And here we go... my annual wrap-up of my favorite films of the year! Or, to be more accurate, my favorite films that I actually saw. Which has again been hampered severely by my unwillingness to go to the theater. The experience is absolute shit in a day-and-age where people are inconsiderate assholes, and I am just not doing it. Oh well. Still love movies though. Even though a lot of the ones I liked didn't prove profitable.

THE EIGHTEEN NINETEEN BEST

#1 Superman (DC Comics/Warner Bros.)
As I have made abundantly clear over the years, I fucking loathed the Zack Snyder DC Comics films. Dark, dour, joyless, soulless, meandering crap that treated all super-heroes like gods, even when the characters aren't gods. Which made everything boring as hell. Then along comes Jakes Gunn, who made Superman interesting, fun, and hopeful. In a way we haven't seen since the two Richard Donner films. And it's glorious. As is that weren't enough, we're given Krypto the Superdog, and he steals the movie. Also stealing the film? Mr. Terrific, which was a wonderful surprise in every measure. If this is what we're getting out of the Gunn DC Universe, count me in. While not perfect, it's right up there with the Donner Superman flicks, Christopher Nolan's Batman trilogy, and the first Patty Jenkins Wonder Woman film (not the absolute pile of shit that was the second one). Can't ask for much more than that.

#2 (tie) Thunderbolts* (Marvel Studios)
While I liked this movie very much, the ending wasn't what I would have hoped. Though, to be honest, when you're dealing with a god-like entity and your entire team can only "shoot and punch," there are precious few other ways it could have ended. That aside, this is one of the better Marvel flicks in years. The cast is all great. The dialogue is snappy, funny, and always moving the story forward. And there's an overriding message to it all that's a strong foundation to build upon. Unfortunately movie audiences didn't agree, and it's probable that the film will only break even after all is said and done.

#2 (tie) Fantastic Four: First Steps (Marvel Studios)
The original Marvel Comics super-group is also one of the more unique. At their core, they're a family of explorers, and those stories which support this concept are the best. Unfortunately, the previous Fantastic Four movies were shit. The people making them were writing super-hero stories for just anybody, not a family. Then Marvel got the rights to the team back, they had a retro-futuristic story that was exactly what should have happened from the start, and came up with a brilliant way of making it fit into the Marvel Cinematic Universe as a whole all while respecting the source material in a way that works.

#3 Sinners (Warner Bros.)
There's something satisfying about a horror genre film which manages to be highly successful despite being built around a very serious message. That doesn't happen very often. Impeccably crafted by Ryan Coogler, the movie tackles racism in the Jim Crow South head-on in a way that's not at all subtle. The fact that it's a story so beautifully told and gorgeously shot is just the icing on the cake.

#4 Ballerina (Lionsgate)
"Was... was that a flamethrower tango?" Heaven only knows I love a good action-flick, and this was top-tier. In addition to being a part of the John Wick Universe, it stars Ana de Armas, whom I love to pieces. Alas, it was not the box office smash it deserved to be, so we're unlikely to get a sequel. I don't understand it at all. The guest-starring cast was epic, including Keanu Reeves, Ajelica Houston, Ian McShane, Lance Reddick, and Gabriel Byrne. As if that wasn't enough, it was every bit as intense, thrilling, entertaining, and well-made as anything else in the John Wick franchise (some of those action sequences and kills were stunning). And yet... maybe with streaming and video sales a sequel might still happen? I sure hope so.

#5 Mickey 17 (Warner Bros.)
That Bong Joon Ho is a remarkable filmmaker is not up for debate. But when I saw the trailer for this film, I had to wonder if he had lost his mind. This was the follow-up to Parasite? But then I saw the movie and it had a quirky brilliance reminiscent of Snowpiercer that was far better than you'd think it would be. I was happy to see that Robert Pattinson manages to craft another unique character which is sometimes offbeat to distraction but never fails to serve the film.

#6 Playdate (Amazon)
As you have no doubt noticed from previous year picks, I'm a sucker for a good action comedy, but honestly didn't think this was going to be worth my time. I watched it only because Alan Ritchson was in it, and had zero expectations. Only to find one of the funnier flicks of the year lovingly wrapped in a full-on action movie that succeeds on all fronts. Kevin James, an actor I just haven't seen in things because his projects don't interest me, was flawless in his role as hapless bystander turned hilarious participant in the madness. I loved it from start to finish and it will likely turn into one of those comfort movies I put on as background noise while I'm working or cleaning the house, but ultimately end up watching because I just can't help myself.

#7 Nobody 2 (Universal)
The first Nobody was a total surprise. Yes, I love Bob Odenkirk. Yes, I love the movies that David Leitch produces. Putting them together should have immediately caught my attention. But it didn't until the film got to home streaming. But the second time around? Oh yeah. I bought it the minute it was available digitally. And was not disappointed. Filled with the humor, wit, charm, and explosive action you'd expect... with an endgame you deserve... I sure as heck hope that this is a stepping stone to Nobody 3.

#8 The Ballad of Wallis Island (Peacock)
Always a great thing to manage to be pleasantly surprised by a movie. And this one surprised me quite a lot. If I had to sum it up in one word, that would probably be "charming," though it's so much more than that. Originally a short film that got turned into a full film, it doesn't feel like a short film that got stuffed with enough fluff to reach feature-length. Wonderfully scripted and beautifully shot... sentimental and sweet... but never cloying or tedious, I'd recommend this movie to anybody looking for a nice distraction from the horrors of everyday life.

#9 The Phoenician Scheme (Focus)
You either get Wes Anderson or you don't. I'm not going to sit here and pretend that everybody will love this movie. But I did. First of all, this is the first role where Michael Cera wasn't playing Michael Cera, which was refreshing. Second of all, the cast is absolutely stacked... starring Benicio del Toro to Mia Theapleton... and there's guest appearances by Tom Hanks, Richard Ayoade, Riz Ahmen, Jeffrey Wright, Willem Dafoe, Bryan Cranston, F. Murray Abraham, Benedict Cumberbatch, Scarlett Johansson, and a guest appearance by Bill Murray that is so sublimely perfect that I still can't get it out of my head. Wes Anderson movies are not going to rake in a billion dollars, so I can only guess that he can always attract talent like this because they just love working with the guy. And they know they'll get to be in an awesome flick like this.

#10 A Working Man (Amazon)
While not the fantastic Jason Statham flick that The Beekeeper was last year, it was still another action flick worth watching. And I was very glad to have it given that The Beekeeper 2 hasn't been released yet. While Statham movies don't always have a twist like Wrath of Man did, preferring to be a straight A-to-B shot of straight-up action like this one, I'm just not looking for that every time. Sometimes I like to turn my brain off and go from A-to-B. But there IS a twist here... this movie was written by David Ayer and Sylvester Stallone?!? Didn't see that coming!

#11 Mission: Impossible - The Final Reckoning (Paramount)
The final film in Tom Cruise's "Ethan Hunt Octology" is pretty amazing in some ways... and a head-scratching mess in others. Nearly three hours in length, the first third is non-stop exposition which has some fun flashback moments to show how the past of the franchise relates to current events, but it's mostly a boring slog. We would have been far better off had they just cut to the chase and not try to link every last thing together before the movie actually starts (though I loved Donloe being a bit part in the first film being a major player in the last!). But once it actually does start? It's pretty great, featuring amazing action at the endgame with a hallmark stunt that's Tom Cruise at his death-defying best. The Entity from the previous film is gaining control of the world's nuclear arsenal, which spells doom for all humanity unless Hunt & Co. can figure out a way of stopping it. And the fun is in the ride, not really the conclusion. A good film that could have been great, Final Reckoning isn't the worst way for the Cruise era to go out... until the inevitable reboot.

#12 Black Bag (Focus)
Few directors I like are as hit or miss for me as Steven Soderbergh. Here he's not only hit, he's done it in a way so stylish and engaging that it has me wondering what pushed him to get there (I thought Presence was good, not great, so this was a surprise). Few writers I like are as hit or miss as David Koepp. Sure he did a brilliant job of adapting Jurassic Park, but he can also stink up the screen with Indiana Jones and the Kingdom of the Crystal Skull too. Here he's not only hit with a sexy, svelte, stylish, engaging script, but came up with such a great hook that it has me wondering what pushed him to get there. What should have been a retread of Mr. & Mrs. Smith ends up being something so much more when it stars Cate Blanchett and Michael Fassbender, elevating a spy caper to something worth your valuable time. A part of me wishes that this was a 6-episode TV series so it could have had a little more room to breath and given us more of a good thing.

#13 Wake Up Dead Man (Netflix)
Rian Johnson knows how to craft a good mystery movie, and this one was so good that I immediately had to run back and watch Knives Out and Glass Onion because I was left wanting more. As always with a mystery flick that doesn't cheat the viewer, I gotta immediately go back and watch it again so I can see all the clues that I missed. This time it wasn't quite as easy to see, but it was all there to be discovered.

#14 Weapons (New Line)
There is nothing that makes me happier than when people I like find success. Zach Cregger is one of those people whose acting roles always made me a fan... but this? This?!? Brilliant horror with compelling characters which drive it to deserved success. And a frickin' mind-blowing character turn by Amy Madigan that's almost worth the price of admission alone.

#15 KPop Demon Hunters (Netflix)
Proving for the hundredth time that Sony Pictures has no fucking idea what they are doing (which is apparent to anybody who saw Morbius, Madame Web, and Kraven), they took this brilliant animated movie and... gave it to Netflix?!? If you love K-pop music like I do, this is great. If you like tunes with meaningful lyrics like I do, this is great. If you love good animation like I do, this is great. If you just like a good movie, this is great. It's great.

#16 Wallace & Gromit: Vengeance Most Fowl (Netflix)
Look, it's a wallace & Gromit movie. What else do you need to know? Wildly funny, brilliantly animated, wonderfully charming.

#17 Zootopia 2 (Disney)
I saw this on a Disney cruise ship in the middle of the ocean. It was surprising for feeling so fresh just as the first one was surprising for feeling so unexpected. I would not mind at all getting a third film in the franchise so long as they keep finding new ways to keep this amazing world and fascinating characters interesting.

#18 One Battle After Another (Warner Bros.)
Yes, yes, I know that this is the #1 movie on a lot of lists for 2025. And it is a very, very good film. But it's just not my cup of tea. I can watch it and appreciate the talent that went into making it. I can even see how some consider it a masterpiece of cinema. And it is. But when your top three films are all super-hero movies, and you found more entertainment from a cartoon with talking animals, then "masterpiece" only goes so far in what you want to watch for entertainment. Oh well. I liked it enough to have it hit my list, so maybe I'm not totally a lost cause?

NOT IN MY TOP EIGHTEEN, BUT FEELS LIKE IT SHOULD BE

• Captain America: Brave New World (Marvel Studios)
  Apparently they changed the movie more than once as they were shooting, and the result is a big ol' mess. They tried to come up with another Captain America: Winter Soldier by pumping in some political espionage, but did a terrible job of it. The narrative is anything but smooth from beat to beat and the overall story was boring. As if that wasn't enough, the air battle at the one hour mark was truly awful. I did love that Joaquin Torres played a part as the new Falcon (I was surprised he was in the previous TV series The Falcon & The Winter Soldier), but everything else was pretty bad. Sam's dialogue was mostly groan-inducing instead of clever (and even Anthony Mackie couldn't save it). Harrison Ford was given horrible material. Sabra was jammed into the show for no reason. The villain was good, but used badly. And Isaiah Bradley, a character with so much to offer, was inexplicably used as a pawn for a silly plot point. And then there's Red Hulk, which was a great idea, but implemented in a stupid way and defeated in an even stupider one after a disjointed battle at The White House that had Sam's vibranium wings charging up, then mysteriously discharging from one action beat to the next. Where did that energy go and why did he never direct it at Red Hulk until the very end? This entire movie was such a nonsensical wasted opportunity and I honestly don't understand it. I was still entertained enough that I was happy to see it (and it sets up Wolverine nicely with the adamantium angle), but holy shit did Sam (and the fans) deserve better than this.

HONORABLE MENTION

• Frankenstein (Netflix)
  As a massive Guillermo del Toro fan, I was looking forward to this. What I wasn't looking forward to was yet another Frankenstein's Monster movie. And yet... del Toro found a take that managed to elevate it to a level I should have anticipated, but didn't for some reason. Don't make the mistake of skipping it because you're not into monster movies. This is a film with something to say.
• Novocaine (Paramount)
  Finding an interesting concept for a movie is rarely Job #1. Here it is. Finding a way to turn that interesting concept into a decent flick is rarely Job #2. Here it is. The result is not without its missteps, but is wholly entertaining.
• Final Destination: Bloodlines
  For a Final Destination movie to work, the writers have to be very clever about how Death comes for the characters. The more convoluted and interesting the series of events, the more interesting their death, and the more entertaining the movie will be. This time around the writers were very clever indeed, trying to find new ways to breathe life into the franchise. Sure, the logic doesn't always track from film to film and they violate their own rules as to how you can "cheat death," but ultimately that's not what's most important. This is my favorite out of the entire franchise, and having Tony Todd's character fully explained from the previous films is just icing on the cake.
• Elio (Disney)
  Adorable. Well-animated. Stylistically fun and engaging. I don't know why this film failed so badly at the box office, because it has all the pieces which make you think it should have been a big success.
• The Life List (Netflix)
  When it comes to rom-coms, there's really not much new territory left to tread. It's all been done before. What makes it work is how they re-tell the same old story. And this is how The Life List manages to rise above. It's yet another "woman has to try to change her life for the better to honor her dying relative" tale, but one that's done quite well.
• F1: The Movie (Apple)
  This is not a great movie, but it is a visual stunner with racing scenes that are worth the price of admission. I'm not an F1 fan, but if you are... this is a total no-brainer for you to watch. Otherwise? It could be seen as tedious if you can't jump in.
• Eternity (Apple)
  Okay, you got me. These afterlife movies never seem to fare well with me, but this time you got me. A woman having to choose between her first and second husband in the afterlife is just enough of a twist on an old theme as to catch my interest, and Elizabeth Olsen knows how to play it to perfect comedic effect.

DIDN'T SEE, MIGHT HAVE MADE MY LIST

• Splitsville
  This is a flick that was completely off my radar... until I had two very different friends say I should give it a look because it's a funny dive into relationships which I might like.
• Avatar: Fire and Ash
  Apparently this is the best of the Avatar movies so far. I liked the first two, though found them to be spectacle more than story, which is why I'm intrigued by the idea of a film that's both. Maybe that's this one.
• Sentimental Value
  Have Stellan Skarsgård in your cast, and you've automatically got me as an audience. Alas, the subject matter of family drama didn't feel like something I was ready to dive into, so I never paid the money for the digital streaming. I will absolutely be looking at it when it hits whatever streaming platform gets it, and have heard good things.
• 28 Years Later
  I loved the idea of a new installment to the franchise, but was pissed at the idea of a trilogy when the single installments which preceded this one were so wonderfully done. But I guess you couldn't go from 28 Years Later to 28 Decades Later very easily, so maybe that's all they had?
• Lavender Men
  The concept of a movie that's intentionally all over the place tonally while trying to put a lens on queer history as a jumping off point for modern lives is just compelling enough to make me want to see it.
• Predator: Badlands
  When the trailer hit, it didn't seem like it was an actual Predator movie... it felt more like somebody using Predator to shove through an original story so it could get made. I'm told this is not quite true, and the film is actually quite good. So sign me up. Eventually. When I have time.
• Bugonia
  While not a fan of Yorgos Lanthimos by any stretch of the imagination, there's no denying that he's a compelling filmmaker. After he destroyed Poor Things (in my humble opinion, as a fan of the book), I wasn't planning on watching Bugonia until I started hearing about it in favorable terms from critics I like. So... maybe?

DISAPPOINTING

• Fountain of Youth (Apple)
  Guy Ritchie is one of my favorite writer/directors. This dumpster fire is what happens when he doesn't write what he directs. And, unfortunately, the stacked cast does nothing to save it. I honestly don't understand how this was made, because everybody involved should have questioned the script.
• Love Hurts (Universal)
  As a big fan of the Ke Huy Quan renaissance we're getting, this was just awful. Lazy, sloppy, and cringe in all the worst ways.
• Lilo & Stitch (Disney)
  With very few exceptions, these Disney live-action remakes are just not worth it. I always end up disappointed because 1) They are not necessary and end up inferior to the source material, and 2) They make senseless changes which sabotage what makes the original story so good.
• The Old Guard 2 (Netflix)
  To say I was rabidly looking forward to this sequel to the brilliant original adaptation was an understatement. I loved The Old Guard and couldn't believe we were finally getting more. Then we get this disaster. Needlessly confusing and inexplicably nonsensical, all they had to do was continue what they had been already started. Instead we got this? Why? The action wasn't even elevated, which makes this a miss in every department.
• The Naked Gun (Paramount)
  I wanted to like the remake, but the entire viewing I was just disappointed that it wasn't the original. So much of it was just... dumb-funny. It didn't hold any genuine laughs for me.

WORST

• Section 31 (Paramount)
  Gut-wrenchingly awful. You have legend Michelle Yeoh doing her best to tear up the scenery at her evil best, but nothing could save this bland story which wouldn't even be notable if not for being tied to Star Trek.
• The Electric State (Amazon)
  A misguided and overall boring, sad, and terrible adaptation. Utterly bizarre that The Russo Brothers, who gave us so many exciting movies, would create this kind of mess.
• Now You See Me: Now You Don't (Lionsgate)
  The first two movies were shit where special effects and camera tricks were supposed to fool us into thinking that these "magicians" could actually do impossible magic tricks, all while being mired in stories with laughably huge plot holes and general stupidity. This was more of the same, and I sincerely hope they're finally done with this crap. Go track down the excellent TV series, Deception instead.
• War of the Worlds (Universal)
  I tuned in specifically to see if the movie is as bad as it was said to be by critics. It's worse. What an unbelievable turd. Zero internal logic. Zero reason to be made. And you can't really blame anybody involved, because swapping out the cast for even the best actors on the planet would in no way save it.

DIDN'T SEE, MOST CERTAINLY SHIT

• Tron Ares (Disney)
  A special effects treat on top of a story by people who don't seem to know what makes Tron be Tron. I do like me some great visual effects though, so I will likely tune in when Disney+ starts streaming it.
• Jurassic World: Rebirth (Universal)
  When are they going to have the good sense to just let this franchise die? MUTANT DINOSAURS?!? That's just a monster movie. It has zero to do with dinosaurs come back to life, which means this is not a Jurassic Park movie, and just continues a downward spiral of something that was once great becoming shit.