Streaming subscription fees have been rising while content quality is dropping.
It blows my fucking mind that there are surveys about truly obvious shit like this. Are people really sitting around wondering "Is the quality of streaming service content dropping even as they charge us more money?" Of course they fucking aren't. It's a matter of absolute fact that needs no thought.
Netflix gives Zack Snyder absurd fucking amounts of money to crap out his shitty fucking Rebel Moon movies, raises prices so they can pay for them, then cancels a bunch of quality shows because the money to keep them going has gone to Zack Snyder. Shows are not given time to find an audience. They are either a massive hit out of the gate or they are canceled.
I remember way back in the early days of streaming how much I loved that I could pick and choose the networks I wanted to watch and didn't have to pay for bundles with channels I would never watch. I thrilled to the fact that I could watch stuff commercial-free. It was television utopia.
And here we are, back to stupid-ass fucking bundles and stupid-ass fucking commercials.
I truly hope a company comes along real soon now to disrupt the streaming industry like Netflix did all those years ago. Because Netflix is now everything they used to be against, and we need a new Netflix to bury them.
Saving money now-a-days is a necessity for most people. Sadly this has resulted in my losing some entertainment options I used to enjoy, but I have much better use for the money. To add insult to injury, it can be tough to decide what you're going to cut.
Fortunately, some businesses are making my tough decisions for me. Like Netflix!
Right now I am on an ad-free "Basic" plan with Netflix. It's highly limited... just 720p quality and can only stream on one device at a time... but I hang onto it because I fucking detest ads... plus I like a lot of what Netflix has available. No, I don't think that I am getting $11.99 worth of value from it, but I don't cancel because there's no way to ever get "Basic" back again...
But, alas, Netflix is saying that the "Basic" plan is going to be killed off once and for all sometime soon. At which point I'll have a choice to make...
So let's do the math. Currently Netflix gets $144 a year out of me. Far more than I want to pay, but it is what it is. But after "Basic" is removed? They will get $32 a year at most. I'll buy a month once or twice a year and call it good. Which is to say that Netflix is going to lose $112 a year. Stupid as fuck of them. But ads are so profitable, right?
I guess I should be thanking Netflix, because I could use that extra $112 annually.
I just... I don't even know what to think... they butchered The Three-Body Problem on Netflix.
It's incredibly dull, relying on mundane interpersonal drama to drive the story in stupid ways (and it's hilarious how they use the musical score to try to make boring things more interesting). I'm half-way through the eight episodes and don't even know if I want to suffer through any more of it. Because I honest-to-God don't understand what the dumbasses who ruined Game of Thrones thought they were doing with the material.
All I can do is implore everybody who is interested in the series to read the original novels. The English translation is not a cakewalk. It's loads of science and physics which is slow-going if you're not into that. And understanding the Chinese historical background is essential to understanding the purpose of the story. But ultimately it's a brilliant novel. Genius, really, with some of the ideas that drive it. Though I don't know that I truly appreciated it until I read through all three books twice...
As for Netflix... for the love of God, stop giving David Benioff and D. B. Weiss money to ruin more source material. Wasn't the Game of Thrones debacle enough to prove they have no fucking clue what they're doing? And definitely stop giving Zack Snyder money to crap stupid films out of his ass. Holy crap... all this money being wasted on shit that could be going towards actual artists who understand how to create compelling films and series.
On Wednesday I started developing a cough.
On Thursday I stayed at home to work because I didn't want to be a disruption at the office.
This morning I woke up (after coughing all night) and felt absolutely awful. My lungs itched... ON THE INSIDE! And since I can't exactly scratch the interior of my lungs and live to tell about it, all I wanted to do was sleep so I wouldn't be awake to feel it. But that wasn't an option. I was behind enough as it was, and needed to go into the office for a few important tasks. Despite having an itch I couldn't scratch, I loaded up on cough syrup, Mucinex, pain killers, and grabbed a bag of cough drops so I could get through one or two hours and return home to bed.
NINE HOURS LATER I headed home to die.
But I knew that if I went to sleep I would just wake up at midnight and ne a zombie for eight hours, so instead I tuned into The Brothers Sun on Netflix because A) It looks really good, and B) Michelle Yeoh is in it, and she never disappoints.
Here's a trailer for you...
You're welcome.
It's going to take a lot of willpower to not watch all eight episodes tonight.
It's that good.
Amazing how Michelle Yeoh can just disappear into a role. And it's fantastic how she seems to actively seek out characters who are different from what she's done previously. And then... she's got Star Trek: Section 31 plus the three Avatar sequels coming up.
Everything's coming up Yeoh. Luck us.
And now I need to take my fuzzy lungs to bed.
The first half of the "final season" of The Crown dropped on Netflix last week. The four episodes are entirely devoted to Princess Diana's final days and death, and anything to do with The Crown is largely ancillary. Sure you've got Prince Charles struggling to get his relationship with Camilla legitimized with both Her Majesty The Queen and the public at large, but make no mistake... this is the Diana Show. She's stealing the headlines. She's driving the narrative. It's her world and everybody else is just living in it.
Which is very much as I remember it.
Diana is a fascinating person. And admirable. She tried to use her fame for a number of good causes (the two most famous being compassion and understanding of people with AIDS and the global removal of landmines, but she also advocated for the homeless, shined a spotlight on the struggle of people living in poverty, and supported numerous cancer charities... to name a few). That she also dared to try and build a life for herself and find happiness bothers an awful lot of people, which is profoundly sad.
A sympathy that The Crown definitely shares.
Right up until her death in the third episode.
Although the story that Netflix is telling has been refuted on several fronts. The foremost of which being that Mohamed Al-Fayed was the driving force behind his son Dodi Fayed and Diana's romance and, by further extension, is responsible for their death since he set up the infamous photos that escalated the paparazzi frenzy. Every photographer wanted their million dollar payday, and that ultimately resulted in tragedy.
It's just speculation.
Which, from the beginning, is all The Crown really has.
And yet we watch it anyway.
I've mentioned how I was eating breakfast and watching television before driving to the airport for work on August 31st, 1997. The morning the news broke here about the car accident in Paris. When I got to Seattle, it was being reported that all three passengers had perished. Then, as I was waiting, it was reported Diana was still alive. As I was boarding my flight to Orlando, there was serious confusion as to whether she had died or not.
After landing, all the televisions were reporting the sad news of her passing.
It didn't really register.
Not until the next day. My work was at one of the Disney World hotels. I had finished up my first meeting and went to Epcot for lunch with a friend in "Italy." I was early, so I walked counter-clockwise to pop by the France Pavilion for a pastry first. To get there, you have to pass through the pavilions for Canada and The United Kingdom. Which is to say "A member country of The British Commonwealth and The United Kingdom."
And since Disney endeavors to make each country's pavilion be as authentic as possible, the staff is populated by people from those countries. And they were grieving far from home. Far from the people who could truly comprehend what they were feeling.
Though the people at Disney World that day were far from unsympathetic. Flowers were piled around the UK Pavilion just as they had been back at Kensington Palace. The usual murmur and laughter was greatly muted.
Then you'd cross the bridge to the France Pavilion... and everything was back to normal.
Or as normal as it could be considering a person loved and admired around the world was gone.
In the end, I think The Crown could have ended with Season 05 and we'd all have been better off. The wild speculation about Diana in Season 06 serves no purpose. It's not even very entertaining. And the drama surrounding The Royal Family was already portrayed far better by the 2006 movie The Queen.
Not that Netflix hasn't wasted money on useless programming before, but this time it just seems so unneeded.
I hated cable/satellite companies because their idiotic insistence on "packaging" everything made it so that you have to pay for channels you have zero intent of ever watching. Many times they made me pay for channels I actively hated.
Then streaming happened.
Finally, you could buy only the channels you wanted to watch. It was cheaper and didn't mean your money was going where you didn't want it to.
It was good while it lasted.
Now streaming has gotten just as stupid and expensive as cable/satellite ever was. Netflix, for example, has started "cracking down" on password sharing. I don't share my password, but this is the kind of idiotic shit that makes me want to start.
No, I don’t think the entire world should be able to share one account. No business could survive on that, and I want to support those services I use. But I do think that if you pay for an account, it’s none of Netflix’s fucking business who is doing the streaming or where the streaming is being done. Just lock it down so you can’t stream more concurrent streams than you’re paying for. If I pay for one stream at a time only, then Netflix will only stream for one concurrent user. If I pay for five concurrent streams, then Netflix won’t stream six or more at the same time off my account. Software companies have been selling by seat licenses forever.
HBO's "Max" has gone a different route in fucking their customers. Right now in order to keep my subscription when it expires, I'm going to have to pay the $150 annual fee. That's $50 more than the $100 I used to pay. And it's like, whatever, because the price of everything is going up. Except in order to get 4k quality, I will now have to pay $200. So it's like... fuck that. No more paying for a full year. I'll pay once or twice a year for a month of service and just catch up on all the crap I want to see. Because nothing is worth this kind of abuse.
Right now I'm struggling to think of a single service that I'm invested enough in keeping year 'round. I'd say Disney+, but they're planning on cutting and delaying a lot of things I want to watch (Marvel & Star Wars content), so even that will likely be chopped.
It's crazy how streaming won the war only to piss it away like this.
A bit of a Summer setback for me today as the weather turned cold as balls, but never fear... because an all new Bullet Sunday starts... now...
• Zipline! Whenever I run across something incredibly cool that has been around a while... but I never heard of... that's gold right there. Take this drone delivery system that's been running for SIX YEARS. And I had no clue. This will be one of the coolest things you see in a bit...
Fantastic. Ingenuity like this gives me hope for the future.
• 1D! I keep running into songs by One Direction that kinda blow my mind. Like this song, which I had never heard before. I was scrambling to Shazam it thinking it was brand new. Nope...
It actually feels like a classic soft rock hit or something.
• Topol! The Flash Gordon movie from 1980 was absolute genius... even if most people didn't see it that way. I've seen it a dozen times or more, and will likely watching it many times more. A big part of what makes the movie work is the over-the-top performances, among them being Chaim Topol's performance of Dr. Hans Markov...
But that's not my favorite role of his. This honor goes to Columbo on the James Bond flick For Your Eyes Only, where he chewed up the scenery unapologetically...
Sadly, Topol passed away a couple weeks ago... but his legacy will live on with his works.
• Hyper-Real! I will never complain about any of my tax dollars going to NASA to explore our solar system and our universe. On the contrary, I wish more of my tax dollars went to NASA. Especially when I see images like this...
Image Credit: NASA, ESA, JPL, SSI, Cassini Imaging Team
You can get a much better view and more information on Saturn's moon Hyperion by going to NASA's website.
• TO INFINITY...! The stuff that you can do with LEGO truly knows no bounds. Take this infinite domino track...
Pretty nifty, isn't it?
• Cunk! Finally got around to watching Cunk on Earth (Netflix)... and it's madness. Absolute madness. Mostly because she sounds like a lot of real-life people...
It's relentless. She doesn't stop unleashing stupid. Ever. It just keeps going. And I am deceased.
• WORF! The first season of Star Trek: Picard was just okay, though the ending was messy. I didn't like the second season because it was a scattered crapfest and tried to shoehorn in characters that should have never been there in the first place. But this THIRD season? Holy crap. Quite probably the best Next Generation show I have ever seen. Cinematic and exciting. It will be very interesting to see if they can wrap it all up in a satisfying manner given that this is the last season we're getting. And ZOMG... WORF! His character has made a radical shift that's absolute genius, and Michael Dorn is playing him with such deft ease...
It makes me wish that this is what we were given from the start. Paramount+... please give Worf his own series ASAP, dammit!
• Flerfer! The thing I will never, ever understand is how there are people thinking that the earth is flat. It makes absolutely zero sense from every possible observable fact. We new about the earth being a sphere thousands of years ago. And yet... ignorance is still here. Which is why I love videos like this....
Of course it makes no difference how many facts you throw at Flerfers. Logic, reason, and common sense has already been thrown right out the window.
And away with you! Begone!
The weather continues to be a hot (then cold) mess, but I'm committed to warm vibes... because an all new Bullet Sunday starts... now...
• Puppers! Every week I click on the latest one of the "We Rate Dogs" videos to see if the dogs were good again this week... and every week I have to really hold it together so I don’t burst out in tears. This week is no exception (here's a link in case TikTok is being a dick)...
@weratedogs Top 5 Dogs of the Week #weratedogs ♬ Metamorphosis - Danilo Stankovic
Good doggies.
• DIE! TikTok is overrun with funny videos which use music from the Dumb Ways to Die song. I decided to look up the entire thing and was surprised to find that there's a cute video to go with it...
Most of us are going to die dumb. It's a part of life.
• COOKIE! HOW DARE THEY! HOW DARE THEY GIVE A NATIONAL TREASURE LIKE THE WORLD'S ONLY COOKIE FLUTE TO LIZZO TO PLAY?!? OF ALL PEOPLE! I mean, sure, she's a world-class renowned flautist, BUT I AM DISGUSTED TO MY VERY CORE! SHOW SOME RESPECT, SESAME STREET! THESE ARE OUR COUNTRY'S TREASURES!!!
You laugh, but I'm betting Tucker Carlson is writing a rant about it as I type this. The dumbass went off with his manufactured outrage over candy mascots, so you just know his panties are in a bunch over this.
• Busters! The movie We Have a Ghost is actually not half bad. They gave Jennifer Coolidge hair by Tammy Faye, which is epic. And, let me tell you, David Harbour deserves all the awards. His character can't speak, so he has to sell every scene by force of will, and he does a fantastic job with it...
Streaming now on a Netflix near you.
• Facts. There is an actual danger to kids in this country. And it ain't drag queens...
@newgirlny_fl Things you won’t hear from LibsofTikTok or #rondesantis #trans #transgender #thisiswhattranslookslike #mtf #lgbtq #lgbt #🏳️⚧️ #rainbowmafia ♬ original sound - Kristen B
Drag queens have been entertaining people for decades. Hell, Bugs Bunny was in drag in a number of his cartoons. But now that bigots are wanting to divert attention away from what's going on in their own back yards, it's suddenly a problem. Milton Berle and Flip Wilson want their wigs back.
• Life! And while we're on the subject... NEWSFLASH: Proposed South Carolina bill could make abortion a death penalty eligible offense. — Preserving the sanctity of life... as only death can. Jesus.
Onward and upward...
Wow. Netflix really let The Crown get away from them. It's like they've gone from attempting any form of accuracy and slid straight into parody.
And Princess Diana caught the worst of it.
This is how they have her looking in EVERY FUCKING SCENE...
I am well aware that she tended to bow her head in public (especially in her earlier royal days), but they took it way too far. It was incredibly distracting, and a cursory Google Image Search shows that she wasn't like this 24/7.
Lord only knows how the sixth (and final) season is going to go. Hopefully it won't sink further than this.
Winter is here, snow has arrived, and it's freezing out, but there's warmth in my heart... because an all new Bullet Sunday starts... now...
• Happy Meal! As a huge architecture nerd, it's very easy for me to get sucked into architecture TikTok or YouTube. This morning while waiting for renders to process, I got hit with this fascinating video about the "Rise and Fall of Fast Food Architecture"...
So many good points to be had here. I very much miss the old aesthetic of fast food restaurants, which is why happening upon one of them (which is most often not a chain restaurant) is such fun.
• Whither Twitter! Watching Twitter implode in Real Time has been entertaining... but also educational. Elon Musk bought the services in the interest of "free speech," but he's learning a big lesson on being careful what you wish for. Twitter has become so toxic so fast that advertisers are bailing and Musk is essentially begging the big name Twitter accounts not to leave. The most hilarious indicator of this was when Stephen King said that he wasn't paying $20 per month to have a blue-checkmark verified account... and Musk shot back with "How about $8 then?"...
It's easy for me to sit back and not care about Twitter (I rarely use the platform because I prefer to have the ability to lock down my posts for a specific audience), but I think it's a bad idea to hope that Musk and Twitter fail. This is an important platform for discourse and interaction which, naturally, may be toxic (Musk himself has been tweeting out conspiracy theory bullshit) but it's also had a good influence in allowing people to have their voices... their causes... their passions... be heard. Which is why I was happy that one of my favorite YouTubers, Marques Brownlee, has this diplomatic take on how Twitter can save itself from itself...
The one thing that could get me to maybe go back to Twitter would be if there was a way to limit the audience of your tweets (ala Facebook). But even then I have serious privacy concerns about the platform which has me wary.
• More Enola! I liked the second flick even better than the first! These films can get a little convoluted... and repetitive in parts... but are enormously entertaining. And that mid-credits scene has me dying for not only more Enola Holmes films... but a Henry Cavill Sherlock movie as well.
Netflix needs to get on more of these movies, because they've struck gold.
• Glowforge! Michael Alm finally finished his new office so he could set up his Glowforge. If I didn't want one of these things before, I most certainly want one now. But the price for entry is $4,000... and to get the model which is the most capable and flexible, you're paying $7,000.
I know that I would never use it enough to make it pay. But that doesn't stop me from wanting one anyway. Just like a 3D printer, which is another device I would love to own. Ah to be a billionaire where you just buy stuff you want and don't have to care about whether or not you can afford it.
• Joy Noel! The fact that Netflix keeps churning out quality holiday rom-coms is something I am 100% onboard with. While Hallmark continues to release some films which are worth my valuable time... you have to sit through a lot of crap as well. Netflix doesn't have a flawless record, but they do release more good movies than bad, it seems. This year, in addition to the Lindsay Lohan film that's coming up, they also have The Noel Diaries dropping this month...
I know that this is is Justin Hartley from This is Us (a show I could never get into), but the only thing I'm really familiar with is when he played Aquaman in a failed TV pilot that was actually not bad... except The CW decided not to buy the show after the merger with The WB.
• Matter? I keep referring to Thread/Matter in my home automation posts, which has been confusing to many people who don't know what this is. Fortunately, Shane Whatley has a wrap-up which is pretty good about why Matter matters...
Matter is something I have been waiting for ever since INSTEON died, came back, and looks to be dying again. I would prefer not to have to replace all my smart home crap every five years, so having something that isn't tied to any specific company seems like a good idea. But the big news about Matter is that it endorses Thread, which is a technology I absolutely love. It's so smart and so fast and so impressive that it really does seem like the holy grail of automation. The fact that it has pretty good range and is low-power is just icing on the cake.
And now I think I should get back to cleaning my house, which is a full-on disaster with all the work that's been going on.
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