Posted on March 22nd, 2017
Is there anything worse than hanging out at your hotel waiting for your flight home once your vacation is over?
Probably lots of things are worse than that.
But when you are sleep-deprived and drinking for three days straight?
No. No there most certainly is nothing worse than that.
But on the plane I watched possibly the greatest Las Vegas movie ever, The Hangover, so I guess it's all good...
This movie fascinates me no matter how many times I see it. It came out of nowhere and was just so good. Sure it was followed by two crappy sequels, but that first one? Magic. Everything about it was perfect... from the story to the casting to the jokes. I've lost track of the number of times I've seen the film, but I laugh every time.
Which is a good thing, because my vacation is done.
Posted on March 12th, 2017
Thank heavens I'm taking half-a-day off work, because an all-new Bullet Sunday starts... now...
• Stop the Insanity! Make it permanent... abolish it... split the difference... I honestly don't give a fuck. Just make it so that we're not dicking around with the clocks twice a year. This stupid shit... this utter madness... has got to end...
Seriously. If Trump wants to do ONE FUCKING THING that will benefit humanity in a way that every other fucking thing he's done has not... GET RID OF THIS IDIOTIC BULLSHIT!!!
• Healthcare. Finally. Broken down so even I can understand it! The puzzling way Republicans want to replace the individual mandate, explained with a cartoon.
• Wonderful. Do I dare get my hopes up after DC has shit the bed so many times now?
It could be incredible. If... only if...
• Loneliness. A sobering article that makes for an interesting... albeit more than a little depressing... read: The biggest threat facing middle-age men isn’t smoking or obesity. It’s loneliness...
Illustration by Mario Zucca / Boston Globe
I don't know that I'm "lonely" so to speak. But most of the people I'm closest to don't live near me, and that can be difficult.
• Olive Garden. I had no business laughing at this as hard as I did. The whole concept of people in Olive Garden commercials acting like they've never seen a restaurant... or food... before, is epic...
I dare say that President Trump existing has made Saturday Night Live the funniest it's been in years. Even for sketches that don't feature President Trump.
• The Most Important Thing You'll See All Day. Yes. You can resist authority. In some cases, you're obligated to resist authority. Like when you are being lied to and your rights are being violated by authority. The video below is in three parts. Watch all three of them. Know your rights...
And here's a follow-up interview (good information, terrible sound)...
Have a phone with video capabilities? Film everything. Always film everything when it comes to the police. Even if you support the ideal of law enforcement (as I do)... Always. Film. Everything. Even when it's not happening to you. Because the police are not above the law and you just never know.
Note that the guy who filmed the video, Jesse Bright, tried to handle this without going public. All he wanted was an apology for having been lied to and illegally searched. Only after he was deterred at every turn did he released to video... not for personal gain, but to let everybody know what their rights are. He has no interest in any officers being punished or fired or anything. He just wants this critical information out there. Good for him.
I have a card in my wallet and in my car with the following statement:
Statement If Stopped or Questioned by Police or any Government Official
“Officer, I Assert My Fifth Amendment Rights As Stated On This Card”
Pursuant to the law, as established by the United States Supreme Court, my lawyer has advised me not to talk to anyone and not to answer questions about any pending criminal case or any other civil, administrative, judicial, investigatory or adjudicatory matter. Following his advice, I do not wish to talk to anyone about any criminal, civil, administrative, judicial, investigatory or adjudicatory matter, without my lawyer present. I waive no legal rights, nor give any consents, nor submit to any tests or other procedures, without my lawyer present. I ask that no one question or talk to me, without my lawyer here to advise me. I do not wish to answer any questions. I want to see my lawyer. Please call my lawyer immediately.
See: Miranda v. Arizona, 86 S.Ct. 1602, 384 U.S. 436 (1966), Maness v. Myers, 419 U.S. 449 (1975), Hoffman v. United States, 341 U.S. 479, (1951), Lefkowitz
Know. Your. Rights.
And now it's time to chew gum and vacuum. And I'm all out of gum...
Posted on January 10th, 2017
And so... about those Golden Globes...
I'm not a huge fan of award shows, because the winners rarely reflect the movies I enjoy and the performances I gravitate towards. But, then again, my favorite films of 2016 were Captain America: Civil War, Doctor Strange, and Deadpool, so make of that what you will.
Anyway... this year the Globes were better than most, but there are still some corrections I would make...
Best Supporting Actor: Aaron Taylor-Johnson, Nocturnal Animals
Who Should Have Won: Sebastian Stan, Captain America: Civil War (the entire weight of the movie rested on The Winter Soldier, and Stan killed it).
Best Original Score: La La Land
Who Should Have Won: Jóhann Jóhannsson, Arrival (beautiful, powerful stuff).
Best Original Song, Motion Picture: "City of Stars," La La Land
Who Should Have Won: "How Far I'll Go," Moana (never saw "La La Land").
Best Supporting Actress: Viola Davis, Fences
Who Should Have Won: Viola Davis, Fences (never saw the film, but... Viola Davis).
Best Actor, Musical or Comedy: Ryan Gosling, La La Land
Who Should Have Won: Ryan Reynolds, Deadpool (not even a contest).
Best Screenplay: Damien Chazelle, La La Land
Who Should Have Won: Jon Spaihts, Scott Derrickson, C. Robert Cargill, Doctor Strange (markedly fresh super-hero fare).
Best Animated Film: Zootopia
Who Should Have Won: Kubo and the Two Strings (Zootopia was fun, but Kubo was on another level entirely).
Best Foreign-Language Film: Elle
Who Should Have Won: The Handmaiden (absolutely stunning cinema).
Best Director: Damian Chazelle, La La Land
Who Should Have Won: Joe Russo, Anthony Russo, Captain America: Civil War (wrangling this many heroes in a coherent film is amazing).
Best Actress, Musical or Comedy: Emma Stone, La La Land
Who Should Have Won: Grace Helbig, Electra Woman & Dyna Girl (no joke... the funniest female performance I saw all year).
Best Motion Picture, Musical or Comedy: La La Land
Who Should Have Won: Deadpool (so obvious).
Best Actor, Drama: Casey Affleck, Manchester by the Sea
Who Should Have Won: I dunno.
Best Actress, Drama: Isabelle Huppert, Elle
Who Should Have Won: I dunno.
Best Picture, Drama: Moonlight
Who Should Have Won: I dunno. Moonlight looks good, but Arrival was the best drama I saw in 2016.
Best Actor, Television Drama: Billie Bob Thornton, Goliath
Who Should Have Won: Matthew Rhys, The Americans (a great show and he's great in it).
Best Actress, Television Series Comedy or Musical: Tracee Ellis Ross, Black-ish
Who Should Have Won: Kristen Bell, The Good Place (what can I say, I love her and I love this show).
Best Television Series Comedy or Musical: Atlanta
Who Should Have Won: No Tomorrow (love Atlanta, but No Tomorrow is my favorite show of 2016)
Best Performance by an Actress In A Mini-series or Motion Picture Made for Television: Sarah Paulson, The People v. O.J. Simpson: American Crime Story
Who Should Have Won: Charlotte Rampling, London Spy (this was a great show, and Rampling had a lot to do with why).
Best Television Limited Series or Motion Picture Made for Television: The People v. O.J. Simpson: American Crime Story
Who Should Have Won: The Night Manager (such a great spy thriller).
Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television: Hugh Laurie, The Night Manager
Who Should Have Won: Hugh Laurie, The Night Manager (seriously, such a good show).
Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television: Olivia Colman, The Night Manager
Who Should Have Won: Olivia Colman, The Night Manager (ditto).
Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television: Tom Hiddleston, The Night Manager
Who Should Have Won: Tom Hiddleston, The Night Manager (ditto again).
Best Actress, Television Drama: Claire Foy, The Crown
Who Should Have Won: Keri Russell, The Americans (toughie... loved Foy, but think Russell had the edge).
Best Television Drama: The Crown
Who Should Have Won: Westworld (as much as I liked The Crown, Westworld was my favorite).
Best Actor, Television Series Comedy or Musical: Donald Glover, Atlanta
Who Should Have Won: Donald Glover, Atlanta (absolutely deserved).
Posted on January 6th, 2017
I can never quite figure out whether I am more of a Star Trek fan or Star Wars fan. It's probably I love them both equally. One big difference is that there's little debate on how the Star Wars films should be ranked. Empire is the best, the original is next, and everything that followed was total shit until Force Awakens kinda made things good again.
With Star Trek it's a radically different situation. Since I'm old enough to be an original series fan, my picks skew towards Kirk & Co. — while Trek fans that came late to the game tend to gravitate towards Next Generation.
With that in mind, here we go...
And next up? Star Trek: Discovery. I had high hopes when it was announced that Bryan Fuller was at the helm. Then became worried when it was announced he had stepped away. But, still... it's Star Trek, so I'll be watching.
Posted on January 2nd, 2017
Since returning from hiatus, there have been a number of half-finished entries floating around that I've been meaning to finish up and post. This is one of them.
My love of comic books and movies have collided in amazing ways last year... Captain America: Civil War, Deadpool, and Doctor Strange were incredible. Unfortunately there were also boat-loads of crap courtesy of DC Comics, who just can't seem to get their shit together... X-Men: Apocalypse and Batman vs. Superman were complete garbage.
There were three other super-hero films I saw in 2016, how did they fare, I wonder?
• Suicide Squad. DC Comics' concept of super-villains being forced to become a covert team of super-heroes has been going on in the comic book world since the late 80's. While passably entertaining on occasion, I never saw much potential as a movie franchise, yet here we are. The result is an epic mess that is a notch above the shitty Man of Steel and Batman vs. Superman films... but not by much. The moronic, scattershot plot populated with a bloated cast of forgettable characters and filled with ridiculous dialogue and forced humor (that wasn't funny) ended up being just... bad. Unless you can be entertained by random special effects blowing shit up between periods of utter tedium, there's no entertainment to be found here.
And now... I'm just going to get this out of the way... Jared Leto's "Joker" was total shit. The look was apparently copied from the comic arc Batman: Endgame, which wouldn't have been too terrible, except they added metal teeth, a bunch of tattoos that were utterly stupid (why the fuck would The Joker ink "damaged" on his forehead?), and then made him a frickin' drugged-out buffoon. A massive downgrade from Heath Ledger's brilliant take in the The Dark Knight. The rest of the cast? They fare somewhat better. Viola Davis was her incredible self and dominated her every scene as Amanda Waller. Will Smith's Deadshot was pretty much Will Smith being Will Smith, but at least he's entertaining. Margot Robbie was designed to be a stand-out as Harley Quinn and, when it works, it's the best thing about the movie (though I still think the character will never be better than she was in Bruce Timm's Batman: The Animated Series). Every other character was just window dressing with nothing of substance to do and mostly boring.
I'd get into the story, but that would be pointless. It's pretty much Suicide Squad vs. magical zombies and there's pathetic little character development or consequences for anything. RATING: D
• Electra Woman and Dyna Girl. It would be insanity to put a cheesy Sid & Marty Krofft Batman parody remake up against anything Marvel is doing when it comes to the super-hero film genre. This is not that kind of film. But I found Electra Woman and Dyna Girl infinitely more fun and entertaining than anything DC has put out lately. Based on the Krofft Saturday Morning live-action kid's show of the same name (starring Days of Our Lives' Deidra Hall!), the movie features online media stars Grace Helbig and Hannah Hart as two normal humans named Lori and Judy who dress up and play super-heroes in a world filled with heroes that have real super-powers. Eventually they get "noticed" by a super-hero publicity agent who turns them into the super-powered heroes they dreamed of becoming. Using gadgets dreamed up by genius Frank Heflin, Electra Woman and Dyna Girl hit the big-time and become crime-fighting media sensations. This leads to a rift in their friendship that comes just as the rise of the first super-powered villain to appear in ages. Hilarity (and some surprisingly entertaining antics) ensue. What's surprising about the movie is how it manages to be faithful to the original show, yet be completely fresh, new, and different. And pretty damn funny. For what it was designed to be, Electra Woman and Dyna Girl is a success. RATING: B-
• Batman: The Killing Joke (animated). Considered one of the best Batman stories to come out of the comics, The Killing Joke has been both praised and mired in controversy since its release in 1988. Praised because it featured Alan Moore and Brian Bolland's thoughtful look at the origin and longtime relationship between Batman and The Joker... controversial because of its misogynistic overtones in the crippling of Barbara (Batgirl) Gordon as a throw-away plot element. Ultimately I liked the book, but understood that it had some serious story issues that would be too much for some comic book fans. So when I heard that DC was turning it into an R-rated animated film, I was curious. Would they stay close to the original story... or would they try and fix some of the things that caused no small amount of backlash?
Turns out it's Option #3... LET'S MAKE THE STORY WORSE IN EVERY POSSIBLY WAY! I hated this film. There's a myriad of problems that ruin any chance of Batman fans embracing the movie... even if they liked the story on which it was based. Primary of which is that they have Batman and Batgirl in a sexual relationship, which is fucking absurd. Once that bullshit is out of the way, the film tries to get back on track... but the damage has already been done. RATING: F
Time to update my "Y2K Super-Hero Comic Book Renaissance" scorecard with another brilliant Marvel effort...
The Avengers... A+
The Avengers: Age of Ultron... A
Batman Begins... A
Batman Dark Knight... A+
Batman Dark Knight Rises... A
Batman vs. Superman: Dawn of Justice... D
Big Hero Six... A+
Blade 2... B
Blade Trinity... B-
Captain America... A+
Captain America: The Winter Soldier... A+
Captain America: Civil War... A++
Daredevil (Director's Cut)... B+
Doctor Strange... A
Electra Woman and Dyna Girl... B-
Fantastic Four... C
Fantastic Four: Rise of the Silver Surfer... D
Guardians of the Galaxy... A+
Ghost Rider... C
Ghost Rider: Spirit of Vengeance... D
Green Hornet... D
Green Lantern... C+
Hellboy 2: Golden Army... A
Incredible Hulk... B
The Incredibles... A+
Iron Man... A+
Iron Man 2... A-
Iron Man 3... A+
Jonah Hex... F
Kick-Ass 2... B-
Man of Steel... F-
Punisher War Zone... C
Scott Pilgrim vs. The World... C
Spider-Man 2... A
Spider-Man 3... D-
Suicide Squad... D
Amazing Spider-Man... B
Amazing Spider-Man 2... B-
Superman Returns... C+
Thor: The Dark World... A
The Wolverine... B
X-Men 2: United... D
X-Men 3: Last Stand... F-
X-Men Origins: Wolverine... D
X-Men: First Class... B
X-Men: Days of Future Past... B-
X-Men: Apocalypse... D+
Posted on December 28th, 2016
And it's time once again for my annual wrap-up of movies that came out this year.
Or, more accurately, a "wrap-up of movies I saw that came out this year." As always, there's a bunch of movies I never saw that would have probably ended up on my list (we'll get to that later). And here we go...
THE TWELVE BEST...
These are my favorite movies from this year that I actually saw.
#1 Captain America: Civil War
Shocker. My love of comic books was rewarded in two fantastic Marvel films, and it was really tough to decide what should come out on top. I ultimately went with Cap because the movie was just so damn good at giving comic book fans everything they dream about in a film. Hero angst? Check. Cap and Iron Man draw the line over a super-hero registration act that leads them inexorably to conflict. Fresh characters? Check. Not only do we get the debut of one of the most awesome characters in the Marvel Universe, Black Panther, we also get a brand new Spider-Man that's more faithful to the concept than anything that's come before. Super-battles? Check. In what has to be the single best super-hero fight ever committed to film, Team Cap vs. Team Iron Man was flawlessly realized. Having a massive surprise come from Ant-Man in the middle of it all was just icing on the best-tasting cake ever. Granted, the plot was a bit flimsy and filled with coincidence and inexplicable story beats... but I just didn't care. I watched Civil War three times in the theater and another half-dozen on video. I cannot fathom how The Russo Brothers could possibly top this in Avengers: Infinity War, but I'm dying to find out. You can read my review of this epic blockbuster right here.
#2 Doctor Strange
After Black Panther, my favorite Marvel comic book hero is probably Doctor Strange. This year I got to see them both on the big screen, and I was not disappointed. This film is an origin story, yes, but it's not like it could have been anything else. Unlike Batman or Spider-Man whose origin has been told to death, Strange is a bit unknown to the general movie-going public. Fortunately, what we get is anything but Yet Another Formulaic Pile of Origin Garbage. Stephen Strange is compelling in all the right ways before he becomes Master of the Mystic Arts. And he's even more compelling before he becomes Sorcerer Supreme. On top of that, we get some mind-boggling special effects that makes Doctor Strange fresh, exciting, and new compared to all the Marvel films that came before it. Yes, I too am a bit flustered by the whitewashing of The Ancient One as a Celtic white woman (deftly played by Tilda Swinton), but I get why. Yes, I am disappointed that the location was shifted from Tibet, but I get why. Avoiding stereotypes and having to be mindful of global box office means that there will be compromises when putting a ton of money into a film of this magnitude. That Marvel did so without completely destroying it is admirable in the face of realities they had to confront. Much of what they got right has to do with the flawless casting of Benedict Cumberbatch as Strange... whom Marvel wisely postponed filming to get. He had absolutely everything the character needed to succeed in a movie, and Cumberbatch held nothing back. Doctor Strange will be appearing in future Marvel films (including Infinity War) but I want a new solo flick that's unfettered from an origin story. Badly. Here's my review of Doctor Strange.
Given how utterly shitty 20th Century Fox treated the character of Deadpool in the utterly shitty X-Men Origins: Wolverine, I fully admit that I was skeptical when it was announced a new solo movie was on the way. But when Ryan Reynolds (who was "Deadpool in Origins as well) promised that we'd be seeing something faithful to the outrageous character we knew from the comics, I became hopeful. It was a hope that paid off in spades. This is the fast-talking "merc with a mouth" that every Deadpool fan who suffered though Origins deserved. Mercenary Wade Wilson is diagnosed with inoperable, terminal cancer after finally finding the love of his life... and agrees to experiments meant to unleash super-powered abilities that will cure him. Unfortunately, things go terribly wrong, and the rest of the movie is Wilson trying to get a cure for the cure while also exacting revenge on the guy responsible. Absolute hilarity and fantastic action sequences ensue. Even in its quiet moments, Deadpool delivers... featuring perfect secondary characters played by TJ Miller and Leslie Uggams(!!!). Rated R for a reason... many reasons... but totally worth your time.
#4 Rogue One: A Star Wars Story
It's a Star Wars film. It has mind-boggling special effects. It has a return of characters you love and a new character that's destined to be a classic (new favorite droid K-2SO!). It features a plot that doesn't suck. The story is rough... even boring in parts... but serviceable. And, yes, I agree it's the best Star Wars movie since The Empire Strikes Back. So if you're a Star Wars fan, it's a foregone conclusion this movie is going to be on your "Best of 2016" list. That's why it's on mine.
#5 Kubo and the Two Strings
My love of animation embraces all its forms... hand-drawn... computer generated... cut-out... whatever. But the form that consistently blows me away is stop-motion animation, and Kubo is probably the most mind-bogglingly beautiful expression of it yet. Every frame is gorgeously orchestrated for scenes that are a dream to watch. It's just a bonus that there's a really great story behind it all. I will do you the favor of not disclosing anything about the plot. It's enough to know that this film is sheer magic and a must-see. Preferably on the big-screen (and, believe it or not, in 3D)... but if you missed it, home video will have to suffice.
#6 Star Trek Beyond
Rebooting the Star Trek franchise has been met with mixed feelings, and true fans either seem to love it or hate it. I absolutely love it. From the casting, which is a note-perfect nod to the original cast, to the beautiful special-effects, the films soar even when there is a misstep (of which Star Trek Into Darkness probably qualifies). Star Trek Beyond is yet another entertaining entry in the series, this time with an over-abundance of action filling the screen. But there's some real character moments scattered in there too, which is what makes the film work so well. Sadly, Anton Yelchin passed away after filming, which means this is the last time we'll see his perfect take on Pavel Chekov.
Color me shocked. Smart, cerebral, original sci-fi getting green-lit for a feature film? Whatever is Hollywood coming to? Oddly enough, I had read the original short fiction on which this film is based, Story of Your Life, and was not expecting that it would translate well to film given the time-bending aspects of the story. I was pleasantly surprised that they managed to get it right. Or... as close to "right" as they probably could. When aliens land on earth, world governments race to communicate with them so that they can unlock their secrets before other governments get a technological edge. The movie focuses on the American team (of course) lead by genius linguist Louise Banks (played by Amy Adams) and fellow scientist Ian Donnelly (played by Jeremy Renner). As Banks gets closer and closer to deciphering the language of the alien visitors, she finds that her perception of time is being altered. An ambitious adventure in cinema follows that's a true treat for sci-fi fans.
#8 Finding Dory
Revisiting the Finding Nemo universe was a risky gambit. But Pixar completely nailed it. I hesitate to say that it's a better film than the original... but Dory is a jaw-dropping, beautiful, overall joyful effort that will not disappoint Nemo fans. Having Sigourney Weaver drop in (as herself!) on the flawless voice cast was just perfection on perfection. If you love Pixar animation, here's your film.
#9 The Red Turtle (La Tortue Rouge)
Gorgeous animation from Studio Ghibli that's a warm blanket in visual form. The story is a gripping tale of survival that unfolds like a classic fairytale... but ends up being so much more. I truly hope that this overlooked gem makes a return to theaters after the festival circuit so people can see it as it was meant to be seen.
#10 The Nice Guys
Where in the hell did this come from? I completely missed it in the theater, but caught it on a boring cross-country flight. Boy was I glad to have discovered it, because The Nice Guys everything you love in a Shane Black film. And then some. Russell Crowe hasn't been this compelling since Gladiator. Ryan Gosling hasn't been this compelling ever. If you want to see a smart, funny, sophisticated 70's buddy flick that won't bore you (except when it does)... here you go.
Walt Disney Pictures has been on a roll lately, and Moana is probably my favorite film of theirs since Lilo and Stitch (though Big Hero Six deserves a mention here). The film tells the story of a young woman, Moana, who sets sail on a mission to save her people. Along the way she meets the demigod Maui (Dwayne Johnson) and a fantastical adventure follows. The action is bold, beautiful, and larger than life... all animated to stunning effect with lush, sweeping visuals... but it's so much more than just a pretty flick. It's got great music, plenty of magic, and characters with actual depth. If you love computer animation, you owe it to yourself to see Moana on the big screen.
#12 The Jungle Book.
If you had told me that a live-action remake of Disney classic The Jungle Book would hit my "best of..." list for 2016, I would have laughed in your face. But here we are. Filled with incredible CG visuals that bring the story to life like never before... and featuring one of the best "young actors" ever to appear in a movie, The Jungle Book is incomprehensibly great. And the voice cast! Bill Murray as Baloo? Ben Kingsley as Bagheera? Idris Elba as Shere Khan? It never ends. I cannot fathom how Jon Favreau managed to pull off such a feat, but I was completely engrossed in the film and truly didn't want it to end. If you skipped it because you were skeptical, now you know.
This is the film that ranked very high on a lot of critic's lists... and it's easy to see why. The characters are beautifully crafted and the world they inhabit feels fully realized. Everything is wonderfully animated and the voice cast is flawless. As if that wasn't enough greatness, it has a real story filled with humor and heart that's brilliantly told. I loved the film... a lot... but it just didn't have that sweeping, all-encompassing wonder that I got while watching Finding Dory and Moana. I struggled as to whether Zootopia or Jungle Book belongs in the final spot of my list, but settled on the latter because it was such a big surprise.
I was a bit let down by the ending, but everything up to that is funny enough that I didn't care. Surprisingly original with perfect casting.
This is why people go to the movies... a beautiful story that looks stunning and has a dynamite cast. Yes, there were problems along the way and the ending could have used some work, but this sexy, violent gem gets so much right that it's easy to overlook its flaws.
Electra Woman and Dyna Girl
YES, I LIKED IT! A remake of the Sid and Marty Krofft live-action Batman spoof featuring YouTube stars Grace Helbig and Hannah Hart. It's a funny distraction that respects the source material, but is fresh and new at the same time.
Popstar: Never Stop Stopping
A complete take-down of the Justin Bieber stereotype that somehow manages to be funny and entertaining. There were some parts that didn't work which kept it from being a new This is Spinal Tap, but is overall a terrific effort.
Was it as good as the original? Oh hell no. It's not even as good as Ghostbusters 2. But it had some funny moments and excellent special effects to make that made it watchable.
DIDN'T SEE, MIGHT HAVE MADE MY LIST...
Natalie Portman as Jackie Kennedy? Sign me up.
Naughty and animated. A great combination I never got around to seeing.
This is the movie that has been most-recommended to me this year. Can't wait to finally see it.
The Edge of Seventeen
Completely off my radar, but I've heard amazing things.
A film starring Chris Pratt and Jennifer Lawrence? Can't help but be worth watching.
Everybody Wants Some
Richard Linklater's follow-up to Boyhood. Who wouldn't want to see that?
NOT AS BAD AS THEY SAY...
Gods of Egypt
Yes, they whitewashed the cast. Yes, the special effects were all over the place. Yes, the story was a mess. But at least they tried to do something different. And for that alone, I was entertained. There were some big ideas here that were actually kind of cool and fun to watch... things just didn't come together in a way to make this compelling cinema.
Batman vs. Superman: Dawn of Justice
I don't even know where to start. This shitty, blasphemous, idiotic take on two of the most beloved super-heroes in the world was a continuation of Zack Snyder's horrendous Man of Steel. But since it fucked up Batman, it was probably an even worse movie. And while SvB's greatest sin is that it is just no fun (I was bored to tears despite the action beats, which were confusing and senseless)... we did get Wonder Woman on the big screen at last. Gal Godot was perfectly cast and they gave her a look that was amazing. Sadly, she wasn't enough to save this awful, awful mess.
This unbelievably tedious movie featured a forgettable assortment of villains forced to be heroes that fight an endless horde of magical zombies. In-between all that is some of the most boring, shitty dialogue you'll find. And, as if that weren't bad enough, Jared Leto's "Joker" was a fucking embarrassment.
Independence Day: Resurgence
Clearly a case of "We're making a sequel to a popular movie, but we haven't a fucking clue what to do, so... SPECIAL EFFECTS IT!" This would probably be the stupidest, blandest, dullest, most unbelievable shitty film of any year... lucky for Roland Emmerich, Batman vs. Superman and Suicide Squad stepped in to take the punches. I'd discuss the story, but not one bit of it was worth remembering, so I can't.
Posted on December 27th, 2016
To say that Princess Leia was a game-changer for me is an understatement of epic proportions.
Until having seen Star Wars, I can't recall a "movie princess" being little more than a set decoration in need of saving. Yes, Princess Leia started out that way... she was every bit the damsel in distress for the story's two male heroes (and a walking carpet) who set out to retrieve her from The Death Star... but once Princess Leia actually hit the screen, all that went out the window.
This princess wasn't taking any shit, and the fact that she could hold her own against Vader and Tarkin was pretty amazing. But the moment I totally fell in love with her was when the door on cell 2187 opened...
What I was expecting: "Oh, thank goodness you've come to save me!"
What I got: "Aren't you a little short for a Stormtrooper?"
And Leia's sarcasm, strength, and wit didn't end there. As anybody who's seen the Star Wars films (which would be everybody, I'm guessing), Princess Leia was kick-ass whenever she made an appearance.
A great deal of this can be laid on the doorstop of George Lucas who first wrote her that way.
But it was Carrie Fisher who made her that way.
And now Carrie Fisher gone.
Despite some incredible contributions to writing and cinema that went well beyond Princess Leia (she wrote Postcards from the Edge and was a highly-in-demand "script doctor" for a surprising number of films), it's this legendary fictional character to which she will be forever remembered.
My guess is she made her peace with it. Even those times she was wrapped in chains and wearing a metal bikini... something she had strong feelings about.
For which I'm grateful. Because she'll always be royalty to me.