Don't be intimidated by The Biggest Little City in the World... because Bullet Sunday from Reno starts... now...
• Love! Yeah. Uh huh.
• Carter! ABC has given Agent Carter a second season!
They also renewed Marvel's Agents of S.H.I.E.L.D., which would be exciting if the show wasn't so awful. Who knows... maybe they'll actually do something with it this Fall to make it worth my valuable time. But somehow I doubt it.
• Dawson! In other terrific Marvel news, Rosario Dawson has been confirmed for Season Two of Daredevil... plus other Netflix Marvel projects! In the comics, she's kinda an important piece of the Luke Cage puzzle, so it will be interesting to see how they work that into his series...
One of my few regrets for Season One of Daredevil was that Rosario didn't have more screen time. Hopefully that will be rectified next year.
• Remember? I didn't read into Age of Ultron the anti-feminist viewpoint that has some people up in arms over how Black Widow was written. I save my rage for crap like this...
Remember the scene where Black Widow drops out of the jet on the motorcycle? Well fuck you the toy is Captain America pic.twitter.com/juefiCqlX8
— Zac Shipley (@zacshipley) May 8, 2015I'm guessing this is a case of "manwashing" the character of Black Widow so it will better appeal to young boys. Meanwhile, young girls that are into comics and super-hero movies get shitted on. Not that they can't enjoy a Captain America toy too... but come on.
• Lucifer! UPDATE: This doesn't look like it's going to be a faithful adaptation of the comic book of the same name, but I'm excited to see it nevertheless...
I don't suppose it's too much to hope that we get an appearance of Constantine in this series now that his own series has been canceled? It's a natural fit.
And... so much for bullets this week...
Okay then.
I wrote up my thoughts about Avengers: Age of Ultron immediately after having seen the film last Sunday while I was in Reno. Originally, I was going to post everything Monday, but ultimately decided I'd "sit on it" for a couple days in case I had new thoughts upon further reflection. "Days" turned into a "week" because new information kept leaking out about the film. Information that had direct bearing on my comments.
And so now there are a couple comments on my comments.
Which makes me wish I had just posted everything last Monday as originally planned, because that would have been a lot less work.
But anyway...
I am a huge, huge, huge fan of the Marvel Cinematic Universe.
A Marvel movie has topped my list of favorite films every year since I started making lists... Iron Man 2 in 2010, Captain America and Thor in 2011, The Avengers in 2012, Iron Man 3 in 2013, and Guardians of the Galaxy in 2014. My guess is that Iron Man would have topped my list in 2008 (if I had one back then), and it seems inevitable that Avengers 2: Age of Ultron (or possibly Ant Man) will top it this year. These films are a dream come true for a long-time comic book geek like me, and Marvel seems incapable of making a misstep with their various franchises.
At least from the "big-picture" perspective. But I'll get to that in a minute.
Avengers: Age of Ultron is a mind-bogglingly huge film that defies a quick description, so I'm not even going to try. Instead, I'll just reprint the official description thusly: "When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's Mightiest Heroes to stop the villainous Ultron from enacting his terrible plans."
(UPDATE COMMENT: And the result is going to end up being one of the most successful movies of all time)...
And, for the most part, I loved it.
It's a highly entertaining effort that has some of the most ambitious and mid-blowing action sequences ever put to film.
But it's not without its problems.
Which I get into in an extended entry. Needless to say, spoilers will ensue...
Before I begin, I feel compelled to mention that the title of the film is taken from a comic book maxi-series by Brian Michael Bendis from 2013. And yet it's an entirely different story that bears no resemblance to the source material. This is probably a good thing, because I found the comic book a bit uneven. In some places it felt rushed and oddly incomplete... in others it was plodding, bordering on tedious with an ending you could see from miles away. As if that weren't reason enough to go in a different direction, many of the key characters (like Wolverine) aren't available to Marvel Studios, having been licensed away to other companies.
And off we go...
As the movie begins, Earth's Mightiest Heroes are hell-bent on retrieving Loki's magical scepter (from the first Avengers film) and track it down to a HYDRA base in the fictional Eastern European country of Sokovia. It's much too powerful and dangerous to be left in the hands of mere mortals, so Thor is quite serious about getting it off the earth.
Unfortunately for the Avengers, their efforts are hampered by the evil Baron Strucker, who has been infusing people with energy from the scepter to give them super-powers. His only(?) success story is with "The Twins"... Pietro and Wanda Maximoff... who volunteered for experimentation after their parents were killed by Stark weaponry. Pietro (AKA Quicksilver) has super-speed and Wanda (AKA Scarlet Witch) has the ability to manipulate energy in the form of physical blasts or telekinesis. She also has limited telepathy and the ability to manipulate minds by clouding them with a person's darkest fears.
AN ASIDE: I would be remiss if I didn't mention that this depiction of Quicksilver and Scarlet Witch is quite different than what you get in the comic books. In the source material, Pietro and Wanda are mutants... the next evolution of humanity, and developed their powers naturally (UPDATE COMMENT: Except not any more, as it turns out). But since 20th Century Fox owns all rights to the X-Men and, by extension, mutants, writer/director Joss Whedon had to take a different approach. He chose to tie their origin to previous Marvel Cinematic Universe events, and I think his solution was a very good one. Though I sure wish Wanda's powers weren't so deus ex machina to the plot, the whole "mental manipulation" stuff conveniently coming from nowhere because Joss needed a story beat.
Anyway...
Despite Scarlet Witch using her powers to enchant Black Widow, Iron Man, and Thor, The Avengers prevail and recover the scepter... only because Wanda determines that Tony (whom she hates for making the weapons that orphaned her) will destroy himself with it. Sure enough, Stark then convinces Thor to let him run some test on the artifact, which results in him finding out that the gemstone powering the scepter contains a highly advanced artificial intelligence. Thinking this might be the key to powering his plans for a global "Ultron" defense network, he convinces Bruce Banner to help him download the AI. Chaos ensues when Ultron overtakes Tony's J.A.R.V.I.S. AI (which has been much loved since he first appeared way back in the first Iron Man) and decides (rightly) he needs to inhabit one of Stark's robots and eliminate all of humanity to save the planet. To do so, he steals the scepter and takes over Iron Man's "Iron Legion" manufacturing equipment so he can create scores of Ultron Drones to do his bidding.
So far as plots go, so far so good. Whedon got James Spader to voice Ultron, which is about all he needed to do. Spader can read the frickin' phone book and make it sound compelling, so the hard part of defining the movie's "villain" was done. The only thing that rubs me the wrong way is the utter stupidity of, once again, having totally alien technology somehow being compatible with earth-based computers (shades of Independence Day, Batman!). It's a plot point that never works well because it makes so little sense.
And then things kind of went off the rails for me.
Ultron ends up convincing Quicksilver and Scarlet Witch to work with him to destroy The Avengers. Which seems utterly bizarre. Even given the context of a sci-fi/fantasy epic like Age of Ultron, who in their right mind thinks that teaming up with a giant evil robot ends well? I guess an argument could be made that their lives in Sokovia kept them sheltered from every evil robot book/movie ever made, but it still seems a huge stretch that Pietro and Wanda would ignore something as obvious as "never trust an evil robot," even as a tool for revenge.
But trust him they do, so off they go to Africa so they can purchase a ship-load of vibranium from arms dealer Ulysses Klaue to make an invulnerable body from which Ultron can rule the planet. Vibranium also being the metal from which Captain America's indestructible shield is made.
AN ASIDE: Here is where Marvel brings Black Panther, super-hero ruler of Wakanda, to the Marvel Cinematic Universe... even if they don't show him directly. It also sets things up for super-villain "Klaw" (as "Klaue") and his sonic-powers to eventually show up. And while Whedon did it with all the subtlety of a sledgehammer, I still think it ultimately worked. Even if it was a tad distracting from the story.
Anyway...
When the Avengers inevitably show up to stop Ultron, Scarlet Witch turns her powers on The Hulk, which causes him to flee and then tear apart Johannesburg. An awesome battle with a Hulk-Buster Iron Man suit ensues. As does one of the best action sequences of the film. An action sequence so destructive that it makes the world turn against The Avengers. Thinking they need to lie low for a while, Hawkeye flies everybody to his safe house (a farm in the countryside)... which comes complete with a wife and kids. This is a really nice turn for Jeremy Renner, whose character spent almost the entirety of the first Avengers movie being a mind-controlled stooge (which Hawkeye acknowledges earlier in a beautiful Whedonesque moment).
And it's at this point that the movie shits the bed.
Though it's probably not Joss Whedon's fault.
In order to set up future Marvel Films... primary of which is the two-part Avengers: Infinity War, the Infinity Gems are finally named by name. Which is not a bad thing except for how they did it: Thor flies off and convinces Erik Selvig to watch him take a bath. Yes, you read that right, a frickin' bath! Granted, it was a bath in magical waters that somehow allow Thor to access the visions he had while enchanted by Scarlet Witch, but come on! A magic bath? Really? This idiocy was shoehorned into the film so badly that one has to wonder if Joss Whedon was forced to do it at gun-point (UPDATE COMMENT: Sure enough, he was).
More copious amounts of bed-shitting were had as we watch Black Widow share a tender moment with Bruce Banner, who's now her boyfriend... I guess (no clue where this leaves Bruce Banner's long-time girlfriend in the comics, Betty Ross). Which has no real purpose for the story except to set-up even more future Marvel films by taking The Hulk out of the picture later on. But no worries... I'm sure he'll be back in Avengers: The Infinity War. Or perhaps a Planet Hulk film, which would be awesome.
Eventually Nick Fury shows up to give a pep-talk and pull the team together. Which is a good thing, because Ultron has now globe-hopped to Seoul so he can use the scepter to compel The Avengers' personal doctor, Helen Cho, to use her tissue-creation technology to make him that dreamy indestructible vibranium body he's always wanted (assumably so he can survive the end of the world?). As if that weren't enough balls in the air, meanwhile-meanwhile we have Tony Stark jetting off to some secret "heart of the internet" access point called "NEXUS" to find out what's preventing Ultron from gaining access to the world's nuclear arsenal and simply blowing up the earth to eliminate all mankind.
SPOILER ALERT: Turns out it's the J.A.R.V.I.S. AI that's keeping Ultron away from the nukes. Which means Ultron is just going to have to find another way to end it all.
But Ultron will have a hard time doing so without his cool new indestructible bio-mechanical body, so The Avengers make plans to steal it before he can upload his consciousness to it. Which is kinda hokey, but it gives Black Widow some awesome screen-time, so I try to be forgiving. Especially since she succeeds in stealing it so beautifully. Alas, she's captured in the process, but them's the breaks.
And now we go from "off the rails" to "off the continent" as Tony Stark decides to put Helen Cho's empty android body to good use... by uploading Jarvis into it. This does not sit well at all with the rest of The Avengers... especially Captain America... who worry that one insane homicidal all-powerful killer robot is enough. They don't need Tony making a second one. But the decision is taken out of their hands when Thor comes back from his magic bath and uses his magic hammer to create magic lightning to magically bring the J.A.R.V.I.S.-infused android shell to life (Shades of Frankenstein, Batman!). Thus we end up with something not-quite Ultron, not-quite-J.A.R.V.I.S., but something all new... Thor's magic bath vision becomes THE VISION! And one of the all-powerful Infinity Stones bonds to his forehead.
AN ASIDE: The Vision is my favorite Avenger in the comic books. His Pinocchio-inspired "I want to be a real-live boy" story arc (long before Data in Star Trek: The Next Generation) when paired with his super-cool density-manipulating properties, his awesome abilities, his relationship with Scarlet Witch, and his amazing design... well, he's the complete super-hero package. He has it all. Over the years many of my favorite Avengers stories center around The Vision or have him as a major factor. He has links to so many pieces of the Avengers puzzle that he could arguably be considered the key component to the entire team from the moment he debuted. Needless to say I was thrilled that he was being added to the Cinematic Avengers. But a little less than thrilled with his cape, which looks like some kind of nebulous CGI blob. It's so distracting that it sabotages this otherwise cool interpretation of the character.
Anyway...
The Vision is so pure of form that he has no problem lifting Thor's hammer... a test of worthiness that conveniently makes him trusted by the team and an instant Avenger...
AN ASIDE: A scene of all the various Avengers attempting to lift Thor's hammer earlier in the film... but being found unworthy thus unable... is a favorite moment of the movie for me. Captain America was slightly able to budge it (much to the horror of Thor!), which had me convinced Steve Rogers would be wielding Mjolnir against Ultron at the climatic end-battle of the film once all else failed (which would been a much better ending than we got, but oh well).
Anyway...
The Black Widow manages to get an S.O.S. to Hawkeye during her captivity, which leads the entire team back to where the movie began: Sokovia. It's then that they discover how Ultron plans to destroy all humanity since he couldn't get ahold of any nukes... he's going to go all "asteroid killed the dinosaurs" and use the vibranium to elevate a massive chunk of Sokovia high above the planet, then let it fall back to earth... causing an extinction-level event.
Kind of a convoluted plan for somebody as smart as Ultron, but it leads to the best line in the movie when Hawkeye says "The city is flying, and all I've got is a bow and arrow"... so why not?
This is the part of the movie where Ultron distracts the team by sending an endless onslaught of drones against them. Which would be pretty cool... except there was so much going on that it was tough to take in everything you were seeing. Maybe subsequent viewings will make it easier to digest, but I feel this was a bit of a problem for the movie. The action felt more abstract than personal. Something Joss must have felt as well, because he decided to do what he always does to up the stakes... kill somebody off. Which, in this case, was Quicksilver. He died in a hail of bullets while saving Hawkeye who was saving a child during a massive evacuation of Flying Sokovia (courtesy of Nick Fury and a S.H.I.E.L.D. Helicarrier).
It was a Whedon move that didn't really have any impact at all. Partly because it is just so damn predictable of him... but mostly because nobody gave a shit about Quicksilver. Unlike when he killed off Coulson in the first film, Pietro had so little screen time that the audience barely knew who he was. All we did know was that he's fast... so fast he can grab Ulysses Klaue's pistol, unload all the bullets, and line them up on a table in the blink of an eye. Which makes you think that evading a hail of bullets would be a piece of cake for him, but Whedon wanted him dead, so internal logic goes out the window.
UPDATE COMMENT: Apparently I was wrong in thinking nobody gave a shit about Quicksilver. Some people cared so deeply that Joss Whedon got death threats for offing him. Stay classy, internet!
Eventually The Avengers save all the people on Floating Sokovia and figure out a way of destroying the land mass before it can destroy the world. The Vision then tracks down Ultron's last remaining body and evaporates him. So, yay, I guess. It was all so anticlimactic to me that I had a hard time really caring.
Then the team kind of breaks up. The Hulk didn't want to make Black Widow be a fugitive, so he flies off in a Quinjet. Thor's visions have him needing to return to Asgard. Tony Stark leaves to focus on bigger things. Hawkeye goes home to his family.
Which means it's time for a new team of Avengers to assemble... Captain America and Black Widow join The Vision, Scarlet Witch, War Machine, and The Falcon to form Avengers 2.0 (with the help of Erik Selvig, Helen Cho, and (of course) Nick Fury (and probably Maria Hill as well). Roll credits.
Not that Avengers: Infinity War needed any more setting up, but a mid-credits sequence has Thanos putting on The Infinity Gauntlet so he can (finally) "do it himself." Which I'm guessing means collect all the Infinity Gems and destroy the universe so he can impress Death, whom he has a major crush on.
The end.
Like I said, in the "big picture" sense, I loved the film... despite its many problems. It just hit so many geeky buttons in me that I couldn't help but love it.
Though three overreaching problems I haven't addressed yet made it more difficult for me than it should have been...
1) Ultron is not scary or very threatening.
In the comics, Ultron is a terrifying presence. He's whacked out of his artificial mind, and the death and destruction that comes from his insanity-driven rage is a horrifying part of his character. The movie version was positively tame by comparison. Sure he wanted to destroy all humanity, but it never felt as though the Avengers were in much danger stopping him. James Spader was flawless casting, but his Ultron needed more heinous things to do to live up to his legacy.
2) The movie was all over the place.
And I mean that literally. It hops all over the globe at such a breakneck pace that you're left wondering if The Avengers and Ultron have access to some kind of secret teleportation technology we don't see. Even with Tony Stark's advanced transportation, it would take many hours to get from place to place... yet it always seems instantaneous. I like the idea of Earth's Mightiest Heroes actually spanning the entire earth, but it got a bit ridiculous.
3) Too little time for too much stuff.
In the first film, everybody had a role to play, and that's what made it such genius. For the sequel, I have a hard time recollecting exactly what Thor and Captain America had to contribute other than non-stop fighting. The Vision, Scarlet Witch, and Quicksilver were all introduced, but had so little screen time that they were pretty much reduced to cameos. And speaking of cameos... was anybody not in this movie? Oh yeah... Jane Foster and Pepper Potts... except they got screen time without actually appearing. Couple the massive cast with the abundance of time wasted setting up future films and there was barely time enough for this film. Had things been stripped down a bit and more screen time was devoted to the task at hand instead of what's coming next, it would have been a much better movie.
Next up, Captain America: Civil War, which is already promising to have a cast that equals or exceeds The Avengers: Age of Ultron. In addition to The Avengers 2.0 team (Cap, Widow, Falcon, Vision, Scarlet Witch, and War Machine), we're also getting Iron Man, Black Panther, Ant Man, Winter Soldier, Agent Thirteen, General Thunderbolt Ross(!), Crossbones, Baron Zemo, and... wait for it... the Marvel Cinematic Universe debut of Spider-Man. PLUS Martin Freeman just signed on for some unspecified role as well. I can only guess Agent Carter, Maria Hill, and Nick Fury will be shoehorned in as well. How are they going to fit an actual story in there?
I honestly dunno. But I can't wait to find out.
Time to update my "Y2K Super-Hero Comic Book Renaissance" scorecard...
The Avengers... A+
Avengers: Age of Ultron... A
Batman Begins... A
Batman Dark Knight... A+
Batman Dark Knight Rises... A
Big Hero Six... A+
Blade... B
Blade 2... B
Blade Trinity... B-
Captain America... A+
Captain America: The Winter Soldier... A+
Catwoman... F
Daredevil... B-
Daredevil (Director's Cut)... B+
Elektra... D
Fantastic Four... C
Fantastic Four: Rise of the Silver Surfer... D
Guardians of the Galaxy... A+
Ghost Rider... C
Ghost Rider: Spirit of Vengeance... D
Green Hornet... D
Green Lantern... C+
Hellboy... A
Hellboy 2: Golden Army... A
Hulk... C-
Incredible Hulk... B
The Incredibles... A+
Iron Man... A+
Iron Man 2... A-
Iron Man 3... A+
Jonah Hex... F
Kick-Ass... B+
Kick-Ass 2... B-
Man of Steel... F-
Punisher... C+
Punisher War Zone... C
Scott Pilgrim vs. The World... C
Spider-Man... B+
Spider-Man 2... A
Spider-Man 3... D-
Amazing Spider-Man... D
Amazing Spider-Man 2... D-
Superman Returns... C+
Thor... B+
Thor: The Dark World... B
Watchmen... B
The Wolverine... B
X-Men... C
X-Men 2: United... D
X-Men 3: Last Stand... F-
X-Men Origins: Wolverine... D
X-Men: Days of Future Past... B-
X-Men: First Class... B
Don't be intimidated by The Biggest Little City in the World... because Bullet Sunday from Reno starts... now...
• Reno! I have been to Reno exactly once, years ago. It looks much the same. Except the Planet Hollywood restaurant is gone. That cool sign is still there though...
Too bad I'm not much of a gambler.
• Avengers! Well...
Not that I didn't have fun. I had a great time. It's a comic book geek's dream come true. Except it wasn't quite the movie I was hoping for. But I'll get to that on Wednesday. Probably.
• Rand. Was very sad to learn that the lovely Grace Lee Whitney has died...
So many Star Trek alums are passing on. And suddenly I feel very old.
• Supremes! Food for thought while The Supreme Court battles it out over marriage equality...
Same sex marriage isn't gay privilege. It's equal rights. Privilege would be something like gay people not paying tax. Like churches don't.
— Ricky Gervais (@rickygervais) April 29, 2015When churches get involved in politics, they should have their tax-exempt status revoked. Never seems to happen though, and they're more active than ever before.
• Chocolate! The flight attendant for my Reno trip was sweet to give me a chocolate bar snack. They often do this when you're an Alaska Air elite flyer and the plane doesn't have a First Class section. I guess it's supposed to make you forget you're in coach? In any event, it's such a nice gesture and is always appreciated. The interesting thing about this bar was the flavor...
Agave Quinoa Sesame Chocolate? Isn't that about the most hipster flavor you can imagine? Turns out it's quite tasty though. Interesting texture and a pleasing taste. And then there's the inside of the wrapper...
Chocolate plus a donation... with a Side of butt-shot? So weird.
• Mime Time! And, lastly, here's something to end your Sunday on a high note. Kinda.
And here... we... go...
For anybody not wanting to read my lengthy full review of Marvel's Daredevil, which is currently streaming its 13 episodes on Netflix, I'll just sum it up thusly...
Daredevil is a surprisingly violent show that's a very good adaptation of the Marvel comic book upon which it is based. Featuring some flawless casting with Charlie Cox as Hell's Kitchen lawyer by day and vigilante by night Matt Murdock... plus the ever-incredible Vincent D'Onofrio as brutal "Kingpin of Crime" Wilson Fisk... this series exceeded my every expectation and is well worth your time.
Assuming you can handle a show that's bloodier and more vicious than just about anything else out there.
Before we get on with things, I'm just going to put something out there because it's critical to understanding my appreciation of what Netflix has managed to do with Daredevil: I hate... HATE... Marvel's Agents of S.H.I.E.L.D. Sure it has Clark Gregg and Ming-Na Wen in the cast (two actors I love to pieces), but everything else about it is total shit. The show's greatest sin is that it's boring as hell. Scenes which should be action-oriented where people are ACTUALLY DOING SOMETHING are instead dumbed down to lengthy expositional dialogue. Apparently, the show-runners don't have the budget to film what they need to film so they resort to talking heads. Over and over and over again. Then draw out plot points that should last one or two episodes to a half-dozen or more. And I get it. Network television demands 22 episodes a season, and you have limited monetary resources to spend over all that time. So a show like Agents of S.H.I.E.L.D. which demands expensive action shots to tell its story instead gets watered down to the point of pointlessness.
Then came Marvel's Agent Carter.
It was exceptional in every way S.H.I.E.L.D. is not. But it lasted only eight episodes.
And I think that's the key here.
Netflix spent a good chunk of money over a limited number of episodes instead of dragging things out to pointlessness. Sure, there's lengthy, dialogue-intensive scenes here, but they're not shoe-horned in with the intent of watering things down to meet a budget. They're critical to the overall narrative of the show. And that's the point... everything to do with Daredevil feels deliberate, planned, and (most important of all) necessary.
That's why it's so darn good.
So... minor spoilers, and all that...
Living amidst the violence and corruption of New York City's Hell's Kitchen, Matt Murdock's life is forever altered by two tragic events. The first is an accident which costs young Matt his sight (but enhances his other senses to super-human levels). The second is when his father "Battlin' Jack Murdock" (a boxer on the take) is murdered for not taking a fall.
Trained by the enigmatic "Stick" to be a stealthy ninja-like avenger, Matt hones his fighting skills to perfection and uses his gifts to become the ultimate crime-fighter.
Yada yada yada... Matt essentially becomes Batman.
Kinda.
Murdock is morally questionable in how he goes about his night-job that he could almost be considered a villain in his own right.
And speaking of...
When it comes to a "villain" for the series you have to use quotes around the word "villain" because Wilson Fisk is not your typical straight-forward comic book antagonist. In the comics, Kingpin is a (literally) larger-than-life criminal who masquerades as a legitimate businessman. In the Netflix show? It's more complex. Just like Matt Murdock, Fisk wants to make Hell's Kitchen a better place. But his approach is different in that he's willing to wade into the criminal underworld and do a lot of awful things to make it happen. And here's where it gets tricky. Unlike Matt Murdock (who admittedly likes pummeling evildoers in the name of justice), Fisk regrets having to get his hands dirty. In the beginning, anyways. As expected, Vincent D'Onofrio is excellent in the part, but he inexplicably plays all his dialogue with a hokey gruff voice (Holy Christian Bale, Batman!) which is distracting at times.
The supporting cast is pretty great. Deborah Ann Woll as Karen Page is very good and adds an additional human element to the show that's much needed. Elden Henson as Foggy Nelson I'm not so fond of, but it's probably not the actor's fault. The character is borderline stupid at random moments for no good reason, and I just couldn't warm up to him. Two stand-out characters that caught me a little by surprise are Vondie Curtis-Hall as reporter Ben Urich and Rosario Dawson as Claire Temple. Curtis-Hall (who I remember forever from a bit part in Eddie Murphy's Coming to America) is digging deep to flesh out his role. And it shows. Ben Ulrich is trapped in a profession that's rapidly disappearing and trying to hold on to his journalistic integrity on the way down. It's more than a little mesmerizing to watch. Rosario Dawson, who always seems more than capable in the roles she takes on, is at the top of her game in her limited screen-time as Claire (Holy Night Nurse, Batman!). Which is important because I'm assuming she's going to roll into Netflix's Luke Cage series down the road (she's an important part of his life in the comic books). Please please please let that be the case. And lastly, Scott Glenn's appearance as "Stick" was everything you knew it would be.
Moving on to the best character in the entire series... Hell's Kitchen, New York City. Daredevil is actually shot on location, and it adds a huge amount of atmosphere to the show. Partly because you can't fake NYC in the grand scheme of things, but mostly in the way that the city is shot. It's not quite noir, but it gets there from time to time and is always beautiful to behold. In the end, the authentic backdrop went a long ways towards selling the believability of the show.
Something that Daredevil surprised me with is having the balls to forgo yet another boring origin story in episode one. Instead, the details of how Matt Murdock became the titular character are artfully dispensed throughout the run of the series. His "powers," for example, are hinted at from the beginning... but aren't officially laid out until Episode 5. His training with "Stick" isn't revealed until Episode 7. To say I'm a fan of how it all played out is a massive understatement. Daredevil may not be as recognizable and well-known a character as Spider-Man (who got two frickin' origin movies!), but it doesn't matter. WE GET IT ALREADY! We've seen enough super-hero movies to know how the game is played. We know how super-powers work. There's no reason to spell it all out every dang time. Just jump into the action and reference back to how you got there... as needed... IF needed.
Another thing I like is the occasional nod back to the show's comic book origins. While at dinner, Wilson Fisk's date talks about "a tall man in a white suit and ascot" who once seduce her. A not-so subtle jab at his original appearance...
For all that Daredevil got right, there are a few things that they got wrong, however.
First of all, the show went to extreme lengths to distance itself from the Marvel Cinematic Universe, which makes no sense at all. I was fully expecting them to at the very least reference the "Battle of New York" from the first Avengers movie (DAREDEVIL FRICKIN' TAKES PLACE IN NEW YORK CITY!!!), but it didn't surface. Or maybe it did and I missed it? I dunno I was working a lot as I was watching. All I do know is that they really should have made stronger ties to everything else "Marvel" out there. Instead all we got an off-hand remark about Captain America's helmet and a reference to Roxxon Oil. Lame. That's the shitty way DC Comics is handling their properties... Marvel's strength is that everything is connected. So it would be nice if that was acknowledged.
The other thing they got wrong with Daredevil was the costume. Matt Murdock started out in a Frank Miller/John Romita Jr. inspired "Man in Black" outfit, which I was begrudgingly okay with. Mostly because I kept assuming there would be a payoff when Daredevil actually becomes Daredevil in his classic red outfit. But when the moment came, the costume was hardly a payoff. And since Netflix has already plastered photos everywhere, I don't think I'm spoiling anything when I show it here...
While I think it's a bit over the top, I'm okay with the body armor. Whatever. But the mask?!? Awful. Just gut-wrenchingly awful. His eyes are practically recessed because they built it out so badly. Yes, Matt doesn't need eye holes to actually see, but it looks ridiculous. PEOPLE DON'T KNOW THAT DAREDEVIL IS BLIND, so isn't everybody thinking "How in the hell does he SEE out of that thing? I know I am. But what makes it go from "awful" to "tragic" is the stupid styling on it. Why in the hell are there those big triangular ridges above his eyes? Why is the forehead so flat? He looks like a frickin' neanderthal. It's just so horrible. Bash the Ben Affleck Daredevil movie all you like, but at least they knew how to make a Daredevil costume...
Oh well.
Ultimately Daredevil a very good effort that I really enjoyed and bodes well for the three remaining series in Netflix's contract. Next up is A.K.A. Jessica Jones with Kristin Ritter. After that is Luke Cage (YEAH!!!) with Mike Colter. And lastly, Iron Fist, which I don't think has been cast yet. Then all four series wrap up with a massive Defenders crossover that should be pretty great.
Especially if it features a guest-shot of Benedict Cumberbatch's Dr. Strange and Mark Ruffalo's Hulk... both of which were regulars in the comic book version of the team.
Hmmm...
I'd like to blog about... something... but the only thing I care about now-a-days is watching new trailers for Avengers: Age of Ultron.
What a turd of a day!
The only thing that saved it from complete and total suckage was that a new Avengers: Age of Ultron trailer was released. And it's glorious...
May 1st.
How am I expected to wait until May 1st?
You can stop being depressed that the end of Daylight Saving Time stole an hour of your life... because Bullet Sunday starts... now...
• Saturday Night! How refreshing to watch an episode of SNL that doesn't have you fast-forwarding through the whole thing! The highlight of the episode, of course, was guest host Chris Hemsworth as Thor celebrating The Avengers' triumph over Ultron...
"Victory Party at Dave & Busters" is probably one of the best things to appear on Saturday Night Live in over a decade.
• Heroic! And speaking of Marvel comic book movie heroes named "Chris" doing amazing things... even though Chris Evans won his Super Bowl bet with Chris Pratt, he appeared at Seattle Children's Hospital in costume as Captain America anyway...
This is after he appeared with Pratt (who was in costume as Star Lord) at Boston's Christopher's Haven after winning the bet...
What a decent couple of guys. It would have been so easy to skip the effort involved in doing something so amazing... on top of raising $27,000 for these terrific children's charities... but they're using their fame and fortune exactly how it should be used, and that's the best kind of hero you can be.
• Super! Well, it's not as hideous as I feared... a little dark maybe... but the suit for the upcoming Supergirl television show has been revealed...
Costume designer Colleen Atwood has a pretty darn good track record with the costumes for Arrow and The Flash, and it looks like she's got another home run on her hands. Melissa Benoist is certainly looking super enough for the part, that's for sure.
• Presidential? HE'S offended?!? I don't know what offends ME more... that Rand Paul is a bigoted piece of shit... or that he's propagating anti-vax idiocy... or that his concept of foreign policy is so far removed from reality that he might as well live in Narnia... or that some of his domestic policy ideas are so impossibly naive that you have to wonder if he's switched bodies with his younger 13-year-old self like what happened in that Jennifer Garner movie 13 Going on 30... or... or... or... holy crap... he's probably going to run for president, isn't he?
• McCarthyism! If my name were associated with being a complete and total piece of shit who is responsible for children getting sick and even dying, I'd want to change it too.
She's just the absolute worst.
• Lonny! I have no clue how Next Time on Lonny escaped my notice... for two seasons... but catching up on the web series while working at work this fine Sunday was definitely the best part of my day. WARNING: Contains all matter of profanity, depravity, and violence... definitely NSFW...
Sure thing, Dog Moon! You can't just watch just one, because the insanity escalates with each new episode.
• Sausage! If Lonny wasn't enough to satisfy your comedy craving this fine Sunday, the guys at Nacho Punch have created a porn film "by Wes Anderson" that's beyond dead-accurate...
You know you're getting tired of the repetitive wackiness of Wes Anderson films when you can't tell the parodies from the real thing any more.
The end. I'd post more bullets, but with only 23 hours in the day, I haven't got the time.
The new Avengers: Age of Ultron trailer is out.
And it's a good one...
May 15th can't get here fast enough.
Bravo.
Well done to the entire team behind Marvel's Agent Carter series, which was amazing from start to finish. Many thanks to ABC Television, Tara Butters, Kevin Feige, Christopher Markus and Stephen McFeely, Gabriel Beristain, Christopher Lennertz, Hayley Atwell, and the entire cast and crew who made the series possible. Agent Carter exceeded my every expectation (which were admittedly low after the disaster that is Agents of SHIELD), and I am hoping with everything I've got that we get another season...
...a season that preferably has more than a mere eight episodes.
Today was most definitely not a good day.
Try as I might, I could not seem to get ahead... and having to deal with boatloads of crap from too many people didn't help matters.
When I finally had a moment to catch up with the internets and what's been going on in the world, I was shocked to find out all the stuff I've been missing.
As if all that was enough drama, new Matt & Kim...
Geez... can Kim cut a rug or what?
And lastly...
This happened last month but I'm just seeing it now. If you're a fan of David Tennant... and why wouldn't you be?... here he is being surprised with a rather prestigious award...
I really, really wish he'd return to Dr. Who.
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