My favorite novel of all time is Nobel House by James Clavell.

It is a masterpiece of storytelling that brilliantly weaves multiple complex storylines and fictionalized historical events into a highly entertaining story. I've read it at least ten times. But Nobel House, a story of modern Hong Kong circa 1963, is but one piece of Clavell's sprawling "Asian Saga" which includes his far more popular and well-known work, Shōgun...

1. Shōgun Japan, 1600
2. Tai-Pan Hong Kong, 1841
3. Gai-Jin Japan, 1862
4. King Rat Singapore, 1945
5. Noble House Hong Kong, 1963
6. Whirlwind Iran, 1979

Most people familiar with Shōgun know it from the 1980 five-episode mini-series event starring Dr. Kildare himself, Richard Chamberlain. So far as mini-series of the day go, it was pretty good. A fair amount of money was injected into the project, so it had good production values and a skilled cast. Here in the USA, it was a cultural phenomenon that was well-received. In Japan, however... well... it was a fictional accounting of their very real history, so it was not well-received at all. And understandably so. I mean, just look at this nonsense...

At the time I was mesmerized by the series. I think it was my second "event" mini-series after Roots, and I anxiously awaited each installment. And then I started reading the Clavell books (of which only King Rat, Tai-Pan, and Shōgun had been written). Then the following year in 1981 Nobel House was released and my literary world was turned upside-down.

But anyway...

FX Networks (via Hulu) has now begun a new 10-part adaptation of the novel. Gone is the over-the-top acting style of the 1980's, replaced by more reserved and powerful performances. Japanese is subtitled Japanese (thank heavens) and Portuguese is depicted with English so that the entire series doesn't have to be subtitled. In some ways the production feels a bit more intimate than the excessive 1980 series but not in a bad way. You still get the glorious money shots to establish scale (visual FX makes possible was could never have been realized 24 years ago), and the sets have authenticity which makes it a pleasure to watch. It's just that the focus is more on the performances than the spectacle. The first two episodes aired last night, and now we're getting a new one each week...

Taking place as the Edo period of Japan's history was being born, the world of Shōgun is truly bizarre by Western standards. An English guy ending up shipwrecked there at the time would very likely have gone mad. Violence and death was commonplace and intricately linked to a social caste system and honor code which is incredibly difficult for foreigners to even begin to grasp. Layer upon that the complex politics of pre-Edo, feudal Japan and it's amazing that Clavell managed to figure out a way of setting a story there that could be understood by Westerners to begin with. But set it there he does, and it's made even more complex because you have to understand the geo-politics in Europe as well. The English Protestants against the Portuguese Catholics who controlled trade in Asia.

The new FX series does a pretty good job of hand-holding the viewer through all of it, carefully dropping bits of exposition in a way that's not offensively obvious nor mind-numbingly boring. By the end of the second episode, you're pretty much set (which is probably why they were released at the same time) which means that the remaining eight episodes will be a ramp up to the heart of the story.

Now, when it was announced years ago that an adaptation was being made, I was really, really hoping for Michiel Huisman to play Pilot Major John Blackthorne. The character is English and Huisman is Dutch, but of all the actors working at the time of the announcement, he was the one I felt could best embody the character (driven mainly by his work on Game of Thrones). Ultimately the role would go to Cosmo Jarvis, who I was unfamiliar with. The guy does a phenomenal job with the part, which is great given that the entire show hinges on his performance. He has a very fine line to walk in the earlier episodes as he adjusts to the world around him but handles it with ease. Another standout is Tommy Bastow playing the Portuguese priest Father Albito. Despite him being an "enemy," you want to like him, which is critical to his role. Of course all of the Japanese parts are very well cast.

Especially Mariko.

Anna Sawai I actually recognize from, of all places, Fast and Furious 9 (more recently she was in Monarch: Legacy of Monsters). Near the end of the second episode her character has to hear some incredibly shocking news and then deliver it to her Lord Toranaga. But she has to be very Japanese about it, showing neither shock nor surprise... all while being totally shocked and surprised. And you read it all on her face. It's thrilling to watch.

So... yeah... so far so good, and I'm giving the show my highest possible recommendation. Knowing where the story is headed has me excited about future episodes, and I am almost certain to sit down and binge the whole thing over a weekend after finishing the final piece.

Can't give you more of an endorsement than that!