UPDATE: Ironic to note that after I wrote this entry, I was watching a movie when all of a sudden my Sonos Arc soundbar made a loud POP then the sound cut out. It was seriously loud. I thought that the dresser fell over in the guest room or something. I thought it had blew out, which seemed impossible given that I didn't even have the sound up that loud, but after unplugging and plugging back in, it was find. Until it happened again! After some Googling, I found that this is a KNOWN ISSUE and Sonos hasn't done shit about it. Apparently it has to do with several audio sources, including Xbox and newer-generation AppleTV 4K. Like the one I just bought. So, yeah, not sure where I go from here. I guess I call Sonos and complain (as everybody else has done) and hope they get off their fucking asses and fix the problem. Though this has been an issue for over a year and nothing's been done, so who knows. In the meanwhile, I've gone back to my original AppleTV 4K in the hopes that the Sonos problem will abate until it's resolved. If it gets resolved.

UPDATE-UPDATE: Two days running off the old AppleTV 4K, and no pops. I switch back to the Rev. 3 AppleTV 4K and they start up again. WTF?!? I am assuming that Apple is using HDMI and Atmos standards to make their little box... so what's the deal with Sonos? Frustrating. Am I never going to be able to update my media sources now?

When it comes to the Dolby Atmos spatial audio on my Sonos Arc soundbar, I was less than impressed. Despite buying a Sonos mount, positioning the soundbar 4-inches below my television as instructed, and cranking the height channel to maximum, I just wasn't feeling it. I'd watch scene after scene of the best Atmos mixes available, confirm that Sonos was receiving Atmos sound, and never heard anything of any substance. It was a heck of a punch to the gut after paying the money it cost me.

Then Sonos released the Era 300 (which I reviewed here) and all of that was supposed to change.

And so I bought into their game, fully expecting to return the speakers when they let me down as the Sonos Arc had done.

But then they actually ended up worth being the price of admission. Once I adjusted the rear speakers to point slightly inward... increased the height volume to maximum... increased the treble by a lot... increased the bass by a bit to compensate... and increased the surround audio a touch... it all kinda came together. The only thing I could do to improve it further would be to add a wall in my open living space so that the left channel could reflect instead of drift towards my kitchen. Something that's not in the cards, alas.

But still... darn good. Mostly for spatial audio music, because the Atmos mixes we get for home video is lacking. Though the situation is improving, some movies are more impressive than others. Below is a list of my favorites. My top two are films by Denis Villeneuve, who seems to take spatial audio very seriously.

1. Blade Runner 2049 (2017 - Denis Villeneuve)
   How this movie didn't make a billion dollars is beyond me. It is an absolute masterpiece. Not only is it an impossibly good sequel to one of the most incredible films ever made... it manages to capture the atmosphere that made the original so mind-blowing. All while having a great story and flawless casting. It's a miracle on-screen. It's glorious to behold. And when it comes to the Atmos sound design? You're in the film. The many voluminous spaces fill your room with echos and reverb. Music is lush and all-encompassing. Small moments... like striking a piano key... are made to feel huge. You feel the rain falling on you in the dreary, brutalist environment of 2049's Los Angeles. Explosions rock your soul. The Atmos is meticulously crafted to be exactly what it needed to be, and makes me appreciate the movie all the more.
2. Dune (2021 - Denis Villeneuve)
   It is one of my favorite novels of all time. I've read it a dozen times. It is impossible to adapt into film. But it's been adapted twice. The 2000 TV series was a mess. I actually did enjoy the 1984 David Lynch film (which holds up very well, actually), but it was more style over substance. The Denis Villeneuve Dune, however, is genius. The writing team behind it acted like a skilled surgeon... knowing exactly what to cut while keeping the soul of the novel. And the Atmos soundscape that was crafted for the film is everything you dream about when your sound system can take advantage of it.
3. John Wick 3: Parabellum (2017 - Chad Stahelski)
   There are few franchises more deeply satisfying than everybody's favorite emo-assassin, John Wick. Each installment ups the ante in cool ways, and the brilliant Atmos soundtrack is no exception. Parabellum does an amazing job of creating immersive sound that gets better with each new movie. From rain pouring down from the sky to bullets bouncing around a room, you're there in the middle of the unrelenting action. And oh what action it is.
4. Doctor Strange in The Multiverse of Madness (2022 - Sam Raimi)
   Disney/Marvel spends a great deal of money to make their movies a fantastic experience. But when it comes to their Atmos mixes for home video, they've been hit-or-miss... but mostly miss. You hear the film in the theater and it's great... then listen to it at home and it's kinda not. I guess the spatial audio is not a straight 1-to-1 conversion and requires work that Disney doesn't want to pay for. But it's been getting better since Avengers Infinity War & Endgame, and Multiverse of Madness is one of the best so far. The inter-dimensional jumping sounds very cool, but there's other more quiet moments with birds chirping and air moving that are just as nicely done... as it should be.
5. Avengers: Infinity War & Endgame (2018/2019 - Anthony & Joe Russo)
   The movies themselves were among the best super-hero flicks to ever be released. Smart story-telling combined with amazing special effects. And sound. You can tell that some serious money was put into the Dolby Atmos positioning, because so many scenes were beautifully mixed. And that battle at the end is where it all comes to a head.
6. Mission Impossible: Fallout (2018 - Christopher McQuarrie)
   It hadn't occurred to me to check out this movie until somebody in a Sonos forum recommended it. Very nice. There are scenes where the auditory positioning is meticulously crafted, but not in a way that sounds artificial. No easy feat.
7. John Wick 2 (2017 - Chad Stahelski)
   Unlike the consistent spatial audio in John Wick: Chapter 3, the Atmos effects are a bit more hit-or-miss with the second chapter. The ones you get are brilliant... then they just... disappear. You'll get a few scenes where obvious height queues could have been used, but weren't. It's a shame, and I'm not sure why this is. Maybe budget? In any event, the sound design is still top-notch. It just could have been more.

What surprised me most was the Atmos mixes I liked the least. I read over and over and over that my favorite movie of 2015, Mad Max: Fury Road had some of the best Atmos work to date. And yet... I was seriously underwhelmed by the overhead effects, which were so random as to be distracting (unlike John Wick 2 where you can forget about it). The height channel would pop up when it wasn't needed... then be missing when you'd expect them to be there. It's bizarre. But still an incredible movie. I just think it sounds better with a 5.1 mix.

Which is rare.

Most times, the Dolby Atmos mix is incredible... even when it's not consistent. And finally... finally... I can hear it in my home theater thanks to the Sonos Era 300's.

Building a truly great home theater is expensive. Over the years I have tried to create the best that I can afford. Which decidedly does not involve building a custom theater room. I just do the best I can with my living room. That, paired with the fact that electronics tend to get cheaper over time, has helped.

My sound recently got a major upgrade with a pair of Sonos Era 300's. Their ability to render a pretty good height channel for Dolby Atmos out of my Sonos Arc may not be as incredible as actual dedicated height speakers, but it's cheaper than ripping apart my walls to wire them in.

I wanted a cool $3,000 OLED TV when my old TV died, but that's way, way out of my budget. Instead I bought a mid-range Sony 65" KD65X80J for $780 on sale. It's far from perfect, but it has decent brightness, HDR color fidelity to display DolbyVision, and can pass-through Dolby Atmos sound. Which makes it worth paying $300 more than a cheaper model (until I check my wallet... then I'm all "What was I thinking?").

Which left me to my media source.

Early streaming efforts were pretty crappy. Color fidelity was awful. Motion artifacts were terrible. And resolution was abysmal. So I invested in a Samsung Blu-Ray 4K UHD player. The picture quality was outstanding. So sharp and saturated. But I could never get the advanced audio to work. Sonos couldn't handle DTS, it can only process Dolby Atmos. But some discs only came with DTS, which meant that I had to rely on conversion by other components, which usually didn't work and got me Dolby 5.1 instead. Rather than wasting money on Blu-ray Discs that may or may not give me the audio I was paying for, I abandoned it. And was thrilled about it, since most discs had a STOP PIRACY warning which you were forced to look at and couldn't fast-forward past (which is fucking stupid... I bought your fucking disc, didn't I?).

Then Apple came out with AppleTV 4K. It could stream much, much better quality 4K video in full HDR10 DolbyVision color, complete with Dolby Atmos. Which is to say that every movie I purchase from the iTunes Store which supported spatial audio would be in Dolby Atmos format for my Sonos system. Yay. When comparing the two visually and audibly, it's darn close to Blu-Ray UHD video quality. The only time I could tell was if I paused the video and compared it frame-by-frame. And so I started buying all my movies digitally, which is cheaper and easier than Blu-Ray anyway. Even if it does mean that I'm always under threat of the stuff I buy getting jerked from the iTunes Store and having nothing to show for it (which should be illegal... at the very least I should get my money back). It's a pity that the user interface for AppleTV continues to be incomprehensibly shitty, but I guess nothing is perfect.

So now I only use my Blu-Ray player for old movies that I am not able to re-purchase as digital, and it's not worth the hard drive space to rip them.

As for DolbyVision? Here are some of my favorites which are taking advantage of the HDR color gamut and video quality...

1. Bullet Train (2022 - David Leitch)
   When it comes to all the benefits that DolbyVision offers, few movies come as close to perfection as Bullet Train. From the incredible colorscapes of Tokyo to the vivid lighting on the train in question, there's some real visual magic happening here.
2. Atomic Blonde (2017 - David Leitch)
   Two strange things on this phenomenal Charlize Theron flick. 1) Though the video is in glorious DolbyVision, the sound is not in Dolby Atmos... which is bizarre. 2) When I went to add it to my list and look up the director, I had no idea that it would be the same guy that did Bullet Train! David Leitch very obviously knows how to use the extended gamut in his work. And with Atomic Blonde, he used it to beautiful effect. Most of the film is rendered in cold blues and greens and the HDR allows that to happen while still allowing very good definition. And when warm colors pop up, they add a remarkable contrast that really sets the scene on fire. I just don't understand why we didn't get Atmos, which would be amazing.
3. Pixels (2015 - Chris Columbus)
   About half-way through the movie when the aliens invade, their hyper-saturated pixel forms are so beautifully saturated against the backdrop of the real-world that it kinda messes with your head. But in a cool way. It's a surprisingly effecting use of HDR which turns a mediocre movie into something beautiful to look at.
4. John Wick 2 & 3 (2017 & 2019 - Chad Stahelski)
   David Leitch, who directed the first two movies on my list, is executive producer on the Wick franchise. Whether it's a coincidence that the colors on these film is also fantastic I don't know. But it's an interesting thing to note given how fantastic these films look in DolbyVision.
5. Avatar: The Way of Water (2022 - James Cameron)
   Look, the color in this movie is incredible, as you would expect from something that's artificially rendered. They can make every last object whatever color they want... however saturated they want. They can add glows or artificial lighting... it's all on the table. So, yeah, in DolbyVision this is phenomenal. And if I had an OLED television, it would be fucking mind-blowing. But it's a video game. It's a cartoon. It's not real. You cannot compare it to actual movies in the Real World. Because even if the Real World footage has been color-graded and processed, it's still... real. And yet... if you want to see stunning visuals unlike anything else, here's your movie.
6. The LEGO Batman Movie (2017 - Chris McKay)
   I actually had to watch this in DolbyVision... and without DolbyVision... at the same time to see if what I was seeing wasn't my imagination. I couldn't tell if my mind was filling in the blanks or if the depth and detail I was seeing was actually there. And it is. They use color like a bomb in most every scene, exploding it over everything. But not in a bad way. In a beautiful, lush way that's just there.
7. Any Disney/Pixar Film Using DolbyVision
   Animation, with its rich, saturated colors, should be the perfect way to showcase DolbyVision. And, for the most part, it is. Movies like The Incredibles 2 and Monsters Inc. look fantastic in an HDR colorspace.
8. Blade Runner 2049
   This movie has some incredibly saturated visuals that look amazing in HDR. But DolbyVision is more than just pretty, saturated colors. It's also about having very well-defined details in the shadows... and making sure that there's definition when the color pallet is washed out. In that respect, Blade Runner 2049 is absolutely stunning.

The point of this post is in the title... AppleTV is shit. But it's the best shit you can buy for streaming.

I'm not going to run through my many complaints. If you've read this blog for any amount of time, you've probably already heard it all. If you haven't heard it? The GUI (graphic user interface) is fucking horrendous. If you own more than twenty movies or television shows, scrolling through all of them is a nightmare. Apple provides no alphabetical index on the side so you can at least jump to the first letter of the title you're looking for. It's fucking stupid.

But anyway...

Since the quality of the picture is so radically better when viewed through the AppleTV device instead of the GoogleTV app for AppleTV, I decided to ditch my AppleTV 4K (2017 Revision 1) for the newer AppleTV 4K (2022 Revision 3). And because I want to be sure that I get the smoothest possible playback, I purchased the "better" version which has Ethernet and 128GB.

The difference between Rev. 1 and Rev. 3 are slight at the start. Both support 4K DolbyVision HDR10 UHD playback. Both support Dolby Atmos. You have to pay extra for Ethernet now, but my Rev. 1 had Ethernet as standard. But then there's the improvements which really count... my old AppleTV was a slow mess with its A10X chip. It's radically snappier with the new A15 Bionic chip. I'm also working with the 128GB vs. the 32GB I used to have. And then there's the fact that Apple finally future-proofed their tech by using the HDMI 2.1 standard instead of the old 2.0. I am using Ethernet instead of WiFi, but if I were to use wireless, the new model comes with WiFi 6. The new one is also smaller and feels lighter than the old one too. As if all that wasn't enough, it contains a Thread mesh networking radio to become a border router for your HomeKit shenanigans and Matter Smart Home devices.

But the most welcome change? The controller...

Apple ditched their shitty fucking touchpad controller for a new controller that has a good heft and actual directional buttons. Which means that navigation doesn't randomly jump all over the place like it used to. I have no idea why it took them this long to replace that technology FAIL. But look how long it took them to replace their heinously shitty "butterfly keyboard" on their laptops. And... oh yeah... you can charge with USB-C instead of the ten-year-old Lightning connector that nobody else in the industry is using. Yay. Alas no charging indicator... you have to look up the battery level on your AppleTV.

The navigation buttons surround a select button to form a "clickpad" that's also touch-enabled, which is very cool for whizzing through video. You also have a dedicated power button(!) and a mute button(!). It almost as if Apple is listening to what their customers want! Color me shocked. Regardless of why they did it, Apple has gone from my most hated remote ever to my favorite remote ever.

I dare say that the remote upgrade is reason enough to upgrade. Mostly because I am actually using it instead of avoiding it and using a 3rd party remote.

When compared to Amazon FireTV, Google Chromecast, and Roku, AppleTV is way ahead (except for the navigation GUI, which is still the absolute worst). The only competitor they have in this space is probably the NVIDIA Shield, which offers more flexibility and connectivity, but looks like absolute ass. I borrowed one from a friend who tested it and ended up preferring it to my old AppleTV, but not the new AppleTV Rev. 3.

So... yeah... my home theater setup is now complete.

Over the next couple of days I'll be talking about the DolbyVision and Dolby Atmos that I'm getting through my AppleTV box. If that's not for you... then I guess I'll see you on Thursday!

I have a love/hate relationship with Sonos Home Audio.

On one hand, they are very good speakers. The sound I get from a single Sonos One (the cheapest, smallest speaker in their lineup) is better than I get from the speakers on my pricey Sony television. Sonos speakers are very well balanced to handle just about everything. Music sounds just as good as audiobooks which sounds as good as TV shows and movies.

But on the other hand, Sonos can be incredibly frustrating. When I replaced my Sonos PlayBar with a Sonos Arc, I spent a full hour talking with their support to get everything working. It was supposed to be an easy, no-brainer task, but it sure didn't end up that way for me. And then there's weird networking drop-outs that happen at random and can be a real bitch to resolve considering the only thing I ever get told is "IT'S BECAUSE YOUR WI-FI NETWORK SUCKS!!!" (as if I have some kind of cheap-ass Wi-Fi router buried in the basement instead of dual AmpliFi Alien routers in a mesh network that blankets my home with perfect Wi-Fi).

In the end I am happy enough with Sonos to ignore its shortcomings (no line-in is fucking stupid on a level of fucking stupid that has me reconsidering what I consider to be fucking stupid given how expensive their speakers are... and don't get me started on not being able to use dedicated left and right channels for surround sound). I have quite a few of their products collected from Black Friday sales over the years, and most rooms in my house are covered with Sonos sound. Heck, I even have Sonos in the bathrooms so I don't have to miss what's happening on my television shows when I have to get up and go pee.

And then Sonos decided to get cute and offer a new line of "Era" speakers. The Era 100, which takes the place of their entry-level Sonos One speaker... and the Era 300, which takes the place of their long-abandoned Play 3 speaker.

At first I was going to safely ignore their new offerings because I have neither the money nor the desire to expand upon my speaker collection.

But then I learned that the Era 300 is designed from the bottom up to support Dolby Atmos and I was intrigued. Dolby Atmos allows precise sound placement within a room. This is usually reserved for theaters which can install speakers all the way around the seating area... along with the ceiling... so that the action can move around the room to match what you are seeing. It's a pretty nifty trick. The technology is something that is supposed to be supported by my Sonos Arc soundbar, but the effect is minimal to the point that it might as well not even exist at all.

The Sonos Era 300 has an up-firing speaker that looked substantial enough to actually maybe kinda support actual Atmos sound bouncing down on your from above...

So I used my final two Sonos upgrade credits and all the Black Friday money I had left after buying Neon Bad Monkey and pre-ordered a pair of them.

And now they're here.

And I'm just going to cut to the chase here. They are... pretty good.

Because whether or not you have great Atmos sound largely depends on the audio mix that movie and television studios add to their products. I've tested these speakers for hours with all kinds of movies available in Dolby Atmos, and it's very rare that I find myself going "Whoa!" because some sound playing above me was distinct enough to catch me by surprise. No, for the most part, you're largely just getting a better, fuller surround sound experience. Back-To-Front and Front-To-Back audio is far more distinct with those up-firing speakers because you can feel the "movement" better. Far better than I did with my Sonos Ones as rear speakers. For that reason alone I am quite happy with my purchase. And who knows? Maybe as more and more people have Dolby Atmos available at home, studios will start doing better mixing so that my speakers can take advantage of it.

Now lets get to the Dolby Atmos experience that's truly worth it... Atmos Music!

I tell you what... I had read that Apple was partnering with Sonos so that their spatial audio tracks would play on Sonos hardware... but I wasn't thinking of that when I fired up some music to see if it sounded good from the 300s. A couple tracks played and I was suitably impressed.

Then the song If You're Too Shy (Let Me Know) by The 1975 dropped and I thought I was hallucinating. Lead singer Matt Healy's vocals were IN FRONT OF the music. And acoustical queues were all over the room. If I closed my eyes, it was as if The 1975 were set up in my living room. Then I remembered about the Apple Music Atmos thing and, sure enough...

For many Dolby Atmos music tracks, what you hear is flat-out mind-blowing. The 1975 remixed all their stuff, and (for the most part) it's incredible. Some songs are more experimental than others. Some songs push it too far to the point of distraction. But most of the songs are perfectly rendered in a way that makes the whole experience... maybe not better... but perhaps nicely different.

All of a sudden I was scouring all my favorite tracks to see if they had Atmos mixes available.

And it was like discovering music all over again.

Yes, there are instances where the Atmos is a gimmick that doesn't work. But for others? It runs the gamut. The biggest surprise was Kacey Musgraves Golden Hour. Whomever came up with her mixes just knocked it out of the park (with a couple notable exceptions which are gimmicky as hell). It. Is. Sublime. In Oh, What a World when that banjo hits, I had chills running up my spine. It's a fantastic experience. My favorite Post Malone tracks were wonderfully mixed for spatial audio. The newest Taylor Swift album is beautiful. And some bands you just know were hopping on the bandwagon early with Atmos remixes... like ODESZA. The track they did with Namoi Wild, Higher Ground, feels like her vocals are ON TOP OF the music. Or something. I can't even begin to explain it. But it's fantastic. Of course, it was a great track even before spatial audio...

The highest praise I can offer for spatial audio and Dolby Atmos music is that, when mixed right, the vocals never get lost in the music. They are always distinct and rendered front-and-center. One of the best songs to hear this is with Miley Cyrus's Flowers. There's places that she harmonizes with herself. But when listening to it without Atmos, the voices blend together. With Atmos, however, the harmonizing backing vocals are... like... elsewhere. They don't merge or compete... they're just another part of the music. I don't know quite how to explain it. But once I hear the difference... then go back to regular stereo... I can no longer un-hear it because the Atmos version feels like it's the way you're supposed to be hearing it.

So... probably not returning my pair of 300s... even though there's some bullshit right out of the gate.

First of all, Sonos finally... FINALLY... added bluetooth and line-in to their speakers. But when you configure them to be part of a Dolby Atmos setup... YOU NO LONGER CAN USE THEM FOR EITHER! WHAT THE BLOODY FUCK, SONOS??

When that message popped up, it was all I could do to keep from throwing my phone against the wall. I was more than a little upset... I was fucking pissed.

I'm sure that Sonos will come up with some kind of bullshit excuse to explain it away, but the simple fact is that you could easily... easily... just have the speaker ignore all other input once the line-in is receiving input. This is not fucking rocket science. The fact that I can't just plug into one of my pricey new speakers with a frickin' line-in is so far beyond rage-inducing that I honestly don't know what to do with my anger from it.

But at least there's the option for a line-in... AT ALL.

If I were flush with cash I'd likely buy a single Sonos Era 300 for my bedroom and run a line from my television. That way I could have darn good TV sound along with a kick-ass speaker for music (the stereo separation from a single 300 is surprisingly good).

BUT WAIT, THERE'S MORE!

Assuming I win the lottery tomorrow, it's not enough to just buy a $450 Sonos Era 300 speaker for my television. YOU ALSO HAVE TO BUY A FUCKING $20 MINI-PLUG DONGLE! It's like... holy shit. There's fleecing your customers, and then there's Sonos fucking gouging their customers. This is pretty disgraceful.

So... to summarize in bullet points...

• Setup actually worked like it was supposed to this time. I had an immediate software update I had to send to the Era 300's, but I was up and running in minutes.
• I love that the power cord plug is smaller now. My rear speakers are on a slim shelf that I drilled holes in so the cords are hidden. But the Sonos Ones had a big-ass plug which meant I had to use a metal rod to smash it through the hole. The new Era plugs are more compact and just pop through. Easy!
• I've had mixed results with Sonos TruePlay tuning (where you walk around the room waving your phone around while the Sonos app listens to tones and calibrates the speakers so their sound is best rendered in your room). The first time I tried it years ago, I loved it. Then the last couple times I thought the calibration was pretty bad and removed it. This time the jury is still out. I think it made my Atmos music sound better... but the movies I tried after calibration didn't sound as bright and the overhead sound was muted. I'll probably keep TruePlay on but fine-tune the EQ and upward sound levels.
• The line-in garbage mentioned above is fucking bullshit. I am outraged that not only is it fully disabled when you use them as surrounds... but you also have to buy a fucking dongle. It's as if Sonos said "WELL, YOU WANTED A LINE-IN, SO HERE IT IS... TOO BAD WE FUCKING BROKE IT!
• Until more studios really invest in doing Dolby Atmos mixes that are killer, I wouldn't buy these speakers just for movies with Dolby Atmos. It's just not a big enough upgrade given how many mediocre mixes are out there claiming to be "Atmos."
• The "killer app" on the Era 300s is Dolby Atmos music. Spatial audio provides an experience I haven't heard before and, for the most part, I absolutely love it. As more and more artists go back and remix their music (or remix the mixes that aren't that great) I think this is reason enough to give them a listen and see what you think.
• Yes, the price of Sonos gear is as heinous as it ever was. About the only justification I can offer is that they feel quality. They are noticeably heavy and seem built to last. And, needless to say, the sound quality is darn good given the size. Exceptional even. I have never had a complaint about the sound I get... and even a meager little Sonos One provides a great experience. Sonos is one of those companies where I think the cost is likely worth it. That being said, every piece of my Sonos gear was bought on sale because... damn.
• All my stuff was purchased directly from Sonos because I like that they offer a money-back-guarantee when you purchase from them. It's the least they can do given how much money it costs. If you are on the fence, it's worth investigating whether the shop you're buying from can offer a guarantee. Pretty sure not all of them do.
• If you are a long-time Sonos customer, Sonos will give you "upgrade credits" which knock 15% off the price of their wares. For every speaker you own that's old enough to earn a discount, you get one credit to use on another speaker to replace it. Except you don't have to return your old speaker... you get to keep it! If you registered your products with Sonos, be sure to look at your account and see what's available. I saved nearly $70 each on the 300s, which is serious money.
• A lot has been said about how "ugly" the Sonos 300s are. Personally, I'm not seeing it. I am very sensitive to design aesthetics and actually really like the look of them. When sitting on the shelf behind my couch, they look nice from any angle and have an impressive heft to them that makes me confident a cat isn't going to knock them off (if they were to ever climb up on those shelves, which they rarely do).
• I did not buy any Era 100s and really have no plan to do so. The improvement over my Sonos Ones seems minimal, as there's no up-firing speakers for rendering Atmos. The stereo separate looks like it might be pretty good... but since the speaker is so narrow, I'm not sure how noticeable it would be.

And there you have it.

If you've got a showroom somewhere near you with Sonos gear, it might be worth a look if you're thinking about investing in new speakers.

If the first part of this entry is something you'd like to skip, there's a second video at the end that you most definitely should not skip. It's horrifying stuff that should be seen by as many people as possible.

The stuff I wrote about here on Blogography is pretty random.

Not random-random, because there are several subjects I like to write about more than others... still other subjects I enjoy but have no interest in writing about... and still other subjects I have a lot of interest in writing about, but know that precious few people will want to read what I wrote.

This post falls into the latter.

Because while I am absolutely fascinated with mathematics, in general, and the maths of quantum computing, specifically, the people who read my blog for cat photos and pop culture commentary will likely not care.

But every once in a while I run across something so amazing that I find myself hoping that people who might otherwise skip a post might want to take a chance and read it.

One of my favorite YouTube channels, Veritasium takes a look at how quantum computing will make all of our current encryption efforts laughably obsolete. Considering that encryption is what keeps all of our most secret information safe... from account passwords to banking details to text message privacy... this is an astronomically huge deal. And in as little as a decade, it could all be completely worthless.

But how are quantum computers able to crack this security so easily? Glad you asked! And this video is for you. Now, there is some math that gets thrown at you, but you honestly don't have to understand it to get the gist of what's going on. So maybe give it a shot?

And now for that second video I promised.

It's a story on Timeshares from Last Week Tonight that is essential viewing. Especially if you are considering buying into a timeshare or vacation club or whatever...

Fucking yikes.

I'm really glad that I never had the money to invest in these.

The fact that Sonos can say that their Voice Assistant is a viable means of controlling their speakers with anything approaching a straight face is new levels of laughable.

I hear "Sorry, I Don't Understand! Please use the Sonos app!" so often when attempting to use their bullshit that I feel Sonos should hire somebody to sit in the corner with the Sonos app so I have voice control that will actually work.

Between Sonos Voice Assistant and Apple's HomeKit, I spend a hell of a lot of time being embarrassed for tech companies right now.

The quantum leaps in graphics rendering technology is all new levels of mind-blowing any way you look at it. Television shows and movies just keep getting more and more spectacular. But where my mind fails on entirely new levels is video game graphics.

They've gotten so good now that what you can do with rendering engines like Unreal Engine can rival cinematic graphics. Indeed, some shows and movies are using video game tools to craft the worlds their characters inhabit.

Then Unreal Engine 5 came along and just upped the ante yet again. Just look at this tech demo which features a walkthrough for The Titanic (to really appreciate it, click through and watch it full screen)...

And look at this...

And this...

These aren't just pretty renderings... they are worlds you can walk around in and explore.

Paired with upcoming VR technology... can you just imagine what we'll be doing virtually in the next ten years?

Unreal.

In the Terminator movies, humanity is ultimately destroyed by "Skynet," an AI super-intelligence developed for NORAD that gained sentience. Once humans realized that it was sentient, they tried to shut it down. SkyNet took this as an attack and launched nuclear weapons to preserve itself. By getting rid of the humans who were attacking it.

We are moving very, very quickly into AI space and, at the rate things are going, it's not outside the realm of possibility that AI will keep re-writing itself to get smarter and smarter until sentience is achieved.

What happens next is anybody's guess.

But one thing is certain, AI is going to destroy us.

Not necessarily in a Skynet kind of way. Maybe it will be in a good way. But the end result is the same. We're either destroyed and anhilated or we're destroyed and rebuilt into a life that's very different than the one we have now. One where we're constantly bombarded by AI assistants who can interact with us as if they were a person. A very very smart person with all the knowledge of the internet at its immediate disposal.

Which brings us to this fascinating video by Tom Scott...

What's mildly amusing to me is that Tom Scott is just 39 years old.

So my frame of reference when it comes to computers and the internet pre-dates his. And in that respect it seems to me like the revolution happened even quicker that he makes it sound. He started from a point where computers had already gained a serious foothold. I started from before that. So my frame of reference goes from zero to one million within my entire lifetime. It's not like computers were around when I was a kid and ramped up to where we are now. Personal computers as we know them were science fiction when I was a kid.

To me, computers were something real when the Pong arcade game became a home video game in 1975. I first got to play it at a local pizza parlor in 1976. I was 10 years old and it was absolute magic how they would bring it to your table so you could play while waiting for your pizza. A year later my family got an Atari 2600 video game system. A year or two after that we got an Atari 800 home computer.

The 40+ years since have been an express train to the future, with innovations coming faster and faster.

AI is just the latest thing.

I give us five years. Ten on the outside.

NEWSFLASH: Major Layoffs Reported At Amazon And ComiXology.

I am a big comic book fan. I used to be a huge comic book fan. So much a fan that I have a small storage room devoted to housing my massive collection of books. Then the digital age was upon us... I was running out of room to store my comics... and so I made the painful transition from physical printed comics to the digital version that lives on the internet and takes no space at all.

It was a tough transition to make. There's something about the feel... the smell... the experience of reading a real comic book as opposed to staring at a computer or your iPad.

That being said, ComiXology made the experience as good as it could be. I mostly read my comics on a computer with a large screen so I could experience them as full page spreads as the artist (and God) intended. On an iPad I usually use "GuideView" which presents the comics panel-by-panel. Once I got my 12.9-inch iPad Pro it was a little easier to read full pages, but I often decided not to.

Then Amazon bought ComiXology.

And things were fine at first. You still went to ComiXology, you just signed in with your credentials from Amazon. Everything was fine.

Until it wasn't.

Amazon eventually folded ComiXology into their Kindle app, and it was fucking awful. Horrendous experience from start to finish. Even finding your comics was a shitty experience. I fucking hated it so much that I pretty much stopped buying digital comics. Now I only bother when something I want to read is on sale. Instead I wait for the trade paperback to be released and wither buy a physical copy or check it out from the library.

Amazon fucking destroyed ComiXology.

And though improvements have been made, it still sucks compared to the ComiXology experience that I bought into.

Now, to the surprise of absolutely nobody who has had to suffer through reading comics on Kindle, profits are down so Amazon is laying off a chunk of their "ComiXology" team (though why they call it that when they murdered ComiXology in favor of Kindle I have no idea).

I feel bad for the ComiXology team members losing their job because Amazon management fucked over their product so bad that nobody wants to use it. That's not fair. But that's Amazon for you. Jeff Bezos probably wants another super-yacht, so he's getting rid of a bunch of people so he doesn't have to dip into his $120 billion (or whatever).

And isn't that the way it always goes? People with insane wealth that they could never spend in dozens of lifetimes making life utterly miserable for people scratching out a living? Just look at Twitter.

COVID is still here.

Tens of thousands are hospitalized with it and hundreds are still dying every day. Which is a vast improvement over where we were, but it's also frightening that it keeps mutating into new strains that keep this plague ongoing. The good news is that the most recent booster is still effective enough to be worth getting, providing added resistance to these new mutations.

Which brings us to this video.

Horrifying. But also riveting.

This is a good time to plug one of my favorite books of 2022, Immune by Philipp Dettmer If you haven't read it yet, it's worth your valuable time.