If you know even a little bit about me, you'll know that my musical tastes are a bit... um... eclectic. I love pop. I love electronica. I love dance. I love classic rap and hip-hop. I love hard-core rap. I love metal. I love punk. I love grunge. I love dream-pop. The only music I loathe is opera. The only music I avoid (but have listening to more and more lately) is country.
But there is one genre that I love more than any other: 80's Pop.
And it's not just a small segment either... I love everything from the 80's. And, in particular, 80's Euro-Pop. Thompson Twins, New Order, The Cure, Depeche Mode, The Smiths... I could listen to it all day every day and never tire of it.
Which is why I was absolutely thrilled at the latest episode of The Simpsons (titled Panic on the Streets of Springfield) because they parodied that genre flawlessly... coming up with a character that typified some of the more angsty artists like Robert Smith and Morrisey. But especially Morrisey. You can see him all over the episode, and the incredible parody song Everyone is Horrid Except Me (And Possibly You) which I adored...
I rewound my DVR and played it again and again and again. I loved it.
But boy did somebody running Morrisey's official Facebook account not enjoy it...
Surprising what a “turn for the worst" the writing for The Simpson’s tv show has taken in recent years.
Sadly, The Simpson’s show started out creating great insight into the modern cultural experience, but has since degenerated to trying to capitalize on cheap controversy and expounding on vicious rumors.
Poking fun at subjects is one thing. Other shows like SNL still do a great job at finding ways to inspire great satire.
But when a show stoops so low to use harshly hateful tactics like showing the Morrissey character with his belly hanging out of his shirt (when he has never looked like that at any point in his career) makes you wonder who the real hurtful, racist group is here.
Even worse - calling the Morrissey character out for being a racist, without pointing out any specific instances, offers nothing. It only serves to insult the artist.
They should take that mirror and hold it up to themselves.
Simpson’s actor Hank Azaria's recent apology to the whole country of India for his role in upholding "structural racism” says it all.
Unlike the character in the Simpson’s “Panic” episode...
Morrissey has never made a “cash grab”, hasn’t sued any people for their attacks, has never stopped performing great shows, and is still a serious vegan and strong supporter for animal rights.
By suggesting all of the above in this episode…the Simpson’s hypocritical approach to their storyline says it all.
Truly they are the only ones who have stopped creating, and have instead turned unapologetically hurtful and racist.
Not surprising... that The Simpsons viewership ratings have gone down so badly over recent years. — Peter Katsis
This is just stupid. When you're in the public eye and phenomenally famous, you're going to get parodied in places like Saturday Night Live and The Simpsons. It's just part of the game. And while, yes, it can be painful to see... the simple fact is that it's incredibly flattering that you're somebody famous enough to be parodied in the first place. People understand that this is a frickin' cartoon PARODY, and the fact that his handlers feel that the real-life Morrissey is so different pretty much proves that.
The character of Quilloughby (from "The Snuffs, as played brilliantly by Benedict Cumberbatch) is not Morrisey. If The Simpsons wanted to have ACTUAL Morrisey on an episode, they would have called up Morrisey and asked him to be a guest on the show. They do that all the time. But that's not what the episode called for, so they came up with the stand-in they needed to tell the story they wanted to tell and get the laughs they were trying to get.
And the episode is hilarious to anybody like me who loves the genre. I mean, come on, my parents once got contacted because a teacher noticed that I was listening to Morrissey and The Smiths. The music was considered by some to be "psychologically dark and damaging" and parents were concerned that kids who listen to it would commit suicide. For me it was the complete opposite. On the contrary, knowing that there was music which so adeptly captured what I was feeling made me feel less alone in the world.
So... holy shit... RELAX about it! Morrisey has done some crazy shit over the years (he canceled two of the shows I was supposed to see... then cut his show short when I had to FLY ACROSS THE COUNTRY TO SEE HIM because he didn't like the energy of the crowd!). Plenty of crazy shit. So it's not like there was no material for The Simpsons to draw from. With Morrissey, it's a frickin' gold mine.
My love for all things Morrissey has dwindled over the years because he can be such an asshole. But watching Panic on the Streets of Springfield actually made me like him again. But even more surprising? The Simpsons is better than it's been in years this season.
And it goes without saying that I had The Smiths and Morrissey playing all night and all morning after the episode. Dang they had some amazing, amazing music.
Something as inexplicably bizarre as Donald Trump himself...
Though The Donald should be orange, not yellow.
Now, if you'll excuse me, I am going to go sob quietly in a corner over how somebody like this can be considered a serious contender for President of the United States. If this is where we're going, I'd rather have President Dwayne Elizondo Mountain Dew Herbert Camacho, (former porn star and five-time Ultimate Smackdown Wrestling Champion) as my leader...
Idiocracy. The gift that keeps on giving.
So there I was discussing upcoming movies when The Second Best Exotic Marigold Hotel came up. I said that I was looking forward to the film, but had to question adding Americans to the largely British cast, saying "Do we really need Richard Gere in the sequel?" This caused someone to say "Ooh! I loved Richard Gere in Sommersby!... a film I had never heard of before.
Sommersby, as it turns out, is a 1993 romance/drama starring Richard Gere and Jodie Foster. It's the story of a woman (Foster) married to a complete bastard named Sommersby who leaves her to fight in the Civil War. Years later, after being presumed dead, Sommersby (Gere) returns to town a changed man. As in, really changed. He is, in fact, not Sommersby... he's somebody who looks a little similar and assumed the identity of the original after he died in the war...
After reading the plot summary, the first thing that went through my head was "Wait a minute! Wasn't that the same thing that happened with Principal Skinner from The Simpsons?!?
So I Googled that and was taken right back to the same Wikipedia page on Sommersby that I had been looking at. If you scroll down there's a "Related Stories" section where the episode of The Simpsons was mentioned.
I was shocked to learn that this episode, called The Principal and the Pauper, was roundly hated by critics and fans alike. In fact, it's widely seen as the episode that signaled the end of the "Gold Age" of The Simpsons, where the quality of the show began a steep decline into mediocrity.
I thought I remembered the episode fairly well, and didn't recall thinking negatively about it at the time. On the contrary, I actually thought it was a clever way of keeping the show fresh... taking a character from the periphery that you thought you knew and completely changing things up... but not in a way that drastically alters the show. In fact, by the end of the show everything pretty much went back to the way it was, so the episode really didn't make much of a difference in the grand scheme of things.
And then it suddenly struck me...
My moment of zen...
When I realized that Richard Gere had made a guest appearance on The Simpsons, that everything is connected, and all the world is one...
Kind of funny how that works.
Every once in a while...
...everything comes up Milhouse.