for a live-action super-hero battle that wasn't a pile of shit (I'm looking at you, X-Men 3) we got it. It didn't hurt that Spider-Man and Black Panther were in the mix, and absolutely everybody was used to their full potential. Including... Giant Man!
COULD HAVE BEEN BETTER: Wanda accidentally blew up part of a building when she levitated an exploding Crossbones who was in the middle of exploding. Sure some people got killed because of her inexperience. But the alternative was a lot more people on the ground getting wiped out? Including Captain America? I don't get how that pertinent fact was never raised in the entirety of the film. It bothers me because it's the whole turning point for The Accords being enacted, and it doesn't really make much sense.
SIDENOTE: Still hilarious to see Robert Downey Jr. and Marisa Tomei in a movie together again (I'm a big fan of Only You). Red Wing, which was a real-live falcon pal to The Falcon in the comics was made a drone in the movies. Once again we have Marvel being faithful to the source material... just updating it in a way that makes perfect sense! The Incredible Hulk is a movie largely ignored from the Marvel Studios canon, even though it was firmly established to be a part of it. And every once in a while, they drag out General Thunderbolt Ross to remind people of that. This actually makes me happy, because though Mark Ruffalo is better-suited to the role, the hulk movie was not a bad film at all. I expected that there would be a good reason for Thor and The Hulk being left out of Civil War, I just didn't expect it to be as good a reason as we were handed in Thor: Ragnarok. Once again, Marvel Studios knows exactly what they are doing.
Time to be cruel to be kind... because an all new Bullet Sunday starts now...
• Birdfeeding! I used to feed birds only in the winter, but started feeding them in the Summertime as entertainment for my cats. Problem is, when I hang the feeder in front of their window, the birds stay away... unlike in winter where food is scarce and they don't care. Apparently having predators staring at you while dining is unappetizing if you have other options. So I moved the feeder to the corner of the house where there are no windows so I could get rid of the feed I had bought. Problem is... I felt bad when there was no more food, so I kept on buying it because they kept hanging around. The little scroungers run through loads of the stuff, and I'm refilling it three times a week now...
Probably wouldn't be so bad if they were content to eat the cheap seed... but their favorite is thistle seed, AKA nyjer seed. The stuff is crazy expensive. I've tried mixing it with the cheap seed, but they pick it out and drop it on the ground... along with loads of thistle seed shells. I can't seem to win when it comes to birds.
• Bears! So there I was... flipping through channels... when I ran across We Bare Bears, which is one of the best things I've ever seen...
It's in its fourth season. No idea how I've missed it for this long, but I'm kinda obsessed with it now.
• Bears Again! What makes me love We Bare Bears even more? A storyboard artist from the show created an animatic of Ice Bear punching a Neo Nazi...
The tiki torch is a nice touch. You can see it over at Cartoon Brew.
• Unsatiable! When internet controversy was unleashed against the new Netflix series Insatiable, calling for it to be canceled before it even aired, I was intrigued. Rather than jump on the bandwagon I decided to take a look. It was funny as hell and, though it was pretty crude, I didn't understand what the fuss was about...
UNTIL THINGS TURNED TO SHIT IN THE TENTH EPISODE. Holy crap. I have never seen a show completely turn a corner like this. It's as if they had no idea what to do for an ending and just slapped some stupid crap together. EXCEPT THERE WASN'T AN ENDING! Blargh. The only way I was offended by this show was that Netflix greenlit it when IT HAD NO ENDING!
• Potato! Netflix kinda redeemed themselves after the disaster of Insatiable by recommending The Guernsey Literary and Potato Peel Pie Society. I don't go much for period films... and especially not period romance films... but this one has really beautiful atmosphere to it...
Taking place in the days after World War II, author Juliet Ashton receives a letter from Dawsey Adams of The Guernsey Literary and Potato Peel Pie Society, a reading club. Curious to know more about the society, Juliet writes back... and a story unfolds. It's a nice escape, if you're looking for that wort of thing.
• Agatha! I've read most of the Agatha Christie novels. My mom loved them, and they made for good reading. My favorite has always been Death on the Nile, followed by Five Little Pigs and probably And Then There Were None. Amazon Prime is now showing an adaption of Ordeal by Innocence, which is one I remember...
After having watched all three parts while I was working this morning, I was a bit taken aback that they had changed the story. Which is to say that they changed the murderer. I'm sure other details were altered as well, but I don't remember things well enough to list them. It seems strange to me that they would adapt a book and change it so significantly. If they didn't want to tell the story Agatha Christie had written, why wouldn't they have just written their own story? Setting all that aside, the series is pretty good and has a great cast lead by Bill Nighy. If you've got three hours to kill, there are worse things to watch. Like Insatiable, for example.
Time to regroup and reload. See you next Sunday.
Continuing on with my revisiting of every Marvel Studios movie...
MARVEL STUDIOS MOVIE OF THE DAY, No. 11: Avengers: Age of Ultron
Original Grade: A • Today's Grade: A-
I'm just going to get this out of the way... Ultron was not nearly as horrifying a villain as he should have been. The absurdity of it has me dropping Age of Ultron a half grade, just because it's even more jarring on repeat viewings. While casting James Spader as Ultron's voice was genius, he should have been an unstoppable, unhinged murder-bot instead of the philosophically-bent loon they made him into. That being said, it was great to see The Avengers back in action... even if this was a disjointed mess of a movie which wasted too much time on nonsensical diversions. Oh well. The fight scenes are amazing. The Vision has some serious design issues (WHY PUT DRIBBLE ON HIS CHIN?!?), but is as cool as you'd hope. Wanda's powers are all over the place, but it was great to get the Scarlet Witch onboard. Ultimately it's a heck of an entertaining film that still makes an A grade. It's just that this should have been an A+ movie and it wasn't.
SCENE TO BEAT: That opening attack on Baron von Strucker's fortress in Sokovia was pretty great. It was a fight that was very well balanced between our heroes so that nobody was left out. Oh... and I loved the scene when everybody was trying to lift Thor's hammer and Captain America nudged it a bit. The look on Thor's face? Priceless.
COULD HAVE BEEN BETTER: Ultron. Holy shit what a boring waste of what should have been a ruthlessly scary super-villain. And his design sucked too. Thor's sidequest was silly.
SIDENOTE: It's fairly obvious that Joss Whedon did not get to make exactly the movie he was wanting to make... and he has confirmed as much. If the studio knew that they were going to be dictating a bunch of crap to be worked into the movie, they should have known better than to force it on Joss Whedon who is at his best when he works alone and can fulfill his vision for the project. What's interesting is that Whedon said "never again" after the movie wrapped... but then ended up taking over for Zack Snyder on the abhorrent Justice League where he was even more at the mercy of the studio. I can only guess that Warner Bros. paid him a shit-ton of money.
After fucking up just about every single Marvel film they've ever made, 20th Century Fox finally got it right when they unleashed Deadpool on an undeserving world back in 2016. It was shockingly good and easily slid into my third favorite film slot of the year.
Needless to say, my expectations were rather high for the sequel. My fear was that they would just take Ryan Reynolds off the leash, substitute jokes for story, go full-on stupid, and destroy everything that made the first film work so well.
Instead they did the exact opposite of that and I think I might actually like it better than the original...
First of all, Deadpool is just as ruthlessly violent and hilariously funny as ever. This is the role Ryan Reynolds was born to play and he completely owns it in every possible way. But like the poster says, he doesn't come alone. Cable and Domino are with him, and Josh Brolin and Zazie Beetz are everything you could possibly hope for. Domino was particularly surprising, possessing a joy that lights up the screen. She comes dangerously close to stealing the entire show and an argument could be made that her scenes are the best in the film. Zazie could easily carry a solo film, and I hope somebody is seriously investigating it.
If there's a fault(?) in Deadpool 2 it's that the film is so dense with story and jokes that it demands repeat viewings to get it all. It was my intent to see it a second time in the theater but I didn't make it back to the multiplex in time. Now that it's been released on home video I can watch it as many times as I want.
And I will watch it a lot, I'm sure.
Continuing on with my revisiting of every Marvel Studios movie...
MARVEL STUDIOS MOVIE OF THE DAY, No. 5: The Avengers
Original Grade: A+ • Today's Grade: A+
And here is what we've been leading up to these past four movies. And it did not disappoint. The trick in team-up films like this is always going to be balancing screen time between multiple characters and balancing the power levels of everybody involved so heavy hitters like Thor don't obliterate weaker characters like Hawkeye. Joss Whedon did a superb job of that... and managed to make a witty, fun, and entertaining movie to boot. As if that wasn't achievement enough? The Battle of New York was eye-candy on a level yet unseen. But the best part? The groundwork has just been laid for the next 15 films.
MOMENT TO BEAT: Hulk smashing Loki.
COULD HAVE BEEN BETTER: The first ten minutes of the film are spent not with The Avengers but with SHIELD. And while I understand the need to set things up with Loki and The Tesseract, it seems a lot of time (relatively) to invest. I would rather have had half of that cinematic indulgence used elsewhere because a lot of time was spent with SHIELD as it is. There's also the matter of timing, where Captain America and Black Widow can get from New York to Germany in minutes. Other than that, I really hate what they did with Cap's uniform. The helmet is goofy-looking and the nonsensical metallic shoulder cuffs look stupid. And speaking of questionable design, whose idea was it to put the Subway sandwich logo on Stark Tower's helipad? But the thing that bothers me most is how nuking the alien mother ship somehow causes every last Chitauri warrior, transport, and ship to suddenly keel over dead. Talk about lazy writing.
SIDENOTE: In the tradition of comic books since the dawn of time, super-heroes end up fighting when they first meet. And the battle between Iron Man, Captain America, and Thor is a good one.
I'd like to blog about... something... but the only thing I care about now-a-days is watching new trailers for Avengers: Age of Ultron.
HOLY CRAP WHAT A FRICKIN' AWESOME MOVIE!!
I don't want to spoil it for anybody, so I'm not going to give away anything. Except to say that The Avengers is a comic book lover's dream that even people who don't care for comic books will enjoy.
Which is not to say it's perfect. There are definitely some moments where it dragged a bit. But, unlike the crappy trio of original X-Men films which wimped out in every way possible, The Avengers attempted to show the brutal reality of what it would be like when a super-hero team come to life. And it totally worked...
Writer/Director Joss Whedon just eclipsed every other comic book super-hero film ever made. And I loved, loved, loved it.
With one small exception.
Which I can't talk about without RUINING THE FILM FOR ANYBODY WHO HASN'T SEEN IT.
So absolutely DO NOT read the extended entry until you've seen the movie. Seriously, you just can't go any further if you haven't seen the film. Even if that's going to be on DVD two years from now. Which it shouldn't be, because this movie is screaming to be seen on the big screen.
But before we get to that, time to update my whole "Y2K Super-Hero Comic Book Renaissance" scorecard as follows...
The Avengers... A+
Batman Begins... A
Batman Dark Knight... A+
Blade... B
Blade 2... B
Blade Trinity... B-
Captain America... A+
Catwoman... F
Daredevil... B-
Daredevil (Director's Cut)... B+
Elektra... D
Fantastic Four... C
Fantastic Four: Rise of the Silver Surfer... D
Ghost Rider... C
Green Hornet... D
Green Lantern... C+
Hellboy... A
Hellboy 2: Golden Army... A
Hulk... C-
Incredible Hulk... B
The Incredibles... A+
Iron Man... A+
Iron Man 2... A
Jonah Hex... F
Kick-Ass... B+
Punisher... C+
Punisher War Zone... C
Spider-Man... B+
Spider-Man 2... A
Spider-Man 3... D-
Superman Returns... C+
Thor... B+
Watchmen... B
X-Men... C
X-Men 2: United... D
X-Men 3: Last Stand... F-
X-Men Origins: Wolverine... D
X-Men: First Class... B
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