Welcome to Sonos Week here at Blogography! Each day I will be talking about my leap to the Sonos platform for "smart speakers" and how it integrates with Amazon's Alexa assistant. If you haven't read past entries in Sonos Week, you'll probably want to start at the beginning by clicking here.

And now on with the show...

There was never any question that I would be giving up some sound quality when I went with Sonos One over Apple HomePod. Apple made sure that having awesome sound was a priority over everything else and, if that was my primary reason for getting a smart speaker, I would have bought one despite it all. But my priority was smart home integration with Alexa, so Sonos it was.

Though I'm hardly an audiophile, I do like having quality audio, and was hoping that Sonos with their years of experience would deliver. This was not guaranteed. Yes, they regularly get good reviews for their equipment, but I'm buying the smallest speakers they offer. And yet... since my home is not that big and I have cats (which means I never blast the stereo at full volume), I was optimistic.

Turns out the Sonos One is plenty enough speaker for me. Despite their diminutive size in comparison to other offerings, the One had no problem filling my home with rich, vibrant sound. I ended up putting one in the living room and one in my kitchen at opposite ends of my home, then grouping them so that they both play the same thing. I can control their volume independently, or control the overall proportional volume for both at the same time, which is handy...

My dining room is closer to the kitchen than the living room, so I have the volume there a bit weaker. When I sit at the dining room table, it's a sweet spot where I am hearing sound equally from both, which is a very cool effect. People can dine and have a conversation while being enveloped in soft music for atmosphere. This... this is the true promise of Sonos. Everywhere sound that can be fine-tuned to whatever effect you want.

Obviously the problem with having only one speaker per room is no stereo sound, because pairing them for stereo in separate rooms is a bit schizophrenic. For my music, I'm not that bothered. If I end up going full-on Sonos with my television and A/V setup, then I'd have to add more speakers to get to Dolby 5:1 anyway (which is as far as Sonos can currently go... no DTS, PCM, DD+, or Dolby Atmos for you!). That being said, there is something which Sonos provides to get the best sound possible from their speakers no matter how many you have or where they're located. They call it "Trueplay" speaker tuning technology, and it's essentially an app on your smartphone that you walk around with to measure your room acoustics so your speaker can alter its output to give the best sound...

In my living room, Trueplay didn't make much different. The speaker seemed to sound the same before and after I applied it. But for my kitchen? Sound quality noticeably improved. Sonos is not blowing smoke here, there was an immediately noticeable improvement. This is a pretty great thing, even though it takes an extra couple minutes of setup to get there (Apple HomePod apparently does this automatically and constantly on its own... no need to walk around with your phone).

In the reviews I poured over before purchasing my pair of One speakers, I heard "lack of bass" mentioned more than once. This is puzzling to me, because I was thrilled to be getting so much bass out of such a small speaker. No, it's not earth-shaking (Sonos sells a subwoofer for that), but it's actually much better than I was lead to believe. Would I like more punch when I fire up All We Need by Odesza? Sure. That thumping bassline is meant to be something you feel. But I'm certainly not feeling deprived by the bass I'm getting, which is very good.

The Sonos One sound lives in the mid-range, which is pretty stellar. And while the highs are nice and bright, they can hit brassy spots that sound harsh to my ear. This is most notable when playing a song like There Must Be An Angel by Eurythmics (my go-to track for testing speakers). It handles the hook beautifully with the angelic backing vocals, but then fumbles a bit with the harmonica solo at the end. Still, it's never so bad that I'm wincing at it, and 98% of the time I'm not noticing anything but beautifully delivered acoustics that surprise me every time I fire up my speakers.

The upshot of all this is that I have no complaints about Sonos One sound quality for what I'm currently wanting to do with it. If I end up wanting to go further, I can absolutely do that buy purchasing more Sonos pieces. And that's the beauty of the system... it's just so darn extensible and configurable.

For a price, of course.

I bought two Sonos One speakers bundled at a $350 limited time price (now since expired), which is $175 each (regular $199). If sound quality is your primary concern, that kind of money can get you a larger speaker with significantly better sound quality. Sure, they won't be wireless, nor will thy have Sonos streaming capabilities or have Alexa built-in... and you'll need an amp to power them... but all that will mean nothing to a true audiophile. So know where your money is going before you plunk down for Sonos, which can get very expensive very quickly for chasing down the best sound the company offers (their largest PLAY:5 speaker, for example, is $500... so $1000 for stereo). Their 5:1 setup would require a PLAYBAR for my TV ($700) and SUB subwoofer ($700) and use my two One's as the back channels ($1750 total investment... $1800 now that the One is no longer on sale). This is a bit absurd when that kind of money can get you a Dolby Atmos-capable amp with some nice speakers for a better home-theater experience. But I'd probably go the Sonos route anyway because I love what it gets me in features and control. Maybe if I had a larger, more acoustic environment... like a custom home theater... my thinking would change. But since I don't, Sonos feels like a better fit, even for the price.

Hefty though it may be.

Welcome to Sonos Week here at Blogography! Each day I will be talking about my leap to the Sonos platform for "smart speakers" and how it integrates with Amazon's Alexa assistant. If you haven't read past entries in Sonos Week, you'll probably want to start at the beginning by clicking here.

And now on with the show...

Yesterday I talked about deciding to bypass Apple's HomePod and leap into Sonos. Now that they've released the "Sonos One" with Amazon Alexa built-in, it was a better fit for me and my Alexa-centric lifestyle.

Alas, since Alexa has no way of accessing my iTunes Match library, my best option for having music she can control is to subscribe to "Amazon Music Unlimited" at $79 a year (that price reflects a $20 discount because I'm an Amazon Prime member). Since I can now discontinue iTunes match at $25 a year, that's a net increase of $54 annually over what I was already paying. I'm not happy about it, but there's nothing else I can do to get what I want. Something tells me that Amazon and Apple are not going to cooperate on getting things integrated, and I'm too enamored with Alexa to contemplate her not having control of my music the way she has control over everything else in my life.

Amazon Music Unlimited is nice, for what it is, but it's hardly perfect...

• My biggest beef is that Alexa doesn't know shit about my music. If I want to listen to Paninaro by Pet Shop Boys, you'd think that all I'd have to do is ask her for it. Not so much. I don't care how I pronounce it, I can never get it to play. And if I specifically say "Alexa, play Paninaro by Pet Shop Boys, she'll say she can't find it even though the song is absolutely available on Amazon Music Unlimited. Whenever this happens (and it happens often) I turn into a rage-monster.
• Even when Alexa can find the song I want her to play, she'll inevitably pick some freaky alternate version rather than the original song. If I say "Alexa, play Flamboyant by Pet Shop Boys," she'll fire up the demo version, not the album track. I have no clue why. If I want to listen to the demo version, I'd have said "Alexa, play Flamboyant demo version by Pet Shop Boys. It's absolutely stupid, and yet there's nothing you can do.
• Let's say that I absolutely MUST hear the original Flamboyant track. What do I do? Glad you asked! First I have to fire up my web browser and search for it at Amazon. Then I have to add it to the "My Music" list. THEN I have to say "Alexa, play Flamboyant original version by Pet Shop Boys." Alexa won't know what "original version" means because it's not in the track name... however... when making guesses for a song she can't find, Alexa seems to give preference to songs in "My Music" before she'll play one of the millions of other songs available to her. This whole situation is just nuts but it's all there is.
• Manually adding songs to the "My Music" list is not always a solution, however. Telling Alexa to "Play Always by Pet Shop Boys" inexplicably causes Alexa to play Always on My Mind instead... even if Always is added to "My Music." The only way I can play it is if I go to Amazon.com, find the song, then see that it’s listed as a 2017 remaster, then tell Alexa to "Play Always 2017 by Pet Shop Boys." It’s insane that I have to look up every song I want to play because Alexa is adding words to my request that I never asked for. If I wanted to play Always on My Mind I would have asked for Always on My Mind and not Always. Not getting what I ask for drives me insane, and I absolutely can't figure out why Alexa is making this a problem.
• What's worse than having Alexa add words to what I tell her to play? Having her ignore words. Or having her hear the words and not know what to do with them. If I say "Alexa, play Starlight Goldroom Remix by Jai Wolf," she can't find it. She can only find the original Starlight song, which is not what I want. And here's the thing... I have no fucking clue how to play Starlight Goldroom Remix since Alexa refuses to acknowledge it exists in Amazon Music (even though it does). This kind of thing happens way more often than you'd think, and it's buckets of lame. I'm in no way being obtuse with my request. I am literally telling Alexa the exact name of the song, but that doesn't work? Why?
• Alexa is useless in all new extremes when you ask her to play a song that dares to use initials or abbreviations. Love Etc. by Pet Shop Boys? Can't play it. Not if you say it as "Love Etcetera," not if you say "Love E-T-C," not if you say "Love ehtcee." Nothing. You have tell it to play the album Yes because that's where the song is. No clue how to do this directly with Alexa... I don't even know if it can be done.
• For reasons I can't fathom, Amazon Music is not as extensive as Apple Music or Spotify. I tried to play A Home to Come To by Silhouettes... it's not there. Which means I can't play it. AT ALL via Alexa. Even though I purchased the song from iTunes and own the file, there's no way to upload it to Amazon. This is shitty in so many ways. Chunks of my music library are simply out of reach with Alexa and Amazon Music "Unlimited." Since I'm discontinuing iTunes Match, all the song not available to me from Amazon will have to be downloaded and stored on all my iOS devices (where Sonos can play them via the Sonos app by streaming off my phone).
• The Amazon Alexa app for my iPhone is utter shit for so many things, but it's worse than shit for interacting with Amazon Music. You can't even search for a song! All you can do is perform very basic functions like skip to the next track and adjust the volume. I thought perhaps that I'd have better luck with the dedicated Amazon Music app, but it can't interact with my Alexa devices. So I have no idea how to get good control over Alexa when playing Amazon Music. I don't think you can... at least not yet... unless I'm missing something. Some of the slack is taken up by the Sonos app, which actually can search Amazon... but that's a workaround, not a solution, for interacting with Alexa.

That being said, there are some things I love about Amazon Music Unlimited too...

• Despite not having all my music, the library available is unfathomably vast. In the past I've been adamant about buying music rather than renting it. Now that I can play just about anything any time I want, I'm reconsidering. I hate that any music I want to keep will disappear the minute I stop paying for it, but that's the price you pay for such unprecedented access to a bagillion songs.
• Being able to ask for songs based on lyrics is about as dope as it gets. One of my all-time favorite Pet Shop Boys songs is The Way it Used to Be. But, for whatever reason, I can never remember the name. I always call the song "What Is Left of Love" because that's the primary hook of the song. Now I can just say "Alexa, play that song by Pet Shop Boys with the lyrics 'What is left of love'" and she'll fire it up. Hear a song on the radio and don't know what it's called or who sang it? Request Alexa to play it from the lyrics. This is far from perfect and Alexa fails as often as she gets it right... but the fact she can do this at all is just remarkable.
• Alexa and the Alexa app may be shit for accessing the Unlimited library, but the integration with the far superior Sonos app is seamless. Thanks to Amazon for playing nice with Sonos.
• The quality of the music that's delivered from Amazon is pretty great when played through Sonos. Some songs which break badly on the Alexa speakers are deftly handled by my Sonos One and sound fantastic.

So I dunno. If I have to pay for a streaming music service, I'd rather it be Apple because that's where my music purchases and videos come from. But since Apple was way late to the personal assistant game and has nothing to even touch what Alexa can do, that's not going to happen. So long as I am tied to Alexa for everything, Amazon is where I am going to be. Maybe one day Apple will give up on their laughably bad HomeKit crap and buy out INSTEON or something that drags me back into the fold, but right now I'm done. It's all Alexa all the time until something better comes along. And something tells me Amazon ain't going to allow something better to come along. Alexa is getting better and more capable every day.

Welcome to Sonos Week here at Blogography! Each day I will be talking about my leap to the Sonos platform for "smart speakers" and how it integrates with Amazon's Alexa assistant. Because there's so much to unpack, I'm breaking it up into five parts.

And now on with the show...

Once Apple announced their HomePod, I started saving for one. "It's like having Alexa for my music!" I thought. And since I'm a Certified Apple Whore, how could I not buy some cool new tech from Apple?

Then at the last minute I changed my mind and went with their competition: the new Sonos One with Alexa. Yes, yes... I know. But I actually put some thought into this...

• I am slowly getting to the point where I despise Apple. They keep shitting the bed over and over and I'm sick of it. HomeKit (their home automation ecosystem) is complete and total crap. Apple TV doesn't work worth a shit... even in its 4th generation. Their new "pro" laptop has none of the ports that pro users actually need. The list goes on and on. I no longer buy blindly into Apple's bullshit because I keep getting burned.
• Apple's Siri assistant is practically useless because she can't do much. Once I gave up on HomeKit ever amounting to anything after years of waiting, I bought 100% into the Amazon Alexa ecosystem, which can do everything. Alexa runs my home. Alexa runs my life. Since Sonos One has Alexa built-in, it seems like a no-brainer to go with them.
• Unlike HomePod, which can't do much outside the Apple bubble, Sonos is surprisingly extensible. If I end up giving up on Apple altogether one day, at least I know my investment won't be lost as it would be with HomePod. Rumor has it that Sonos is looking into adding both Google Assistant and Siri to the One, which would be pretty great if I ever need them.
• I can get two Sonos One speakers for the cost of one HomePod. Reviews say the HomePod sounds better but if I end up expanding my Sonos system with a subwoofer and a soundbar, then there's no competition at all... the Sonos 5:1 setup will trounce HomePod... not just for my music, but for my television too (HomePod doesn't even have that as an option).

There's a caveat, of course. Neither Alexa nor Sonos cannot access iTunes Match, which is where the entirety of my music collection resides.

That's a huge deal.

I can download all my music from iTunes and put it on my local NAS drive, which Sonos can access, but Alexa can't control it there. The only thing Alexa can control is Amazon Music Unlimted, Spotify, Pandora, iHeartRadio and TuneIn. The cheapest option is Amazon at $79 a year, but that still won't allow me to access a goodly chunk of my more esoteric songs. I couldn't say "Alexa, play Love on Your Back by Thompson Twins because the B-side to Love on Your Side doesn't exist in Amazon Music Unlimited. It used to be that Amazon allowed you to upload your music to their servers for $25 a year, but they discontinued that which is such a bummer. Music options for Sonos are a somewhat long and complex discussion, so let's save that for tomorrow.

Obviously going the Sonos route has some down-sides when it comes to listening to my music, but the down-sides for HomePod are catastrophic. HomePod isn't even an option unless I have nothing better to do with $350.

And so now I'm here...

   
And now that I am here, I honestly don't know if it's a place I want to be.

There are plusses and minuses to Sonos that I need to unpack and see if the system makes sense for me. Fortunately, I've got 30 days to decide. I'm not anticipating returning them, mind you, but I do want to live with them for more than a week to see if I can live with the minuses.

So far, however, the plusses are frickin' amazing.

My love of movies runs the gamut. There's something in just about every genre that I have found to like. Science fiction, animation, and comedies are my favorite, but I have favorites in action, mystery, drama, musical, adventure, fantasy, romance, spy, thriller, horror, biography, Western... even period dramas and (my least favorite) war.

There's a number of underappreciated films that I obsess over which I have no earthly idea why they're underappreciated. I mean, some of them, I get. The Adventures of Buckaroo Banzai Across the 8th Dimension is a brilliant film that I love dearly (hell, a quote from it is tattooed on my arm). It is also one of the most bizarre mainstream releases ever, and it's no surprise that it's been relegated to cult classic...

   
But one underappreciated movie I absolutely do not understand why is underappreciated is the 1995 film Strange Days...

   
This future-noir film (bordering on cyberpunk) which takes place in the final days of 1999 should have been a blockbuster. It was written by James Cameron, who is responsible for The Terminator, Titanic, and Avatar (among others). It was directed by none other than Oscar-winner Kathryn Bigelow, who is responsible for The Hurt Locker and Zero Dark Thirty. It stars Oscar-nominated Ralph Fiennes, Oscar-nominated Angela Bassett, and Oscar-nominated Juliette Lewis. It also features revolutionary camera work which shouldn't have been possible in 1995. As if all that wasn't enough, it's just a really good movie.

And yet... Strange Days was a huge flop. A massively huge flop. It grossed $8 million against a budget of $42 million.

Recently while talking to a friend, I was reminded of it and decided to watch it again.

Which isn't as easy as you'd think, because Strange Days is not available domestically on Blu-Ray or any digital format. This is due to conflicting studio distribution rights or some stupid crap. And since it stunk up the box office, the desire to spend money and effort getting it all straightened out is minimal, I'm sure. It's only available on VHS, LaserDisc, and DVD. I own all of them. I also own a German Blu-Ray import, but I have no idea where my region-code-free Blu-Ray player is at.

DVD it is...

   
Strange Days is surprisingly relevant 22 years after it was released... and 18 years after it takes place.

Much of the plot involves the future of how we consume entertainment, but there are significant story elements which revolve around police corruption and racism. It's a movie designed for the times we live. Which is to say it was most definitely a movie ahead of its time despite the fact that police corruption and racism are hardly new.

If you haven't seen it and can find a copy somehow, it's definitely worth a look.

Anyway… as if all that wasn’t enough, the soundtrack still holds up and is pretty great. One of my favorite tracks is a collaboration between Peter Gabriel and Deep Forest called While the Earth Sleeps that plays over the closing credits…

And so... it would seem that Black Panther is going to kick ass in more than just the writing, directing, acting, visuals, and special effects.

The songs from the soundtrack released so far have been incredible and, as if that wasn't enough, the video for All the Stars by Kendrick Lamar and SZA has dropped, and it is absolutely mind-blowing beautiful...

   
Seriously, the artistry here is nothing short of feature film worthy, and I cannot stop looking at it. Every frame is a sublime work of art...

   
Stunning work by Dave Meyers and the little homies.

My favorite musician/band changes regularly depending on what mood I'm in. Sometimes I'm in the mood for classic rock and it's The Beatles, sometimes I need rap and it's Run The Jewels, sometimes I just want metal and it's Slayer, sometimes I want a catchy beat and it's Matt & Kim. The list goes on and on.

But most of the time it's 80's synth-pop bands and I make no apologies for it.

For the longest time, my favorite band was Thompson Twins, and this was well before their breakout success with Into The Gap. Once the band broke up, I gravitated to another long-time favorite, Depeche Mode. I obsessed over the band for decades. Then they changed their sound a bit when Alan Wilder left and my enthusiasm dwindled through the next four albums, then left altogether for their two latest. During that time, my longtime appreciation for The Pet Shop Boys took hold, and they're probably the band I listen to more than any other... and are my favorite band most days now...

   
Given the massive catalog of music produced by the band, ranking favorite songs is almost impossible. And believe me, I've tried. I've made spreadsheets, listened through every song, shifted them back-and-forth... but then I'll look at it a couple days later and need to start over because I've changed my mind. If forced to choose a favorite, I'd have to pick The way it used to be off of the album Yes. It's everything you want in a PSB song... great beats, clever synths, and amazing lyrics. One of the most beautiful songs I've heard. Sadly, they never released it as a single or made a video for it, so all I can offer is this...

Of course, if you ask me another day, it could be Memory of the Future or even West End Girls that's my favorite, so who knows?

   
For Pet Shop Boys fans, there's a lot more to love about the band than their fantastic songs. They are highly creative in so many places, as the amazing retrospective book which encompasses the art, print, and media built around their music...

   
And, of course, there's the videos. Neil and Chris only work with the best, more imaginative artists, and their videos are a mixed bag because of it. But when they hit, they really hit. Once of my favorites being the video for yet another favorite track of mine, Flamboyant...

   
Needless to say, their live shows are amazing (I've been lucky enough to see them twice, and meet-and-greet them as well). When they were awarded at The Brits, they pulled out all the stops and were very Pet Shop about it...

No. Your eyes are not deceiving you. That's Lady Gaga filling in for Dusty Springfield. Watching this awards show would be the first time I had even heard of her.

   
As if all that wasn't enough, the band are forever collaborating with other artists. They've made albums and songs with everybody from David Bowie, Tina Turner, and Liza Minelli to Robbie Williams, Blur, and Madonna. Their music has been cited as inspiration from bands including U2, Coldplay, The Killers, Keane, Guns n' Roses, and many others. A true testament to just how good the Pet Shop Boys are and how well they're regarded.

When it comes to their own works, Pet Shop Boys never seem to be content. There are countless demos along with hundreds of remixes... both by them and others. Collecting them all is a bit of a nightmare for true fans because the sheer volume is overwhelming. For the past several years, the band has been making it a bit easier with their "Further Listening" CD sets, which have remasters of the original album along with discs filled with the various demos, remixes, B-sides, and other releases of the time period the album was created...

Please (Further Listening 1984-1986) — June 2001 / March 2018 Remaster
Actually (Further Listening 1987-1988) — June 2001 / March 2018 Remaster
Introspective (Further Listening 1988-1989) — June 2001 / March 2018 Remaster
Behavior (Further Listening 1990-1991) — June 2001 / ??? 2018 Remaster
Very (Further Listening 1992-1994) — June 2001 / ??? 2018 Remaster
Bilingual (Further Listening 1995-1997) — June 2001 / ??? 2018 Remaster
Nightlife (Further Listening 1996-2000) — July 2017
Release (Further Listening 2001-2004) — July 2017
Fundamental (Further Listening 2005-2007) — July 2017
Yes (Further Listening 2008-2010) — October 2017
Elysium (Further Listening 2011-2012) — October 2017

I never bought any of the original 2001 sets (I didn't have the money back then and they are insanely expensive now), but I've been buying all the 2017/2018 remasters and will pick up the March releases and the remainder when they are released later this year (even though I still don't have the money!).

As with so many remasters, I'm of a mixed opinion when it comes to artists messing with their older albums. When remastering is done badly, it's just increasing the volume so you can compete with modern albums that are mastered so loud that any subtlety is lost (casualties of the aptly named "Loudness War"). When it's done well, it can improve on the original tracks by bringing out details that were lost (especially when we made the transition to digital music). The "Mastered for iTunes" program, for example, attempts to compensate for sound compression and unwanted distortion that can leave iTunes purchases sounding much worse than their CD counterparts. For the most part, I've been pleased with the results. Very pleased. It's a fascinating process which makes for equally fascinating reading thanks to this article over at Ars Technica. The results can be pretty staggering, depending on the song (though I'm sure there are those who disagree, as this is highly subjective). I liked Bon Jovi's Slippery When Wet better when it was Mastered for iTunes. Metallica's Master of Puppets I did not. Will an iTunes file replace an uncompressed FLAC file ripped directly from a CD? No. But, in so many cases, it's closer to the Real Thing than you'd get out of an MP3 file.

Back to the Pet Shop Boys...

The albums for sale by Apple were not "Mastered for iTunes" when remastered, and I dearly wish they had been. Since they were not, I ended up buying the CD releases and ripping them into iTunes for iTunes Match. The benefit in doing this is that you get the little booklets that come with each set which discusses the music (they are not included with the iTunes as booklets, for some strange reason). The bad news is that you end up having to deal with Apple's shitty, shitty iTunes app to try and get the music sorted. I had to rip Release THREE TIMES before I could get it to show up right, under one cover folio, in order, all while being labeled correctly. After ripping, CDs within the set would be inconsistently labeled, which is not Apple's fault since they are using a third-party service, but the music would then disappear when I merged the CDs into a single folio and labeled it correctly. What an infuriating waste of time. Eventually I figured out that you had to shut down iTunes then restart iTunes after every import/re-label in order for it to "stick" and be added to your catalog. Even then, I could never get some songs on the third disc of Release to be matched in iTunes Match, which means I can't access them on all my devices unless I download it*. How the fuck Apple can't get simple shit like this figured out is just beyond me. They have literally billions of dollars in the bank. They can't spend a minuscule portion of that to fix a bug-ridden pile of shit that their users are having to suffer with every damn day?

Back to the Pet Shop Boys again...

I've enjoyed the "Further Listening" albums I've bought so far (Nightlife through Elysium) quite a lot. Some of the material I already had, but a good chunk of it I did not. I was never as obsessive about collecting all the various parts and pieces for Pet Shop Boys as I was the Thompson Twins and Depeche Mode for some reason. In any event, there's certainly enough here to justify repurchasing the albums again (especially from the Yes era, which is responsible for some of my most favorite tracks.

Of everything I've heard on the "Further Listening" albums that completely escaped my notice, the song Always (a B-side for Home and Dry off of Release) is my favorite. A total treasure...

Beautiful. And I never even knew it existed.

   
As for the remastering? Overall I'd have to give them two thumbs up. Yes, they are louder than the originals, but not so much that subtle details are getting lost. Some albums benefit from the remastering more than others. You can tell with Fundamental that they made a real effort to pull out Johnny Marr's guitar work, which was appreciated. Most fans absolutely hate the original 2001 remastering of Behavior (featuring two tracks with Johnny Marr!) which I don't have, so hopefully the 2018 remastering will do a better job of it.

So... for the hard-core fan, the "Further Listening" sets are essential album collections to own. For the casual fan, probably not so much.

Though how anybody could be merely a casual fan of the Pet Shop Boys is a mystery to me.

   
*UPDATE: Eventually I was able to get the third album of Release into iTunes Match, but don't ask me how. I did delete the songs and re-rip them for a fourth time... though that didn't seem to be what did it, as I got a shitload of "duplicates" and "unmatched" icons, at which point I gave up. The next day the icons were still there, but when I restarted iTunes, everything was fine again(?). Well, whatever.

Your eyes are not deceiving you, an all new Bullet Sunday starts... now...

   
• THANKS, OBAMA! As I've mentioned here more than a few times, my feelings on President Obama are rather complex. I liked him personally. I loved his family. I thought he tried to fairly represent the country and his office the best he could. There's no doubt in my mind he's a patriot. But... by the same token, he also completely shit the bed on government transparency, privacy, and other issues that are important to me. Of course, when compared to the raging shit show currently occupying the presidency, it's not hard to romanticize President Obama's two terms. And now Netflix and David Letterman have teamed up for an interview that's worth watching...

I enjoyed the interview quite a lot, as it surprised me in many ways. First of all, they spent some time on his personal life where he was just as charming, touching, and funny as you would expect. Secondly, a goodly chunk of the show focused on The Civil Rights Movement and one of its key leaders, Representative John Lewis (a personal hero of mine) and how that lead to Barrack Obama's presidency. My only criticism is that I wish the interview was longer. The hour was over before I knew it, and I was left wanting more. Probably because it was so nice to remember back to the days when we had such a brilliant, literate, compassionate, leader running the country.

   
• One Day in Time! And speaking of Netflix... after work yesterday, I thought I'd watch a couple episodes of the One Day at a Time remake. I loved the first season, and was hopeful they wouldn't take a dump all over the second. They didn't. I ended up binge-watching all thirteen episodes and didn't get to bed until after midnight. This show is absolutely fascinating. It's firmly rooted in 1970's Normal Lear style laugh-track TV, but tackles contemporary topics in a way that's entertaining as hell...

The writing and performances are top notch. I've never seen a show that manages to shift gears so often so brilliantly. You're laughing one minute... crying the next... but never bored. After the last episode was over, Netflix started playing the first episode of the first season. I was dang close to watching the whole thing all over again from the start, but had to get some sleep. Highly recommended.

   
• Future Power! But, by all means... let's keep investing in coal. We're fucking idiots like that...

The story is here.

   
• Girl Power! "Tonight (it never gets dark this time of year) I skied back to the Pole again... to take this photo for all those men who commented “Make me a sandwich” on my TEDX Talk. I made you a sandwich (ham & cheese), now ski 37 days and 600km to the South Pole and you can eat it."

Jade Hameister's Facebook post is an epic smack-down on idiots who don't believe that girls can do anything... when clearly she can do more than they can.

   
• The Mash Report! You may want to take notes...

If only I had regular access to the BBC.

   
• Guitarz! A very cool video featuring a musician with a three-necked guitar playing Feel Good, Inc. (originally by Gorillaz)...

The artist is Luca Stricagnoli, and his videos are pretty amazing. Here he is crushing The Verve's Bitter Sweet Symphony on two guitars...

And one more for the road...

Terrific stuff.

   
And that's it. The end. Bullet Sunday is done.

Yesterday I had to go to the post office, which is always a guaranteed interesting time here in Small Town America. After a boring wait to buy stamps, I thought I was going to be denied any entertainment until I was leaving and passed a woman (mid 40's?) who kept singing "Hello, Dolly! Well hello, Dolly! La da da da da da da da da da daaaaa!" I stopped to look through my mail as an excuse to see if she knew any of the lyrics other than "Well hello, Dolly" but she did not. It was just "Hello, Dolly! Well hello, Dolly! La da da da da da da da da da daaaaa!" over and over until she left.

Weird.

Not that I know what the hell the lyrics are. I can't stand Broadway musical type stuff, so she knew as much as I do.

I thought it was an odd song to be singing until I was driving home from work today and saw a banner advertising a local high school production of Hello Dolly! that's happening later this month.

After singing "Hello, Dolly! Well hello, Dolly! La da da da da da da da da da daaaaa!" all the way home, I finally Googled the lyrics. I also Googled what in the hell the play is about and ended up on Wikipedia. The Hello Dolly! article itself is Too Long, Didn't Read... but get a load of the character names! Horace Vandergelder? Cornelius Hackl? Barnaby Tucker? Ambrose Kemper? Ernestina Money? Rudolf Reisenweber? ERMENGARDE?!??

Hilarious. Maybe I need to buy a ticket to the high school play just to be able to hear today's teens call each other "Horace" and "Ernestina."

Just kidding. Sitting through a high school production of Hello Dolly! is what I imagine Hell must be like.

For the record, here are the actual lyrics I Googled...

Hello Dolly
This is miss Dolly
It's so nice to have you back where you belong
You're lookin' swell, Dolly
I can tell, Dolly
You're still glowin', you're still crowin', you're still goin' strong
   
I feel the room swayin'
While the band's playin'
One of our old favorite songs from way back when
So, take her wrap fellas
Find her an empty lap, fellas
Dolly, never go away again
   
I feel the room swayin'
While the band's playin'
One of our old favorite songs from way back when
So, golly gee, fellas
Have a little faith in me, fellas
Dolly, never go away
Promise, you'll never go away
Dolly, never go away again

So... apparently Dolly went away, came back to sit on somebody's lap, now everybody is begging her not to leave again?

I don't know why Wikipedia couldn't have just said that. Would save everybody who doesn't want to go see the play a lot of time.

I have a select few friends who just get me, musically. They are always sending me tips about great new music they know I'll freak out over, and I could not be more blessed. This year one of those friends left us, and it's been very hard for me to enjoy the many, many bands and songs we enjoyed together because it's impossible to separate him from the music. And yet... in so many ways he is still with me because the music we loved is still here. Love and miss you Howard.

Below are my favorite albums of 2017.

THE TWELVE BEST...

#1 About U by MUNA
I can't remember how I discovered MUNA, but I do remember rushing to iTunes to purchase their album before I had even finished the first track I ever heard (the achingly beautiful Winterbreak which is my favorite song of 2017) (UPDATE: It was Aaron, of course). About U turned out to be one of those rare albums where I love every single song and was aching for more once I got to the end. If you heard of them, it was probably with the catchy I Know a Place which got some traction in early 2017. I'd list my other favorite tracks, but it's all of them, so I'll just post some YouTube videos and shut up now.

   
#2 What if Nothing by Walk the Moon
There was criticism laid at the feet of Walk the Moon for becoming pop sellouts with their latest album. Well, as somebody who lives for pop music, that just made me love them even more. What's so puzzling is that there are songs like Headphones that are hardly bubblegum pop anthems, so I'm not quite getting the hate. Regardless, there's a lot here to love for fans new and old... including their first single and my favorite track, One Foot which is catchy in a way that never quite leaves your head. And then there's the haunting Surrender which proves the band can craft a haunting love song for the ages.

   
#3 Wonderful Wonderful by The Killers
If you like The Killers, this album is more of the same. For many bands, that would be a criticism, but it's all I want from a new album from this band. Lead by the sublimely beautiful Some Kind of Love, it's just track after track of The Killers doing what they do.

   
#4 Silent Science by B•R•A•U•N
The dreamy vocals of Mackintosh Braun have made them one of my favorite bands. So when one-half of the duo drops a solo album, I take notice. Turns out that Ben Braun can churn out a beautiful album all on his own, feeling very much like an extension of his band. Beautiful dreamy pop from beginning to end.

   
#5 The Punishment of Luxury by Orchestral Manoeuvres in the Dark
Say what you like about OMD, but they are one of the most consistent pop bands in my arsenal of 80's favorites. Unlike too many others (I'm looking at you Depeche Mode) who tried to change what made them great, then stagnated in a place that nobody wanted, McCluskey and Humphreys (with few exceptions) stick to what their fans want to hear. And that'e exactly what you'll find in The Punishment of Luxury. Yes, there's a few (ahem) "artistic diversions," but the rest is synth pop magic.

   
#6 Beautiful Trauma by P!nk
P!nk lives and dies by her live performances, and all I really want from a new album are tracks that will work perfectly when she tours. And here's an entire album filled with songs that she's sure to absolutely kill live. The title track is all you could want from new P!nk, but she didn't stop there. Entirely too much material for great videos like these...

   
#7 Evolve by Imagine Dragons
While I'm not exactly sue I would call this album an "evolution" for the band, it is a darn good album. Perhaps less dark than previous efforts, there's enough here to ensure great sing-along material for their amazing live shows. If you're a fan of Imagine Dragons, Evolve won't disappoint.

   
#8 A Moment Apart by ODESZA
It's tough to put a pin in what it is I like about ODESZA. They churn out some really good elctro-pop beats, but a lot of bands do that. I think what puts them on another level is that they know just what to do with those beats, pairing them with artists who accompany them so beautifully. Back in 2014 they wowed me with the beautifully-constructed All We Need... and their third album elevates that kind of intricate future sound sensibility to even loftier heights. It's an album that was played on repeat for a good chunk of my Fall music rotation, and doesn't diminish as time goes on.

   
#9 Zombies on Broadway by Andrew McMahon In the Wilderness
After the hiatus/breakup(?) of Something Corporate, Andrew McMahon went on to form Jack's Mannequin. After the hiatus/breakup(?) of that band, he had some solo stuff... then started releasing music as "Andrew McMahon In the Wilderness" and this is his second album with that "band." I have a tough time getting into it as easily as the first, but it's still a beautiful effort. The video for So Close is probably my favorite video of 2017, and I didn't see it until I was visiting the Hard Rock Cafe in Ushuaia, Argentina!

   
#10 More Life by Drake
While I loved Drake when he debuted, his subsequent albums felt like an investment of diminishing returns. And now we get More Life which is, in my mind, the best album of his entire career. None of it panders to the pop charts explicitly, but he has a pop sensibility imbued in some of the tracks that's impossible to deny once married to the flawless vocals that make Drake be Drake. While Kendrick Lamar was getting all the accolades in 2017 for DAMN. (and rightfully so, the track DNA is everything you could want in a rap track), this was where my focus was. I've listened to the song Passionfruit entirely too many times this year.

   
#11 Concrete and Gold by The Foo Fighters
Gotta hand it to Dave Grohl, with each new Foo Fighters album, he seems intent on reviving classic rock anthems from yesteryear. As he abandons the pop-rock beginnings of the band in favor of metal-tinged hard rock, I can never decide if I like his band more or less. Regardless, I listened to Concrete and Gold quite a lot over the Summer of 2017.

   
#12 Pop 2/Number One Angel by Charli XCX
And now, at the closing of the year, we get Charli XCX going full-on 80's synth pop in an album that would make Missing Persons proud... Pop 2. An effort I enjoyed so much that it made me take another look at her full release from earlier in the year, Number One Angel. While not exactly groundbreaking, it's a darn good pop album with catchy tracks that I found myself listening to on repeat.

   
HONORABLE MENTION...
We Could Be Beautiful (EP) by Wrabel
This year, thanks to Aaron, I got to see Wrabel in concert which was, as expected, amazing. He has become one of my absolute favorite musical artists, and I'm dying for a complete album of music that I can immerse myself in. But all he seems to do is tease us with EPs and singles. My favorite song of 2016, 11 Blocks can be found on We Could Be Beautiful with four other fantastic tracks. We also got a beautiful and important single The Village in 2017, but still no album. Here's hoping 2018 is the year.

   
HONORABLE MENTION...
American Dream by LCD Soundsystem
I had thought that James Murphy had called it quits years ago, but apparently the demise of LCD Soundsystem was temporary. While I didn't fall in love with every track on this album, the pure nostalgia of half the songs here were enough to keep me listening. First among them was oh baby, which is so painfully 80's throwback as to feel like a lost track from an abandoned burned down disco...

   
HONORABLE MENTION...
Wall of Goth (EP) by Rey Pila
Mexican pop rock band Rey Pila may not have the most imaginative lyrics, but their beats are pure 80's joy. This four-song EP is more of the same, and a welcome addition to their discography.

   
HONORABLE MENTION...
Younger Now by Miley Cyrus
It's no secret that I've loved Miley since her Hanna Montana days and never stopped... even when she went nuts. I just love her voice. So when I got my hands on Younger Now, I found myself listening to it... a lot. Poppy with some country elements (and a duet with Dolly Parton!), so what's not to like? I dunno. It just didn't last for me. Despite liking it well enough over the Summer, I rarely find myself listening to it now.

   
SONG OF NOTE...
I dearly wish that Jai Wolf would set aside some time for a proper album but, alas, he seems content to keep dropping beautiful tracks on us with no album in sight. This year we got Starlight which only serves to make me want a full album even more. My favorite version of the song is the "Goldroom Remix" which is slower, more purposeful, and ever so dreamy and beautiful.

   
SONG OF NOTE...
I may not have cared for the album much, but I sure liked the single from Bleachers titled Don't Take the Money...

   
SONG OF NOTE...
I may not have cared for the album much, but I sure liked the single (and the amazing video) from Katy Perry titled Chained to the Rhythm...

   
REGRETFULLY LOST ME...
The Valley by Betty Who
Betty Who's EP and debut album was on continuous repeat for months after I found it. To say I was anticipating her return with The Valley is a huge understatement. It all began in Summer 2016 with the amazing I Love You Always Forever cover that had me chomping at the bit. Then I was underwhelmed with the next single, Human Touch, but remained hopeful. The album finally arrived this year (on my birthday, of all days) and I just could not get into it. The best tracks have these weird interludes that completely disrupt the flow of the song and I can't wrap my head around why Betty and her producers felt a need to inject them where they weren't needed. Some Kind of Wonderful? Wonderful. Until there's this misguided plunging rap interlude. Mama Say? Fantastic. Until some heavy breathing is dropped into the song from nowhere for no reason. It goes on and on. It's as if she felt she had to "be different" by crafting these weird hodgepodge tracks, when I Love You Always Forever illustrates so flawlessly why that's just not the case. Oh well.

59 people dead in Las Vegas. So far. We won't know the final toll until the 515 injured are in the clear.

It's not like anybody can find words to make this situation better. There just aren't any. Though the fact that everybody seems to increasingly accept mass-shootings as "the cost of freedom" in this country is a horrific ideal to subscribe to. No matter which side of the "gun debate" you're on, it's insane that one person should be able to lay waste to 574 human souls like this.

But that's America for you.

Back when I could handle firearms... back when I was a member of the NRA... back when Ronald Regan was President... attitudes towards gun ownership were very different than they are today. The NRA advocated reasonable restrictions. President Regan advocated reasonable restriction? But now? The NRA is a psychotic organization that advocates unlimited access to whatever weapons their munition company backers want to sell. And the president... well... the president is just plain psychotic.

As are the people who think that starting a discussion on curbing this madness is "exploiting a tragedy." It's when tragedy strikes that you devote time and resources towards finding a way to make sure it doesn't happen again. That's when you do it.

Except when government lobbyists are dictating the actions of the government, of course.

   
In other tragic news... Tom Petty died today.

The first song I ever recall hearing by Tom Petty and The Heartbreakers was You Got Lucky, which was on non-stop rotation on MTV. Back when MTV played music videos...

I hated that song. Stupid Tom Petty and his stupid hat. And this reaction insured that I wouldn't give any Tom Petty music a listen for years.

Until the Traveling Wilburys super-group happened.

My love of Jeff Lynne, Roy Orbison, and George Harrison canceled out my loathing of Tom Petty and Bob Dylan enough that I became a fan of the group...

It was then that I decided I was too quick to judge Tom Petty. I liked his contribution to the Wilbury's, and decided to see if I was missing anything.

Of course I was.

Including my all-time favorite Tom Petty track... Learning to Fly...

When it came to music videos of the day, few could compare to Petty's creativity in the medium...

Then, of course, there's one of Petty's most well-known tracks... American Girl, made infamous(?) by the movie Silence of the Lambs...

So Tom Petty.

A musical artist that was quintessentially American, he will be missed.