The Oscars are on Sunday. Here are my picks.
BEST PICTURE: My pick is Django Unchained, which I enjoyed more than all the other films combined (excluding Beasts of the Southern Wild and Les Misérables, neither of which I wanted to see). It won't win, of course, but it completely deserves to (like Inglourious Basterds before it).
BEST ANIMATED PICTURE: Heaven only knows that I wanted Pixar's Brave to blow me away... but, while it was jaw-dropping beautiful to look at, the story just didn't measure up. ParaNorman, Wreck-It Ralph, and The Pirates! Band of Misfits were all good films, but it's Frankenweenie that was my favorite.
BEST SHORT FILM: John Kahrs' Paperman is haunting and beautiful and has Disney magic all over it. The other nominations are great, sure, but Paperman is genius.
BEST DIRECTOR: Ang Lee's absolutely masterful handling of Life of Pi makes him my clear favorite. But who doesn't think Spielberg will take it for Lincoln? But the bigger question... how in the heck did Quentin Tarantino get overlooked for Django Unchained?
BEST ACTOR: While I thought Bradley Coooper gave a winning performance, it's pretty hard not to pick Daniel Day-Lewis for his amazing turn as Lincoln.
BEST ACTRESS: This was a toughie, but I give the nod to Jennifer Lawrence for Silver Linings Playbook. She just seemed more necessary to the success of her film.
BEST SUPPORTING ACTOR: Yeah, Tommy Lee Jones for Lincoln with Christoph Waltz a close second for Django Unchained.
BEST SUPPORTING ACTRESS: Hated The Master so Amy Adams is out. Didn't think Sally Field disappeared into her role enough in Lincoln. Refused to watch Les Misérables for Anne Hathaway. Thought Helen Hunt was "okay" in The Sessions, but not remarkable. So I guess that leaves Jacki Weaver for Silver Linings Playbook... although Anne Hathaway is almost certain to take it.
BEST CINEMATOGRAPHY: The easy choice would be Life of Pi, but I think too much of what made it cinematically amazing was the special effects. Django Unchained would be a solid choice, but I'm going to have to go with Roger Deakins for Skyfall. A big part of what made it such a good film was the stunning cinematography, and the film is definitely Oscar-worthy.
BEST SPECIAL EFFECTS: For all the reasons I think Life of Pi should not get "Best Cinematography," I think it probably deserves the Oscar for "Best Special Effects." That being said, the incredible visuals of The Battle for New York in The Avengers (not to mention the hundreds of other effects plus Hulk and Iron Man) make me wish a tie could happen here.
BEST ORIGINAL SONG: I'm not a fan of Adele's music, but have always liked her as a person in interviews and stuff. And yet... Skyfall was about as good a theme as James Bond movies get, and Adele blew the doors off it.
BEST WRITING, ORIGINAL: I have gone round and round on this, trying to decide between Django Unchained and Moonrise Kingdom, and can't decide. I would be equally thrilled if either won, though Zero Dark Thirty probably has the edge.
BEST WRITING, ADAPTED: Just about everyone (including me) thought that Life of Pi was unfilmable... and yet, here it is. It would be hard not to reward that ingenuity.